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Arts and Humanities

University of South Florida

1987

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The Geometry Of James Joyce's Ulysses: From Pythagoras To Poincaré: Joyce's Use Of Geometry For Structure, Metaphor, And Theme, Susan Sutliff Brown May 1987

The Geometry Of James Joyce's Ulysses: From Pythagoras To Poincaré: Joyce's Use Of Geometry For Structure, Metaphor, And Theme, Susan Sutliff Brown

USF Tampa Graduate Theses and Dissertations

The extensive, previously unrecognized, use James Joyce made of contemporaneous geometric concepts for structure, metaphor, and theme in Ulysses provides new keys to how Joyce, following the model of his predecessors and contemporaries in Cubism, responded to the revolutions in aesthetics and physics which marked his intellectual milieu. As an examination of pre-publication materials reveals, during the six months before February 2, 1922, Joyce manipulated the pagination of the Ulysses placards and page proofs to impose geometric aesthetic proportions on the overall text and within individual episodes. Most significantly, Joyce aesthetically proportioned the pagination of the disparate eleven "initial style" …