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Articles 1 - 30 of 138
Full-Text Articles in Entire DC Network
Le Théâtre Amateur Marocain. Trajectoire D’Un Théâtre Alternatif, Omar Fertat
Le Théâtre Amateur Marocain. Trajectoire D’Un Théâtre Alternatif, Omar Fertat
Présence Francophone: Revue internationale de langue et de littérature
Modern Moroccan theatre was born with non-professional artists and has remained intimately linked to this milieu. Unlike professional playwrights, non-professional artists have never bowed to the demands of political authorities, whether it be the French administration or the local Makhzen. They used this artistic medium as a forum for debate and resistance against the oppressor. This freedom of expression operated not just at the political level but also at the aesthetic level. Since non-professionals were not constrained by the need to please an audience fond of social comedies and melodramas, they could explore more risky avant-garde paths. In spite of …
Front Matter And Table Of Contents (V.73)
Front Matter And Table Of Contents (V.73)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Damner Le Damier Ou Rédimer La Danse De La Terre Dans Le Meurtre Du Samedi Gloria De Raphaël Confiant, Hanétha Vété-Congolo
Damner Le Damier Ou Rédimer La Danse De La Terre Dans Le Meurtre Du Samedi Gloria De Raphaël Confiant, Hanétha Vété-Congolo
Présence Francophone: Revue internationale de langue et de littérature
The value of the “damier”, a traditional dance from Martinique, is significant because it evokes cohesion, order and balance and symbolizes distinctive attributes from Martinique’s society at large. Martinique enters in a new era which characteristics are defined by regional development. This development is a break between the past and the present or with population’s intelligible referents and landmarks, and is represented between tradition and modernity, as a transformation led by urbanization. Traditions become shaky and in the novel, the city is unable to take on those rural values, symbolized by the “damier”.
Le Roman Africain : Drame Or Histoire, Bernard Mouralis
Le Roman Africain : Drame Or Histoire, Bernard Mouralis
Présence Francophone: Revue internationale de langue et de littérature
For a long time, African novelists claimed filiation with realism. But there is in realism a deep contradiction between the will of describing the social world and the will of changing it. From this contradiction, the paper studies : the relation between theatre and novel ; the question of citizenship in the novel ; the place of the novel in front of knowledge and action. The novel shows dynamics and characters living in the time. So, it tends to wander from the principle of knowledge and self-consciousness.
Mutations Politiques Et Processus De Légitimation Culturelle : Considérations Sur Le Théâtre Populaire Camerounais, Pierre Fandio
Mutations Politiques Et Processus De Légitimation Culturelle : Considérations Sur Le Théâtre Populaire Camerounais, Pierre Fandio
Présence Francophone: Revue internationale de langue et de littérature
All forms of theatre have never been perceived the same way in contemporary Cameroon. Whereas the written theatre relatively received an acceptable treatment from the official instances of recognition, the non-written one has always been excluded. This communication sets out to show how, from this marginalized position and palpably inspired at the same time from the Italian commedia dell’arte, the French vaudeville and the African traditional dramaturgic shape, a new and popular form of theatre came to existence. Thanks to the exceptional capacity of adaptation and innovation of its discourse and thematic, the offer of this “street dramaturgy” rather matches …
La Dramatisation De L’Écriture Chez Sony Labou Tansi, Georges Ngal
La Dramatisation De L’Écriture Chez Sony Labou Tansi, Georges Ngal
Présence Francophone: Revue internationale de langue et de littérature
As an author always articulates his writing with idioms that reflect a specific time period and a given social group, Sony Labou Tansi talks about “tropicalité”, and gives himself the goal to create multiple “tropicalités”.
