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Articles 1 - 30 of 3389
Full-Text Articles in Entire DC Network
Scénographier La Mémoire : Le Costume Théâtral Comme Archive Vivante. Retour Sur L’Exposition « Tisser Le Temps », Mohammed Amin Boudrika
Scénographier La Mémoire : Le Costume Théâtral Comme Archive Vivante. Retour Sur L’Exposition « Tisser Le Temps », Mohammed Amin Boudrika
Regards
This article examines the role of theatre costume in constructing and transmitting the memory of the performing arts, drawing on the exhibition Tisser le Temps: Histoire et Création du Costume Théâtral Marocain (Weaving Time: History and Creation of Moroccan Theatre Costume), presented in 2024 as part of the National Theatre Festival of Tetouan. Given the ephemeral nature of theatrical performance, costume emerges as a material trace capable of preserving the memory of the production, of the actor's body and of the creative process. In this sense, it can be regarded as a genuine "living archive". The article also analyses the …
Archiver Le Théâtre Algérien : Itinéraire D’Un Chercheur, Ahmed Cheniki
Archiver Le Théâtre Algérien : Itinéraire D’Un Chercheur, Ahmed Cheniki
Regards
Undertaking research on theatre in Algeria, the Arab world or sub-Saharan Africa is by no means an easy task; it is closer to an obstacle course. It is far from the simple "intellectual adventure" it is so often imagined to be. It is a gruelling experience, patiently built up over time: the outcome of a long and delicate process, a lengthy journey made up of rewarding moments, to be sure, and genuine discoveries, but also of trial and error, self-questioning, refusals, closed doors and, at times, decisive encounters.
Résumé
Entreprendre une recherche sur le théâtre en Algérie, dans le monde …
رحلة في أرشيفات المسرح العربي مقابلة مع أ.د سيد علي إسماعيل, Ons Trabelsi
رحلة في أرشيفات المسرح العربي مقابلة مع أ.د سيد علي إسماعيل, Ons Trabelsi
Regards
This interview looks back on the career of theatre researcher and historian Sayed Ali Ismail and on his distinctive journey through the forgotten and marginalised documents of Arab theatre. The historian highlights the importance of archives in building a reinterpretation of the history of the performing arts in the Arab world, particularly in Egypt.
ملخّص
تتناول هذه المقابلة المسيرة المهنية للباحث والمؤرخ المسرحي سيد علي إسماعيل، بالإضافة إلى رحلته الفريدة مع الوثائق المنسية والمهمشة في مجال المسرح العربي. ويؤكد الباحث على أهمية الأرشيفات في إعادة قراءة تاريخ الفنون المسرحية في العالم العربي، ولاسيما في مصر
كلمات مفتاحية
الأرشيف، التوثيق، التاريخ، …
Palestinian Theatre Studies: The Emergence Of A Field, Noor Shihadeh
Palestinian Theatre Studies: The Emergence Of A Field, Noor Shihadeh
Regards
This article analyses the emergence of Palestinian theatre studies, a field of research bound to the modern history of Palestine and to the settler colonial violence that marks it. This violence strikes people, their cultural production and the very possibility of preserving it, shaping in turn how scholarship circulates and where it can be conducted. Studies on Palestinian theatre have nonetheless appeared since the 1960s. The article examines them through a multilingual literature review (Arabic, English, French, Italian, Hebrew) and identifies three main lines of research: a historical-documentary approach, a socio-political and anthropological approach, and a body of studies devoted …
Héritages, Mémoires Et Transmissions Dans « Augures (LaʿAllā Wa ʿAsā) » De Chrystèle Khodr, Najla Nakhlé-Cerruti
Héritages, Mémoires Et Transmissions Dans « Augures (LaʿAllā Wa ʿAsā) » De Chrystèle Khodr, Najla Nakhlé-Cerruti
Regards
This article examines how Augures (Laʿallā wa ʿasā), a play created by Chrystèle Khodr in 2021 in Beirut and then presented in France, constructs an alternative historiography of the Lebanese civil war through theatre and its history. While the history of theatrical practice during this period remains largely unwritten in Lebanese historiography, the play draws on the intertwined memories of two iconic actresses, Hanane Hajj Ali and Randa Asmar had never converged before this production. Drawing on textual analysis, observation of the performance, and secondary sources, the article shows how Augures turns the stage into a space where history is …
L’Archive, Enjeu Et Miroir De La Structuration Du Mouvement Théâtral Indépendant En Égypte, Pauline Donizeau
L’Archive, Enjeu Et Miroir De La Structuration Du Mouvement Théâtral Indépendant En Égypte, Pauline Donizeau
Regards
This article examines the link between the archives of the independent theatre movement in Egypt and the movement’s difficult journey towards structuring itself, from its formation in the late 1980s to the present day. For the artists involved in this movement, who create outside the structures and funding of official institutions, the archives represent a major challenge in political, economic and aesthetic terms.
