Digital Commons Network^™

Unveiling Iolanta: Blindness In Nineteenth-Century Opera, Nafset Chenib

Dissertations, Theses, and Capstone Projects

This dissertation explores the main tropes of representing and narrating blindness in nineteenth-century opera and fictional literature with a particular emphasis on Tchaikovsky’s 1892 one-act opera Iolanta, with its blind protagonist. Examination of the production history of Iolanta reveals that misrepresentations and misconceptions ingrained within Tchaikovsky's libretto and music have governed directorial choices, consequently giving rise to a homogeneous, predominantly unfavorable portrayal of blindness on the stage. I suggest an approach to the opera that is more consonant with the lived experience of blindness.

The Village On The Stage: Dramaturgies Of Modernity In African Concert Dance, Margit N. Edwards

Dissertations, Theses, and Capstone Projects

My dissertation, The Village on the Stage: Dramaturgies of Modernity in African Concert Dance, analyzes the underlying theatrical logic in African concert dance through a dramaturgical model I call the village on the stage. The village on the stage dramaturgy has had multiple iterations over the 20^th and 21^st centuries both across the African continent and the African diaspora. Commonly presented within the world-dance market as neo-traditional African dance, the village on the stage refers to a set of practices of staging traditional dance and music of Africa and the African diaspora and serves as a …

Beneath The Mask: The Performance Of Blackness And Economies Of Caricature In American Fiction, Terri Bowles

Markets, Globalization & Development Review

In American Fiction (2023), written for the screen and directed by Cord Jefferson, satire, drama and comedy frame a knife-sharp examination of America’s cultural reproductions of stereotype and caricature. The film, based on Percival Everett’s novel Erasure, explores the fraught professional position of Thelonious “Monk” Ellison (Jeffrey Wright), a professor-author pressed to write a bestseller amid family upheaval and financial strain. Monk’s resulting novel, a gritty send-up of urban tropism drafted in a fit of fury and frustration, exploits America’s fixation on commodifying and flattening Blackness—and becomes an instant hit. This review explores the film’s interrogations of race, class and …

A New Canon: Dismantling Racist Exclusion In Opera And Paving The Way For Inclusive Representation, Kourtney J. Holmes

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document examines the exclusion of African American opera from the traditional Western operatic canon and standard performance practices within educational institutions and professional organizations. The narrow conception of opera as a European art form has obscured the contributions and cultural significance of works by pioneering African American composers. This study addresses this gap and elevates neglected histories by arguing for African American opera's artistic merit and contemporary relevance within the American operatic tradition.

Through musical and historical analysis of representative works from the late 19th/early 20th centuries onwards, I aim to illuminate the genre's unheard tales of struggle, identity, …

First Comes Love, Then Comes Disparage: How The Production Code Impacted Women’S Roles In Romantic Comedies, Emma Hoback

Honors Projects

Through the analysis of twelve films, I looked to see how the creation and dissolving of the Motion Picture Production Code impacted women’s representation on screen. I looked at six films from the pre-Code era of film (1930-1934) and six films from the newly defined post-Code period (1968-1972). In this paper, I break down the Production Code itself and conduct genre research. The romantic comedy sub-genre was selected for this project. The romantic comedy creates a space for women to have leading roles and have comedy make fun of or reinforce gendered stereotypes. This paper looks at how women went …

The Representation Of Young Black Male Characters In 80s And 90s Sitcoms, Tavin M. Cochran

Honors College Theses

Sitcoms are a great formulaic art form. Characters being in ridiculous situations in front of a live studio audience to emphasize the complexities of life is an exciting way of storytelling. When I was younger, I noticed that I would relate to the main characters as if their flaws were my own. I enjoyed doing it. When I began relating to side characters as well, I understood the different roles in sitcoms. You will have a main character and a side character to compliment them. Seeing another young black male on television made me feel represented. Many shows have given …

Transformed Feminist Spaces And Identity Construction: Women Pandwani Performers In Indian Folk Theater, Shalini Attri

Journal of International Women's Studies

Theater proposes an alternative reality and different possible identities offering a framework of how representation works in performances, and it further provides an understanding of the transformative potential of enactment. The attempt to retrieve and re-write women’s histories through performances develops a culture of reconstructive capacities that resists absorption into the dominant culture. In theater, women have asserted their own vision and exercised their own viewpoints, expanding feminist space and communicating with spectators by employing publicly encoded signs. The folk theater of India, in particular, provides a public space to the (silenced) subaltern to assert agency and question the modalities …

The Black Women Who Were Not In American History Books: The Women Of The Black Wall Street Massacre Of 1921, Antoinay Ruby Gwendoyln Collins

Senior Projects Spring 2024

Senior Project submitted to The Division of Social Studies of Bard College.

Disability Representation In Contemporary Playwriting, Caroline Hull

Graduate Thesis and Dissertation 2023-2024

Is it possible for a playwright to authentically capture the disabled experience without it becoming privy to stereotypes or utilized as a catalyst for the plot? The thesis aims to challenge the prevalent notion that making the disability intrinsic to a theatrical plot is essential for authentic representation, and instead asserts that authentic portrayal of the disabled experience can exist independently of making the disability a central plot device. To support this claim, In Chapter One, I engage with relevant work in the field of playwriting and narrative media studies, such as the workshop "Inaccessible: Writing Plays with Characters who …