Digital Commons Network^™

Shakespeare Adapts, Grace C. Tiffany

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Screwtape In Wartime, Joe Ricke

Sehnsucht: The C. S. Lewis Journal

"This essay looks closely at the connections between Lewis’s wartime message to his listeners in his now famous, but then unlikely, sermon, “Learning in Wartime,” on 22 October 1939 and his wartime novel, The Screwtape Letters. It will range widely from biography to history to literary influences and to close reading of the texts to help reflect on its place not only in Lewis’s oeuvre but in his life and the lives of all those who, then and now, attend to the distinction between what Lewis (and, surprisingly, Screwtape) makes between the local wars of time and space and the …

The Road To Armageddon; Commonwealth Orcs, 1872-2000, Joseph Rex Young

Mythcon

J.R.R. Tolkien’s orcs are perhaps his most exported creations, having become stereotypical antagonists of fantasy games, hewn down in countless dungeons as the evil minions of unnumbered dragons. Commentators have raised justifiable questions about the notion of an ‘evil race,’ though on examination the absorption of orcs into the post-Tolkienian genre, especially by writers from the British Commonwealth, has perpetuated a strikingly consistent, coherently evolving notion of what that evil is. Rather than relitigate questions about the admissibility of orcish evil, the purpose of this paper is to document this point of continuance.

Tolkien equates the orcs of Middle-earth to …

America The Monstrous: The Birth Of American Horror Fiction In The Long Nineteenth Century, Rachel Kietzman

Dissertations

American gothic works that center the affect of horror explore themes of abjection, inhumanity, and monstrosity that impede a coherent expression of American identity. By approaching these works through the lens of horror rather than only as Gothic works, a picture ofa visceral, embodied becoming takes shape: America is a monstrous birth in the most literal sense of the word, a sign and demonstration that unity and uniformity are not the same, that wholeness does not require conformity, and that political choices are paid for in flesh. In short, American horror fiction is the head of Medusa, an apotropaic sign …

The Wanderers: Teaching The Literature Of Migration And Exile, Linda Zionkowski

ABO: Interactive Journal for Women in the Arts, 1640–1830

In our current global landscape, exile—or forced, often permanent migration—appears a central rather than tangential experience, being driven by armed conflict, environmental destruction, economic collapse, and political repression. The climate on many university campuses reflects students’ awareness of and concern for the situation of displaced populations, and this awareness has influenced political discourse and political action inside and outside the classroom. My course titled “The Wanderers: Teaching the Literature of Migration and Exile” begins with  Frances Burney’s narration of exilic experiences in her life writings and The Wanderer. Burney’s texts offer a conceptual foundation for exploring instances of physical …

Irish Identity: Symbols Of Nationalism In W.B. Yeats's Cathleen Plays, Emma Mady

University Honors Theses

William Butler Yeats was one of the leading figures of the Irish Literary Renaissance. Two of his plays, The Countess Kathleen (1892) and Cathleen ni Houlihan (1902) portrayed themes of nationalism and revivalism in strikingly different ways. Each play uses figures from folklore and mythology to establish a sense of national identity: the tale of "The Countess Kathleen O'Shea" inspired The Countess Kathleen, and the Irish Sovereignty goddess inspired the figure of legendary Cathleen ni Houlihan. The Countess Kathleen was met with harsh criticism and accusations of blasphemy, while Cathleen ni Houlihan is still widely regarded as Yeats's …

A History Of The Underground Comix Scene: The Seriousness Of An Unserious Genre, Harris Darcie Shugart

Master's Theses

The Underground Comix Scene of the 1960s and 1970s was born out of an age of censorship. The Comics Code Authority, a regulatory body created by the Comics Magazine Association of America in 1954, established guidelines requiring publishing houses to self-regulate following a recommendation from the United States Senate Subcommittee on Juvenile Delinquency in 1953. Comix with an X, for their X-rated nature, represent an emerging counter-culture in the latter half of the 1960s and the 1970s, with an epicenter of San Francisco. These comix and their artists were not interested in obtaining the looming ‘Seal of Approval’ from the …

Editorial, Jo Cottrell, Louise Kane

The Journal of Wyndham Lewis Studies

No abstract provided.

"Neutrality—That Was Anathema": The Critique Of Ideology In The Revenge For Love, Joseph Owen

The Journal of Wyndham Lewis Studies

No abstract provided.

The Reliance On Children In Atomic Bomb Literature, Chenyeng Vang

English Undergraduate Honors Theses

This paper explores the conventions of children’s literature, or what children embody in literature, and how it functions within atomic bomb literature in three ways: filling the gap of the unreliability of language, pushing past binaries through its queerness, and universalizing messages of peace to focus on a broad vision of a better future. Analysis involves atomic bomb literature written within the first five decades of the bombings, from 1945 to 1995. This research additionally seeks to answer the question: why children’s stories? This paper concludes that the dependence on children within atomic bomb literature hinges upon constructions of children …

Volume 12, 2024/2025, Full Issue

The Journal of Wyndham Lewis Studies

No abstract provided.

Time And The Small Man: Lewis's Early Democratic Tendencies, Alexander Alfred Scott

The Journal of Wyndham Lewis Studies

No abstract provided.