Résumé
L’article s’intéresse au lien entre les archives du mouvement théâtral indépendant en Égypte et sa difficile structuration, depuis sa formation à la fin des années 1980 jusqu’à maintenant. Pour les artistes de ce mouvement, qui créent …
نقد معاوية نور لمسرح أحمد شوقي (1929-1932): قراءة في أرشيف مجهول, Essam Abu Elgasim Abdel Wahid
نقد معاوية نور لمسرح أحمد شوقي (1929-1932): قراءة في أرشيف مجهول, Essam Abu Elgasim Abdel Wahid
Regards
Critiques of Ahmad Shawqi’s drama formed a prominent feature of the Sudanese critic Muawiya Muhammad Nur’s theatrical scholarship. Among the six articles he dedicated to analyzing theatrical works, Nur authored three pivotal essays on Shawqi’s theater published during the "Prince of Poets" life- time. The significance of these articles today lies in the fact that they remained "unknown" and absent from foundational references, leading to the omission of Nur’s contributions from studies documenting Arabic theatrical criticism in the pre-Mohamed Mandour era. This study serves as a call to re-read the history of Arabic theatrical criticism through a more precise and …
Introduction, Marianne Noujaim, Ons Trabelsi
Introduction, Marianne Noujaim, Ons Trabelsi
Regards
L’histoire du théâtre arabe est une histoire traversée par des silences, des lacunes, et des discontinuités qui relèvent autant des conditions de préservation des spectacles que des modalités de la mise en place d’une historiographie rigoureuse. D’aucuns infèrent de ces lacunes la carence de production des arts du spectacle dans le monde arabe. Dans la préface de son ouvrage Al-Masraḥ al-munawwaʿ, Tawfīq Al- Ḥakīm (1966) déplorait ainsi le fait que « notre création théâtrale contemporaine surgît ainsi de rien ou de presque rien, de quelques rares expériences […], œuvrant par-delà un abîme vertigineux que les efforts fournis au fil …
Climbing As Healing: In War-Torn Ukraine, An American From Pennsylvania Leads A Climbing Program For War-Affected Children, Natalie Berry
Climbing As Healing: In War-Torn Ukraine, An American From Pennsylvania Leads A Climbing Program For War-Affected Children, Natalie Berry
Appalachia
A journalist gets to know young climbers and their families as they explore rock in Ukraine.
The Insights Of Literacy, Yasmim Alves Da Silva
The Insights Of Literacy, Yasmim Alves Da Silva
Undercurrents: A Journal of Undergraduate Student Composition
No abstract provided.
On The Paces Of Artaud: An Attempt To Examine An Afro-Futurism Template Through The Lens Of Theatre Of Cruelty, Nihal Hassan Abdulla
On The Paces Of Artaud: An Attempt To Examine An Afro-Futurism Template Through The Lens Of Theatre Of Cruelty, Nihal Hassan Abdulla
LSU New Orleans Theses and Dissertations
This thesis analyzes the scenic rationale of Baby Love, highlighting its poetic stage language and metaphoric choices. Referencing Artaud, it investigates how scenery challenges conventional theatre and demonstrates the feasibility of Afro-futurist aesthetics within the Theatre of Cruelty. The approach prioritizes sensory communication, following Artaud’s emphasis on stage techniques.
