Digital Commons Network^™

Mark Adamo: The Solo Vocal Works Through 2006, Scott D. Miller

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

American composer Mark Adamo enjoyed tremendous success with his first two full-scale operatic works, Little Women, and Lysistrata. For both of these works, Adamo served not only as composer, but also as his own librettist. Originally eager to pursue a career as a composer of the Broadway musical, his background and training in playwriting, acting, and musical composition provide him with a unique and well informed perspective on the fundamentals of dramatic and musical form and function which is both simple and ingenious. His gift for setting language to music is extraordinary, and his knowledge of the human …

Theatre And The Rwandan Genocide, Marie-Chantal Kalisa

French Language and Literature Papers

In 1994, Rwanda was the scene of genocide, or more precisely in French, “le théâtre du génocide” (theatre of genocide). Perpetrators and victims played their role while the rest of the world watched the “spectacle” live on television. Perhaps because of its spectacular aspect, the Rwandan genocide has inspired a number of artistic materials. In the last decade, we have indeed witnessed the growth of literary and artistic expression in relation to the Rwandan genocide. Survivors and witnesses have told their stories in books and songs. Journalists, as well as other travelers “to the end of Rwanda,” to use Véronique …

Futurist Fiction & Fantasy: The Racial Establishment, Gregory E. Rutledge

Department of English: Faculty Publications

Futurist fiction and fantasy encompasses a variety of subgenres: hard science fiction, speculative fiction, fantasy, sword-and-sorcerer fantasy, and cyberpunk. Unfortunately, even though nearly a century has expired since the advent of futurist fiction and fantasy, Richard Pryor’s observation and a call for action is still viable. Despite the growing number of Black futurist fiction and fantasy writers, the proportion of Black futurist fiction and fantasy authors to White futurist fiction and fantasy authors is dismal. This disproportion means that Black futurist fiction and fantasy authors have a limited presence in the industry. Thus, although Black futurist fiction and fantasy authors …

Women's And Gender Studies Newsletter, Spring 2006

Women's and Gender Studies Program: Information and Materials

This newsletter announces a name change in our program, from “Women’s Studies” to “Women’s and Gender Studies.” The Women’s Studies faculty voted to change the name of the program after more than a year of discussion and research. It took several more months for the proposal to work its way up the academic hierarchy, but now it is official. The new name better represents the research and teaching interests of many of the faculty and the direction of Women’s Studies nationally. It also represents a commitment to LGBTQ/ Sexuality Studies, now an approved minor which is administered through the Women’s …

A Manifestation Of Apollonian Ecumenism In Selected Piano Works Of Alexander Tcherepnin (1899-1977), Svetlana Yashirin

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

The period of 1890-1920, surrounding the Russian October Revolution of 1917, was marked by an unprecedented outburst in all human activities and a tremendous struggle of intellectual forces represented by various personalities and groups. Creativity among poets, artists and musicians soared because of a strong belief in art as a transforming force.

Composer Alexander Tcherepnin was born in 1899 in St. Petersburg, Russia. Tcherepnin’s early exposure to the traditions of the New Russian Music School through his father Nikolai Tcherepnin (1873-1945) and to modern art of the Mir Iskusstva (The World of Art) led to the formation of a unique …

Ugly And Monstrous: Marxist Aesthetics, Chris Rasmussen

James A. Rawley Graduate Conference in the Humanities

An analysis of Marxist conceptions of the good and the beautiful and their relationship to alienation, “Ugly and Monstrous” argues that Marxism was ultimately a set of aesthetic beliefs, one that paradoxically called for the temporary cessation of all attempts to create beautiful artwork. Marx understood beauty as Kant had – that it is the result of the harmonization of the faculties that occurs when a disinterested observer encounters a work of art. Capitalism gives to all works (art included) monetary value, and all observers become interested consumers, debasing art appreciation and killing the human desire (and need) to experience …

Journal Of Women In Educational Leadership, Vol. 4, No. 2-April 2006

Journal of Women in Educational Leadership

No abstract provided.

Leadership Legacies, Marilyn L. Grady

Journal of Women in Educational Leadership

How often do we stop to consider the impact leaders have had in our lives? How often do we consider the impact we have in the lives of others? Certainly educators make a difference in the lives of others every day; however, how often do educators consider their leadership legacies? Recent obituaries and testimonials to Coretta Scott King and Wendy Wasserstein are reminders of the leadership legacies of these women.

Literary Symbolism, Marshall C. Olds

French Language and Literature Papers

As a school of literature, Symbolism refers to three phases of a vital part of the development of literary modernism: first to an artistic movement in France and Belgium during the last decade and a half of the nineteenth century; then, retrospectively and most importantly, to its immediate sources in French poetry beginning in the 1850s; and finally to the influence that both of these had on European and American literatures throughout the first half of the twentieth century. The designation then, had its original and official application to the second and, it must be owned, from a literary point …

The Blackfriars Gladiators: Masters Of Fence, Playing A Prize, And The Elizabethan And Stuart Theater, Ian Borden

Johnny Carson School of Theatre and Film: Faculty Publications and Creative Activity

Attempting to determine the nature of staged combat during the Elizabethan and Stuart periods is a difficult venture, for very few descriptions of stage fighting exist. Most plays from these periods, even when a moment of combat is central to the plot, simply describe swordplay as "They fight." Yet dueling was common to the theatrical venues of the day, not just in period drama, but also in contests between skilled professional fencers and instructors called Masters of Fence or Masters of Defence. Known as "playing a prize," or "prize fighting," competitions between these masters attracted substantial crowds. Beginning as amateur, …

Review Of The Longing For Myth In Germany By George S. Williamson., William Grange

Johnny Carson School of Theatre and Film: Faculty Publications and Creative Activity

Williamson has written a superb work of scholarship, examining trends in German cultural thought from the beginning of the nineteenth century to the death of Nietzsche in 1900. He has also provided an insightful Epilogue, recapitulating what preceded in the body of his book and extrapolating on the longing for myth into the twentieth century. The book’s greatest value lies in the background Williamson provides for the best known (to English-speaking readers, at least) manifestations of myth in both aesthetic and intellectual life, specifically in the work of Wagner and Nietzsche.