Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Keyword
-
- Art (2)
- Ballets Russes (2)
- Choreography (2)
- Modernism (2)
- Abortion (1)
-
- Alice’s Adventures in Wonderland (1)
- Architecture (1)
- Authenticity (1)
- Ballet (1)
- Christopher Wheeldon (1)
- Dance (1)
- Dance History (1)
- Design (1)
- Digital (1)
- Digital Crypto Art (1)
- Drawing (1)
- Expressionism (1)
- Faith (1)
- Fauvism (1)
- Feminism (1)
- Fundamentalism (1)
- Graphic Design (1)
- Illustration (1)
- Information (1)
- Interdisciplinary (1)
- Interview (1)
- Jay Rogoff (1)
- Jennifer Homans (1)
- Kitsch (1)
- Logic (1)
- Publication
- Publication Type
Articles 1 - 10 of 10
Full-Text Articles in Entire DC Network
Body. Freedom. Choice: Creating Artwork In Post-Roe America, Erin Sedra
Body. Freedom. Choice: Creating Artwork In Post-Roe America, Erin Sedra
Graduate Theses/Dissertations
I knew from a young age that I never wanted children. Whenever I expressed my disinterest in motherhood, I was often met with bewilderment, disapproval, and hostility. The church I was raised in taught me that my value and worth as a woman directly correlated with the power of my birthing hips. This fundamentalist upbringing has significantly shaped my relationship with my femininity, my body, and my artwork. When I feel powerless, turning to my art gives me a sense of control and self-expression. This body of work began as a reaction to the overturning of Roe v. Wade and …
Geometric Times, Linguistic Spaces, Johanna Strobel
Geometric Times, Linguistic Spaces, Johanna Strobel
Theses and Dissertations
If the loop is the trademark of our times and truthiness the reversal of the uncanny, what is the correlation between logic and information? This writing investigates the role of repetition and motifs in the production of meaning, how kitsch and neutrality function as modes of signifiers and how authenticity relates to the banal.
The Brave New Virtual Art World The Evolution Of Digital Art: Nfts And Their Effects On The Art Market In 2021, Sophie Delaplaine
The Brave New Virtual Art World The Evolution Of Digital Art: Nfts And Their Effects On The Art Market In 2021, Sophie Delaplaine
MA Theses
The first half of 2021, NFT crypto art captured both the public’s attention and the art market due to the escalation of sales prices and the auction houses acceptance of cryptocurrencies. As an artform, digital art is not new. It began in the 1960s and 1970s with roots as early as the 1940s. During this evolution the lines between technology and art have intersected, often become blurred and in many cases have merged into new artforms. Even when scholars trace the origins of digital art to present day it is difficult to tell if scientists are influencing artists or artists …
Pathos, Fall 2020, Portland State University. Student Publications Board
Pathos, Fall 2020, Portland State University. Student Publications Board
Pathos
Interim Editor-in-Chief: Claire Miller
Inscape 2020, Morehead State University.
Inscape 2020, Morehead State University.
Inscape: Art & Literary Magazine Archive
The 2020 edition of the Inscape: Literary and Art Magazine.
Noah Fidlin Senior Art Portfolio, Noah J. Fidlin
Noah Fidlin Senior Art Portfolio, Noah J. Fidlin
Senior Art Portfolios
An art, photography and design magazine that combines analog and digital media.
Digital Expressionism And Christopher Wheeldon’S Alice’S Adventures In Wonderland: What Contemporary Choreographers Can Learn From Early Twentieth-Century Modernism, Kelly Oden
Butler Journal of Undergraduate Research
How can classical ballet adapt to a world that is in an ever more rapid state of flux? By uncovering an example of the kind of interdisciplinary artistic collaboration that contributed to the thriving artistic environment of the early twentieth century, a model for artistic success emerges. By examining modernism and Sergei Diaghilev’s Ballets Russes in relation to Christopher Wheeldon’s groundbreaking 2011 ballet Alice’s Adventures in Wonderland, a correlation between the success of the Ballets Russes and the success of Wheeldon is exposed. I argue that by applying the modernist practice of interdisciplinary interaction to his own productions, Wheeldon …
Revisiting Modernism And The Ballets Russes: What Contemporary Choreography Can Learn From Diaghilev, Kelly Oden
Revisiting Modernism And The Ballets Russes: What Contemporary Choreography Can Learn From Diaghilev, Kelly Oden
Undergraduate Honors Thesis Collection
In order to discover some of the features of what contemporary choreographers, dancers, artists, and musicians can learn from the Ballets Russes and the defining artistic movement of which they were a part-modernism-we must first take a journey back to Paris in the early twentieth century and work to unravel modernism's meaning in relation to different artistic media. We must ask complicated questions: What is modernism? What defines artistic success? What does it take to make something truly new? By asking such questions we can come to a deeper understanding of the conditions necessary to create a thriving artistic environment …
Architecture As Drawing: Representational Space Architecturally Transformed, Andrew Arkell
Architecture As Drawing: Representational Space Architecturally Transformed, Andrew Arkell
Architecture Undergraduate Honors Theses
This thesis project was motivated by the premise that a drawing could take on architectural meaning beyond its initial performance as a re-presentation of an architectural idea. Initially, there existed the goal to create a drawing that was architecture. In the creation of a process wherein the drawing is the research, however, there comes an understanding that a drawing may never be literal architecture; although, the means by which the drawing is created might be architectural, or at the very least, speak to ideals which are fundamental to the creation, to the process, of architecture itself.
Alice Spencer - Fabricating Time: Paintings And Collected Textiles, University Of New England Art Gallery
Alice Spencer - Fabricating Time: Paintings And Collected Textiles, University Of New England Art Gallery
Exhibition Catalogues
Alice Spencer - Fabricating Time: Paintings and Collected Textiles is the catalogue from the University of New England Art Gallery’s November 13, 2008—January 11, 2009 exhibition of the paintings and collection of Alice Spencer. The paintings in Fabricating Time are improvisational compositions, incorporating patterns chosen for their strong graphic nature, including changing scale and intricacy. These patterns serve as a metaphor for the evolution of the human spirit through time. The exhibition was designed as a dialogue between the paintings and the source of their inspiration - the hand-woven, embroidered, resist dyed and pieced textiles Spencer collected on trips throughout …