Referring to the influence of Artaud’s intense artistic milieu, which contributed to the crystallization of the concept of Cruelty, and identifying methodologies used in developing my design metaphor.
Tracing the emergence of the Afrocentric movement in America reveals that the literary roots of Afro-futurism were established in cyberculture a bit earlier …
Voters’ Perception Of Nigeria’S Electoral Process: An X-Ray Of The 2023 Presidential Election, Omamurhieme Julia Akpodovhan, Chukwuma Anyanwu Dr
Voters’ Perception Of Nigeria’S Electoral Process: An X-Ray Of The 2023 Presidential Election, Omamurhieme Julia Akpodovhan, Chukwuma Anyanwu Dr
International Review of Humanities Studies
In its six decades of post-independence, Nigeria has experienced the best and worst in military and democratic governance fluctuating from one to the other. It has purportedly settled into a democracy but with highly flawed electoral processes. This paper interrogates the February 25, 2023 Presidential election with a view to assessing the perception of voters in the exercise to determine whether there has been an improvement or otherwise in the status quo of how previous elections were conducted. Drawing from historical antecedents, participant observation and opinion poll research techniques, the authors relied on information from five of ten polling booths …
Contested Borders And National Identity In Southeast Asia: An Analysis Of Thailand– Cambodia Dispute Through Nontawat Numbenchapol’S Documentary Film, Boundary, Mirwan Andan
International Review of Humanities Studies
Southeast Asia remains a region marked by numerous interstate border disputes. Among these, the Thailand–Cambodia border dispute surrounding the Preah Vihear Temple, located between Sisaket Province in Thailand and Preah Vihear Province in Cambodia, represents one of the conflicts with the greatest potential to affect regional stability and harmony in the region. This dispute extends beyond questions of territorial sovereignty, encompassing the construction of national identity, historical memory, and the domestic political dynamics of both countries. This article examines the representation of nationalism in Boundary (2013), a documentary film directed by Thai independent filmmaker Nontawat Numbenchapol. Drawing on perspectives interdisciplinary …
(Un)Easily Writing The Future, Stuart Moulthrop, Judith Pintar, John G. Mcdaid
(Un)Easily Writing The Future, Stuart Moulthrop, Judith Pintar, John G. Mcdaid
ELO (un)supervised 2026
General Abstract: This panel brings together three experienced digital writers who have recently begun to explore Language Models and transformers in creative and academic practice. Each of us will comment on recent experience and projects, reflecting on how these technologies alter the way we think of ourselves as writers and teachers.
[1] Judith Pintar, "The Non-applicability of Wishing due to Lack of Capacity".
Pintar will discuss her experience of facilitating Gemini AI in a Rogerian therapy session with an Eliza bot written in the Inform programming language. The session is occasionally interrupted with a meta-conversation with Gemini regarding its responses. …
Singulars: Performing The Reverse Turing Test, Halim Madi
Singulars: Performing The Reverse Turing Test, Halim Madi
ELO (un)supervised 2026
Singulars is an ongoing series of performance systems in which I co-create poetry with a language model trained on an anthology of English poetry alongside my own writing. Across three works—carnation.exe, versus.exe, and reinforcement.exe—I stage live reinforcement loops in which my poems and the model’s responses compete for audience votes. The audience functions as an embodied feedback mechanism, shaping the evolution of both the machine and the human poet in real time.
This paper examines what happens when a poet becomes both author and training data. Drawing from creativity research, metacognition, and social cognition, I reflect …
Poetry As Performance: The Case For "Camp" In Catullus, Jasmine Patera
Poetry As Performance: The Case For "Camp" In Catullus, Jasmine Patera
Floodwall Magazine
No abstract provided.
Ztc Eng 2400: Composition Ii Syllabus, Ann Marie Dorr
Ztc Eng 2400: Composition Ii Syllabus, Ann Marie Dorr
Open Educational Resources
Asynchronous continuation of writing studies in Composition II considering the lens of the role of the cultural critic using New York Times access as the key resource via the CUNY Library system to consider writing research based essays including personal narrative, academic research papers, and reviews.
