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Arts and Humanities

University of Nebraska - Lincoln

Narrative

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A Pint Of Dirt, Kristen Friesen Dec 2019

A Pint Of Dirt, Kristen Friesen

Department of English: Dissertations, Theses, and Student Research

This collection of poetry consists of 50 pieces focused on events and observations experienced by the author: a midwestern, middle-aged teacher, wife, and mother of three now-grown daughters. As much as it is an attempt to process and package the ordinary and unexplainable, it is also a study in metaphor, description, and the ways in which specificity of time and place can, hopefully, render a piece universal.

Advisor: Stacey Waite


Teaching Self: The Ambiguity Of Lived Experience In Classroom Discourse, Scott V. Gealy Dec 2013

Teaching Self: The Ambiguity Of Lived Experience In Classroom Discourse, Scott V. Gealy

Department of English: Dissertations, Theses, and Student Research

Inspired by Paul Heilker’s notion of the essay as a form of exploration over argument, embodying an anti-scholastic and chrono-logical approach, and Candace Spigelman’s endorsement of experience as evidence in academic discourse, this thesis weaves memoir into more traditional scholarship in an effort to complicate the archetype of the effective teacher. Furthermore, the essay seeks to deconstruct conventional student, teacher, and cultural binaries with the help of the theoretical work of Deborah Britzman, Parker Palmer, Mikhail Bakhtin, Joy Ritchie and David Wilson and others, while using Scott Russell Sanders’ narrative essay “Under the Influence” as a mentor text for …


Disciplinary Permeations: Complicating The "Public" And The "Private" Dualism In Composition And Rhetoric, Erica E. Rogers Jul 2012

Disciplinary Permeations: Complicating The "Public" And The "Private" Dualism In Composition And Rhetoric, Erica E. Rogers

Department of English: Dissertations, Theses, and Student Research

As Composition and Rhetoric rose in disciplinary status and academic legitimacy the discourse practice of negation, the positioning of texts in oppositional binaries that set the “new” over the “old,” the “novel” over the “familiar,” became embedded in academic tradition, seeming to be an inherited part of scholarship instead of an individual’s rhetorical choice and deliberate ethos strategy. Negation, when one idea or set of ideas constructed by another is critiqued, advocated, and/or redeveloped by another scholar, is a discourse practice firmly established in the Rhetorical Tradition as part of Socratic dialogues, reappears in “modern rhetoric”, and remains today as …