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'Youth Ventures Into The Unknown' Developing An Individual Style Of Dance Making, Kate Herron
'Youth Ventures Into The Unknown' Developing An Individual Style Of Dance Making, Kate Herron
Theses : Honours
As a new emerging dancer and artist who is highly interested in the form of choreography, the search for knowledge and understanding of where choreography has come from as well as how to generate works have been at the forefront of my personal journey in dance. My thesis looks at and asks how the formal choreographic elements and approaches can assist new choreographers in developing an individual style of dance making? This question leads to the various approaches and elements taken from famous choreographers over time, and assesses how new emerging artists can draw from these examples as a way …
The Relationship Between Working Memory Capacity And Movement Memory Of Dancers, Katrina Louise Muller-Townsend
The Relationship Between Working Memory Capacity And Movement Memory Of Dancers, Katrina Louise Muller-Townsend
Theses : Honours
Working memory capacity span tasks are suggested to predict complex cognitive behaviour across varied domains (Conway et al., 2005). However, it has been criticised that expert skills are highly situational and domain specific (Marteniuk, 1974). The current research aimed to investigate whether general memory span was related to movement span, and furthermore, whether this can predict dance learning. It was expected that memory for movement would be positively correlated with measures of working memory, due to the specific components of working memory, such as the capacity of the phonological loop. Furthermore, it was expected on the basis of previous research …
Architects Of The Identity Of Dance: Gender Inequity In Achievement And Acknowledgment In Australian Contemporary Dance, Quindell Orton
Architects Of The Identity Of Dance: Gender Inequity In Achievement And Acknowledgment In Australian Contemporary Dance, Quindell Orton
Theses : Honours
Evidence suggests that males receive more opportunities, awards and dominate the dance scene in terms of artistic directorship of high visibility, large budget contemporary dance companies within Australia. This research investigates why and how males have come to be the architects of the identity of dance and the factors which may inhibit a counterpart female's likelihood of assuming the same role. Much of this paper deals with constructing hypotheses for how gender disparities in contemporary dance may have come about. In order to devise informed hypotheses, I have gathered data on government funding and national dance awards. In addition interviews …