Drawing As Continuance: What Insists On Being Heard, Darlene St. Georges
Drawing As Continuance: What Insists On Being Heard, Darlene St. Georges
Artizein: Arts and Teaching Journal
This article extends She-Hero through an inquiry into drawing as a creation-centred practice of continuance. Five drawings are engaged as aesthetic encounters through which relational and perceptual shifts become perceptible, allowing inner authority to emerge as a cultivated capacity to remain responsive to what is unfolding. Drawing is approached as a site of metramorphic reconfiguration where imagination, memory, and embodied sensing participate in the decolonizing of perceptual habits and the restoration of relational ways of knowing.
Showing It! Art Matters. But Why? How?, Holly Edwards
Showing It! Art Matters. But Why? How?, Holly Edwards
Artizein: Arts and Teaching Journal
This article addresses the agency of art with reference to an exhibition entitled “The Nature of Spirit”. That show appeared in the local public library, resonating strongly with notions of “heartwork”. My first Artizein publication was written in response to 9/11, and this one maintains comparable urgency, seeking solace in art precisely when the world seems to be sliding into lunacy. The prose explores the powers of art in traumatizing times with words, while the images offer the reader insight and support energetically.
Text/Ures, Kathy Mantas
Text/Ures, Kathy Mantas
Artizein: Arts and Teaching Journal
By entwining the voices of other co-creators, text and images, I share a brief site-specific photo-reverie of my life-long allure to trees—in this instance, by attending to the trees near my home. This offering is rooted in peripatetic aesthetic practices that embrace a slower creative approach and more spellbinding ways of living, learning and knowing. In essence, this is an invitation to have an artful encounter with text/ures of trees.
Attending The Way Of The Crane: Centring Our Lives Through Creative-Centred Work, Alexandra Fidyk
Attending The Way Of The Crane: Centring Our Lives Through Creative-Centred Work, Alexandra Fidyk
Artizein: Arts and Teaching Journal
A dreamscape using pastiche is used for reflecting upon the value of creative-centred practice and research. Attending to the image through reflection and circumambulation offers entry to a centring practice. In holding both, a new image emerged. The dreamscape—an unexpected scene of cranes in joyous dance—unfolds as actual dream and offers a metaphor for understanding an arc within the dreamer’s life. In this condensed yet nuanced rumination, personal and professional, poetic and haptic, participating and witnessing blur. This practice, the way of the Crane, is timely because it introduces relational pedagogy and testimonial teaching for our times—while touching the pulse …
Mapping The Legacy Of Cinnabar Mining In California's Santa Ynez River, Lorrie Blair
Mapping The Legacy Of Cinnabar Mining In California's Santa Ynez River, Lorrie Blair
Artizein: Arts and Teaching Journal
This essay is a reflection of an artist residency focused on the environmental legacy of California’s cinnabar mining. The mineral cinnabar is a primary source of mercury that was used to mine gold in California in the 1800s, and is still used globally. For this residency, I asked, “How can I creatively map the emotional and sensory landscapes of Cinnabar mining sites?” “How can art making serve to expose elements of an ecological crisis?” To answer these questions, I created cyanotypes made in and with the Santa Ynez River, which flowed through two abandoned cinnabar mines. Cyanotypes are made by …
Teaching The Eye To Slow Down: Attentive Noticing As Ecological Practice, Sara Ko
Teaching The Eye To Slow Down: Attentive Noticing As Ecological Practice, Sara Ko
Artizein: Arts and Teaching Journal
This visual essay unfolds through acts of careful noticing. Drawing from materials encountered through repeated walks across forested landscapes on Vancouver Island, it translates moss, soil, plant matter, and animal traces into immersive digital environments. Working through atmosphere, texture, and shifting forms rather than fixed representation, the project explores how perception is shaped by time spent with what is often overlooked. Digital processes are used not to stabilize or explain, but to hold uncertainty, fragility, and partial presence. The work invites readers to slow their looking and consider how learning, relation, and meaning can emerge through sustained attention.