De La Parole Poétique À La Parole Politique Dans Les Oeuvres Théâtrales D’Aimé Césaire Et De Sony Labou Tansi, Virginie Darriet-Féréol
De La Parole Poétique À La Parole Politique Dans Les Oeuvres Théâtrales D’Aimé Césaire Et De Sony Labou Tansi, Virginie Darriet-Féréol
Présence Francophone: Revue internationale de langue et de littérature
Aimé Césaire and Sony Labou Tansi wished for acting and voicing for their people both on the political and literary level. By choosing the drama, they presented the language. By creating a new language, a new literature, a new artistic aesthetics, consequently a new trend of thinking, their writing served policy.
Abstracts
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Présentation, Musanji Ngalasso-Mwatha
Présentation, Musanji Ngalasso-Mwatha
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Théâtres Du Roman : Les Scènes De L’Écriture Francophone, Sélom Komlan Gbanou
Théâtres Du Roman : Les Scènes De L’Écriture Francophone, Sélom Komlan Gbanou
Présence Francophone: Revue internationale de langue et de littérature
The present analysis proposes to show how, with a large number of authors, writing becomes an important stage of the imaginary space of the novel, of the configuration of the narrative and the characters, as well as the language. In the field of narrative imaginary, novel and theatre go together, complete each other in order to convert the process of writing into a game where the pleasure of the writer encounters that of the reader, this spectator of the literary scene.
Présence Francophone (V. 73)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Index
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Playwriting In Three Major Nigerian Languages, Isaiah Ilo
Playwriting In Three Major Nigerian Languages, Isaiah Ilo
CLCWeb: Comparative Literature and Culture
In his article, "Playwriting in Three Major Nigerian Languages" Isaiah Ilo analyzes the frequency of playwriting in Hausa, Igbo, and Yoruba, the three major Nigerian languages, which together hold about a half of the country's estimated population of 140 million. Ilo uses a case study to contrast the importance of the languages, their evolution as literary languages, and their official status with a role in education. Ilo locates the significance of these factors next to an inventory of the plays and a listing of the writers to demonstrate the neglect of the mother tongue by experienced Nigerian dramatists. The study …
Accessibility To Theater For Deaf And Deaf-Blind People: Legal, Language And Artistic Considerations, Brian R. Kilpatrick
Accessibility To Theater For Deaf And Deaf-Blind People: Legal, Language And Artistic Considerations, Brian R. Kilpatrick
International Journal of Interpreter Education
Without accessibility, theater can be meaningless to the deaf, hard of hearing, and deaf-blind consumers. As part of a larger study conducted by B. Kilpatrick (2007), the authors interviewed 38 participants who have been professionally involved in deaf children’s theater as to their opinions related to theater accessibility options. Their responses bring forward for discussion options ranging from English text-based accessibility, the closest to the English language, to shadow interpreting, which provides accessibility closest to the play being delivered in full in American Sign Language. Using historical research methods, semi-structured and structured interviews, open-ended questions, archival materials, and published documents …
Thomas L. Kane And Nineteenth-Century American Culture, Matthew J. Grow
Thomas L. Kane And Nineteenth-Century American Culture, Matthew J. Grow
BYU Studies Quarterly
This article, originally a lecture given at Brigham Young University in 2009, was published as part of a special issue of BYU Studies featuring Thomas L. Kane. Although Kane was not a member of The Church of Jesus Christ of Latter-day Saints, he was an advocate for the Mormon cause and a trusted friend of Mormon leaders for almost forty years. Kane's legacy has been passed down in LDS memory primarily as a "friend of the Mormons" and as their "sentinel in the East." Viewing Kane exclusively through a Mormon lens, however, has obscured the rest of his life as …
Full Issue, Byu Studies
What Can We Learn From Poullart Des Places In 2009?, Eamonn Mulcahy C.S.Sp.
What Can We Learn From Poullart Des Places In 2009?, Eamonn Mulcahy C.S.Sp.
Spiritan Horizons
No abstract provided.
News From The Swenson Center, Jill Seaholm, Christina Johansson
News From The Swenson Center, Jill Seaholm, Christina Johansson
Swedish American Genealogist
No abstract provided.