Redefining The Teenager: Liminality And The Dystopian Young Adult Heroine Who Overthrows The Government To Save The Child And Preserve Innocence, Ashtyn Zavala

All Theses

The teen girl figure has swept young adult dystopian fiction from 2008 onward, continuously overthrowing governments and acting outside of her socially defined roles. This stock character became a cornerstone in most YA fiction during its time, leading to this thesis’s investigation of its necessitation: why must a teenage girl save her country’s people from an oppressive government and why can none of the other children or adults do this saving? This thesis attends to Suzanne Collins’ The Hunger Games (2008-2025) and Tahereh Mafi’s Shatter Me (2011-2021) to examine the conditions and subsequent formula that give rise to this teen …

Dis/Remembrance: Expressions Of Intergenerational Memory And Where Legacy Lingers: American Warfare, 50 Years From Saigon, Eli(Se) Davidson

Undergraduate Honors Thesis Collection

Over fifty years from the Fall of Saigon, the United States continues to question its participation in unjust warfare, both as a nation and as a people. This study examines the transmission of war stories amongst families: specifically, what becomes negotiated in the thresholds of memory and narrative, and what might become of those spaces across past, present, and future. While prior discourse has centered on the authority and authenticity of war memory through political discourse, historical narrative, and public memorialization, the role of storytelling within families remains underexplored. This research addresses that gap through interdisciplinary inquiry and qualitative ethnography …

Romantasy's Inevitable Lasting Legacy, Devon T. Gibson

Honors Theses

The “romantasy” subgenre of YA literature has become influential for its novel combination of romance and fantasy as well as its popularity on Booktok, the book-based subsection of the popular social media app, Tiktok. This connection has become somewhat infamous in popular culture and has been underresearched due to how recently both concepts became significant forces within the publishing industry. This thesis argues that romantasy is a novel and lasting YA subgenre that is not dependent on Booktok to maintain it. The analysis of Sarah J. Maas’ A Court of Thorns and Roses (2015) and Rebecca Yarros’ Fourth Wing (2023) …

Just Roll With It: Literacy And Community Building In Hobby Board Gaming, Mackenzie C. Allen

English Undergraduate Honors Theses

With the rise in popularity of hobby board gaming in the last 25 years, their usefulness to studying adult engagement in literacy has emerged as a new avenue of exploration. Although there has been a large amount of research into how board games can be designed and played with learning in mind, the study of recreational board games in the context of literacy and community is lacking. This thesis explored the means through which board games played in recreational settings act as tools of literacy. Through direct gameplay of 36 games across 6 months, qualitative data was gathered in pursuit …

“One Object Yields Both Grief And Joy”: Death In Elizabeth Cary’S The Tragedy Of Mariam (1613), Valeria Suprunova

Theses and Dissertations

This thesis argues that the dialog between early ancient Roman and early modern English traditions of death and dying helps illuminate the complex relationship between tyranny and death in Elizabeth Cary’s The Tragedy of Mariam (1613) and that death is an inextricable and dynamic element of the text.

“…You Lost Your Way On That River As You Would In A Desert…”: Spec Ops: The Line As A Post-Imperialist Adaptation And Response To Heart Of Darkness, Logan Grime

Honors Projects

As an adaptation of Joseph Conrad’s Heart of Darkness, the military shooter video game Spec Ops: The Line grapples with adapting the themes and the narrative of an imperialist work into a modern post-imperialist context. By swapping England in Africa for America in the Middle East, the game criticizes America’s conduct of war in the Middle East by showing its similarities to the novella’s imperialism. Furthermore, Spec Ops: The Line focuses on America’s imperialism by adapting Heart of Darkness to an interactive format. “The horror” of violent imperialist action is placed upon the player as Spec Ops: The Line …

Tolkien’S Thomist Triad: A High Medieval Response To Contemporary Jus Ad Bellum, Jeffrey S. Dixon

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This paper reviews the development of the component of just war theory dealing with whether it is just to wage a war in the first place (jus ad bellum) from the early medieval to early modern eras and compares its principles to J.R.R. Tolkien’s novels about Middle-Earth. Tolkien’s views on the concept of jus ad bellum can be dated to a specific point in the medieval era, just before a number of modern, consequentialist criteria were added to Catholic thought on just war. I conclude that Tolkien’s fictional works permit broader justifications for war than do most modern just war …

The Truth, Owen R. Kruger

The Alembic

No abstract provided.

Using Ai To Build Background Knowledge, Bruce Powers, Keisha Motley

Virginia English Journal

The new technology of AI can be used to address an old need: the building of student background knowledge in order to improve comprehension and maximize ability to make inferences. Examples are shared and discussed.