Red Thread Projects For Placentary Peace, Nané Jordan
Red Thread Projects For Placentary Peace, Nané Jordan
Artizein: Arts and Teaching Journal
Red Thread Projects are aesthetic expressions of my placental, eco-birthing philosophies as an artisteducator- scholar with lifelong roots reclaiming midwifery, and compassionate mother-centred birth care. Uplifting “birth” within embodied, feminist epistemologies, I aim to re-vision with the Mother, writ large and small. Since 1997, I have been creating textile artworks with red thread, activating these through performances in nature, where artwork, body, and place become interwoven texts, gifting gratitude to and with Mother Earth. My arts-centred research contributes to community education that empowers birth-givers, while advocating for the embodied, love-infused potentials of birth for human thriving.
Moving Forward: The Pulse Of Arts-Centred Research [Editorial], Darlene St. Georges
Moving Forward: The Pulse Of Arts-Centred Research [Editorial], Darlene St. Georges
Artizein: Arts and Teaching Journal
Editorial
Artizein Editorial Team: Movements And Transitions, Barbara Bickel
Artizein Editorial Team: Movements And Transitions, Barbara Bickel
Artizein: Arts and Teaching Journal
Editorial overview of movements and transitions taking place with the Artizein editorial team.
About The Cover Art: Pulsing Renewal, Darlene St. Georges
About The Cover Art: Pulsing Renewal, Darlene St. Georges
Artizein: Arts and Teaching Journal
“Pulsing Renewal,” featured on the cover of this issue, is part of River’s Invocations, a creation-centred inquiry exploring River's ecologies, relationality, and creation. The painting was chosen for its close affinity with the issue theme, The Pulse of Arts-Centred Research. The visual language of Pulsing Renewal—its movement, rhythm, and emergence—echoes the vitality, responsiveness, and ongoing renewal evident across the articles, artworks, and conversations assembled in this volume. The work is presented here as a thematic point of entry into the diverse inquiries that follow.
Full Issue_Artizein Arts And Teaching Journal, Darlene St. Georges, Barbara Bickel
Full Issue_Artizein Arts And Teaching Journal, Darlene St. Georges, Barbara Bickel
Artizein: Arts and Teaching Journal
Full Issue
From Story To Stage: A Journey In Pursuit Of Virtuous Leadership And Artistic Intentionality Through Student Directing A Full Play Production At University Level Theatre, Josephine L. Partridge
From Story To Stage: A Journey In Pursuit Of Virtuous Leadership And Artistic Intentionality Through Student Directing A Full Play Production At University Level Theatre, Josephine L. Partridge
Honors Projects
A passionate storyteller and artist, earning her Bachelor of Arts Degree in Honors Liberal Arts and Theatre-Performance, explores her personal potential as the play Director of Little Women, a stage play adaptation based on the 1868 novel by Louisa May Alcott, adapted from the 1912 play by Marian de Forest and Jessie Bonstelle written by Josephine Partridge. Throughout the course of four months, Partridge adapted the script and works as Director and Marketing Director for this production with SPU Theatre Company club. She uses this experience to deepen her understanding and practice of intentionality with artistic vision and virtuous leadership. …
Performance Of Illustrations And Images As Language In Sarnath Banerjee’S All Quiet In Vikaspuri, Akanksha Barthwal Ms
Performance Of Illustrations And Images As Language In Sarnath Banerjee’S All Quiet In Vikaspuri, Akanksha Barthwal Ms
SANE journal: Sequential Art Narrative in Education
Sarnath Banerjee’s All Quiet in Vikaspuri, fictionalizes but at the same time addresses water wars and political ideologies in the city of Delhi. By the means of eco-critical approach in the name of Vi-kas (development) Banerjee discuss the acts of slow violence subverted on nature in the name of progress (vikas). Through text/ images the author depicts chaos and challenges for the readers in more direct and obscene ways. The current paper attempts to look at Banerjee’s illustrations and images as new form of language emerged in modern Indian literature with the possibly that illustrations have more effect on …