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Nature Of The Crescent: Humans And The Natural World In Genesis 1-11 And Mesopotamian Mythology, Bryton A. Smith Jan 2019

Nature Of The Crescent: Humans And The Natural World In Genesis 1-11 And Mesopotamian Mythology, Bryton A. Smith

Honors Papers

This capstone thesis examines the human-nature relationship in the Genesis primeval history (Gen. 1-11) and compares it to the human-nature relationship in the Mesopotamian Enuma Elish, Atrahasis, and Epic of Gilgamesh myths. Despite common threads running in the two sources of mythology, I argue that Genesis is the only text that portrays humans in a religiously and royally authoritative position that includes responsibility for nature. To clarify, modern Jewish or Christian thought on Genesis in relation to the environment is not the focus of this study. Instead, this study examines Gen. 1-11 in the context of the ancient Near East, …


A Discussion Regarding Various Animals' Abilities To Make Music And Move Rhythmically To Songs, Emilie R. Bufford May 2017

A Discussion Regarding Various Animals' Abilities To Make Music And Move Rhythmically To Songs, Emilie R. Bufford

Capstone Projects and Master's Theses

This project involves exploring the presence of music and rhythmic abilities in specific animal species. The main subjects are whales, sea lions, gorillas, elephants, birds, and mice. The goal of this project was to compare their abilities to those of humans, and overall, determine whether such abilities are considered musical. Cases where animals demonstrate the ability, both learned and innate, to move to a beat are analyzed, along with animals who demonstrate musical vocal abilities naturally in the wild. The previously unknown frequencies of whales, mice, and elephants, are brought to light. These findings bring up the possibility of even …


Not Shut In By Any Fence, Anna Bullock Brown May 2013

Not Shut In By Any Fence, Anna Bullock Brown

Undergraduate Honors Capstone Projects

From their beginning in the mid-l 800s, zoos ( or zoological gardens as they were first known) were meant for both research and education. They offered viewers the opportunity to see animals that they otherwise would never have seen. These animals were kept in cages to protect the zoo-goers. The history of zoos demonstrates a conflicting desire between our human need to connect with animals as well as our fear (literal and metaphoric) of what that connection might mean. Informing this creative project are three main areas of research: primary research in the form of interview, place-based research conducted at …