Epic Anger And Shame In Lucy Hutchinson’S Order And Disorder, Mary Trull

ABO: Interactive Journal for Women in the Arts, 1640–1830

In his didactic epic, De rerum natura, the Roman poet Lucretius rejects the unity of affect and genre in Homeric epic. Instead, in Lucretius anger is anti-heroic: the human race is demeaned by fear, cowering before a fabricated vision of vengeful gods. The gods are not angry, and human fear is therefore absurd, even shameful, since it leads to outrageous acts of appeasement that violate basic human decency. When Lucy Hutchinson, the first English translator of the full De rerum natura, approached the task of writing an epic version of the book of Genesis, affect was already a central, …

Aaron Bair, A Joyful Outpost: Exploring The Household Economy Of The Beavers From The Lion, The Witch And The Wardrobe, Annie Crawford

Sehnsucht: The C. S. Lewis Journal

A review of Aaron Bair, A Joyful Outpost: Exploring the Household Economy of the Beavers from The Lion, the Witch and The Wardrobe (Independently published, 2023). 125 pages. $12.99. ISBN 9798869938367.

C. S. Lewis And Artificial Intelligence: An Ai Ethics Problem, Justin E. Edgerly

Sehnsucht: The C. S. Lewis Journal

This paper demonstrates that the quest for safe and ethical AI is undermined by much of the philosophy, implicit and explicit, in AI literature and undergirding AI research and development. C. S. Lewis’s writings provide a prescient and penetrating critique of this philosophy and point toward a “regenerate science” that addresses the present need for wisdom in AI development. This paper contributes to the field of AI ethics by presenting several Lewisian concerns about the nature, application, and undergirding philosophy of current and future AI technologies, as well as a Lewisian perspective on the requirements for safe and ethical AI.

Navigating Kingship: Sea Power And Sovereignty In Gower's Confessio Amantis, Elizabeth D. Brissey

Accessus

This article examines John Gower’s Apollonius of Tyre in the Confessio Amantis through the lens of the blue humanities, giving special attention to the ways in which the tale treats the sovereign’s maritime domain as integral to the terrestrial. Apollonius depicts sovereignty over aquapelagic space, with the sea serving both as a channel of exchange and as a figurative medium through which sovereignty is negotiated. The crucial issue that aligns the Apollonius tale with the concept of English sovereignty lies in its vision of thalassocratic space in which kingship is grounded in sea power and the sea as a connecting …

Entendre L’Inouï: Resonance, Volume, And Transduction In Gilbert Gatore’S Le Passé Devant Soi, Rebecca Saunders

Faculty Publications – English

This paper analyses three features of sound – resonance, volume, and transduction – in Gilbert Gatore’s novel of memory and the Rwandan genocide, Le passé devant soi [The Past Before Us]. Theorising two modes of resonance in Gatore’s novel – thematic and semiotic – I demonstrate how the novel is structured by semantic forms of resonance, how those resonances incite significance, and how they are augmented by a semiotic resonance that produces “vibratory meanings”. I subsequently examine the novel’s depiction of shatteringly loud volume, its ability to obliterate thought, and to cause physical harm. Elaborating reasons why the …

Calon A Hiraeth, Abigail Kubat

English Senior Capstone

It is a medieval historical fiction piece set in King John's kingdom. The heroine, Isolda, must navigate challenges regarding betrothal, marriage, identity, and her home as she comes to discover who she is made to be.

Writing Against The War Machine: Wiflred Owen's Poetic Challenge To World War I Pro-War Rhetoric, Elizabeth Woods

Theses and Dissertations

Wilfred Owen, a soldier-poet who fought in World War I, is often labeled an anti-war poet, with some claiming that he was against the war in its entirety. This thesis explores the opinion that Owen is not an anti-war poet but rather that he wrote against anti-pro-war rhetoric. This includes all types of pro-war rhetoric influential in England for recruitment purposes but mainly focuses on poetry that would be published in newspapers for everyday readers to see. Owen seems to specifically resist two types of pro-war rhetoric, the myth of the German barbarian and what he called the old lie. …

America The Not Yet Beautiful: Unfulfilled Promises In A Racist-Capitalist Society, Kaitlyn Tibbetts

Theses and Dissertations

This thesis draws from Langston Hughes’s poem “Let America Be America Again” to analyze four American novels that demonstrate the United States’s unfulfilled promises for lower-class individuals and minorities. The four novels examined in this thesis include: The Outsiders by S. E. Hinton, The Nickel Boys by Colson Whitehead, There There by Tommy Orange, and How the García Girls Lost Their Accents by Julia Alvarez. Utilizing theoretical frameworks such as social reproduction theory, intersectionality, and Burden-Shelly’s theorizations on racist-capitalist oppression, this thesis argues that the policies and systems that the U.S. is founded on are designed to primarily benefit economically …

Just War Theory In The Hunger Games: Suzanne Collins’S Critique Of Violence, Power, And Rebellion, Laila Hannum

Scripps Senior Theses

This thesis applies just war theory to Suzanne Collins's The Hunger Games trilogy, arguing that while the districts' rebellion satisfies the principles of jus ad bellum (justice in going to war), it systematically violates jus in bello (justice in the conduct of war) and jus post bellum (justice after war), and ultimately replicates the oppressive structures of the Capitol it sought to overthrow.

Drawing primarily on Michael Walzer's Just and Unjust Wars and on Brian Orend's ideas on post-war justice, this thesis traces the rebellion's moral arc across all three novels. Chapter One shows that the rebellion meets the criteria …