Jo Ann Kay Mcnamara, Feminist Scholar: A Pioneer In Transforming Medieval History, Dorothy O. Helly
Jo Ann Kay Mcnamara, Feminist Scholar: A Pioneer In Transforming Medieval History, Dorothy O. Helly
Medieval Feminist Forum: A Journal of Gender and Sexuality
No abstract provided.
How Ought We To Live With Nonhuman Animals? Peter Singer’S Answer: Animal Liberation Part I, Lesley Mclean
How Ought We To Live With Nonhuman Animals? Peter Singer’S Answer: Animal Liberation Part I, Lesley Mclean
Between the Species
In this paper and the next I discuss Peter Singer’s approach to answering the question of how one ought to live with nonhuman animals. In the first paper I situate Singer’s work within the larger historical context of moral concern for animals, looking at previous public consensus on the issue, its breakdown and its re-emergence with Singer in the 1970s. In the second paper, I take a closer look at Singer’s highly influential book, Animal Liberation (1975), and argue that as activist literature, his chapter on animal experimentation for example can be seen as morally persuasive in ways other than …
The Epistemic Irresponsibility Of The Subjects-Of-A-Life Account, Julia Tanner
The Epistemic Irresponsibility Of The Subjects-Of-A-Life Account, Julia Tanner
Between the Species
In this paper I will argue that Regan’s subjects-of-a-life account is epistemically irresponsible. Firstly, in making so many epistemic claims. Secondly in making the claims themselves.
Back Matter, Medieval Feminist Forum, V.45 No.1 2009
Back Matter, Medieval Feminist Forum, V.45 No.1 2009
Medieval Feminist Forum: A Journal of Gender and Sexuality
No abstract provided.
Giving Credit Where Credit Is Due (Sketching A Trajectory Of Feminist Medieval Studies), Felice Lifshitz
Giving Credit Where Credit Is Due (Sketching A Trajectory Of Feminist Medieval Studies), Felice Lifshitz
Medieval Feminist Forum: A Journal of Gender and Sexuality
No abstract provided.
The War Of The Tea Houses, Or How Welsh Heritage In Patagonia Became A Valuable Commodity, Geraldine Lublin
The War Of The Tea Houses, Or How Welsh Heritage In Patagonia Became A Valuable Commodity, Geraldine Lublin
e-Keltoi: Journal of Interdisciplinary Celtic Studies
The present article will explore how globalization and its economic implications have resulted in the commodification of Welsh heritage in Gaiman, a small town in the Argentine province of Chubut, with a special focus on the collectivity-defining custom of 'Welsh Tea' as offered by the local tea houses. After providing some background on the history of the Welsh community in Patagonia, the discussion will consider how the surge in heritage and culture tourism and tourism-related services has added new value to Welsh Patagonian culture and encouraged the positioning of Welsh cultural products and other aspects of heritage as marketable commodities, …
La Crítica Teatral Como Documento Para El Estudio De La Historia Del Teatro Español (Reflexiones Metodólogicas), Josep Lluís Sirera
La Crítica Teatral Como Documento Para El Estudio De La Historia Del Teatro Español (Reflexiones Metodólogicas), Josep Lluís Sirera
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
No abstract provided.
Prefácio, Luciano Rodrigues De Almeida
Prefácio, Luciano Rodrigues De Almeida
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
No abstract provided.
Teatro Y Fascismo En Granada (1936-1937), Francisco Linares Alés
Teatro Y Fascismo En Granada (1936-1937), Francisco Linares Alés
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
No abstract provided.
Apropiación Indebida: Florencio Sánchez Y El Dialogismo Bajtiniano, Elizabeth Rivero
Apropiación Indebida: Florencio Sánchez Y El Dialogismo Bajtiniano, Elizabeth Rivero
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
No abstract provided.
Del Humor Quevedesco A La Ironía Cervantina, Alfredo Bryce Echenique
Del Humor Quevedesco A La Ironía Cervantina, Alfredo Bryce Echenique
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
No abstract provided.