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Deleuze’S Challenge To Hegel’S Aesthetics—Chinese Aesthetics In The Confrontation Between German Classical Aesthetics And Postmodernism, Wu Yuyu
CLCWeb: Comparative Literature and Culture
German classical aesthetics, featuring a systematic analysis of concepts and theories, plays a fundamental role in the founding of Chinese modern aesthetics. From the 1980s, when the spread of Western theories began to flourish, Chinese scholars assimilated deconstructionist thought (for example, that of Deleuze) and started to reflect on German classical aesthetics as represented by Kant and Hegel. Chinese aesthetics presents various characteristics in the confrontation between German classical aesthetics and French deconstructionist thought. From the perspective of German classical aesthetics, China has no philosophy, tragedy, or system. The Chinese culture became a thinking resource for criticizing essentialism and dualism …
Les Expositions Turnus, Une Page D’Histoire Transnationale Des Beaux-Arts En Suisse À La Fin Du Xixe Siècle. Et Comment Découvrir Les Humanités Numériques, Béatrice Joyeux-Prunel
Les Expositions Turnus, Une Page D’Histoire Transnationale Des Beaux-Arts En Suisse À La Fin Du Xixe Siècle. Et Comment Découvrir Les Humanités Numériques, Béatrice Joyeux-Prunel
Artl@s Bulletin
Cet article présente le travail de la classe d’introduction aux humanités numériques de l’Université de Genève sur les expositions Turnus en Suisse à partir des années 1840. Près de 50 catalogues ont été retranscrits, décrits et structurés à l’aide de scripts Python, puis géolocalisés. Les données ont été ajoutées à BasArt, le répertoire mondial de catalogues d’expositions d’Artl@s (https://artlas.huma-num.fr/map). Elles permettent de mieux comprendre les premières années de ces expositions et leurs dynamiques locales, fédérales et internationales. Le Turnus fut une plaque tournante pour les artistes suisses, voire un tremplin vers le marché européen de l’art.
Une Europe Par Les Arts ? Les Périodiques Illustrés Au-Delà Du Musée Imaginaire, Béatrice Joyeux-Prunel, Marie Barras, Nicola Carboni
Une Europe Par Les Arts ? Les Périodiques Illustrés Au-Delà Du Musée Imaginaire, Béatrice Joyeux-Prunel, Marie Barras, Nicola Carboni
Artl@s Bulletin
Existe-t- il un musée imaginaire européen ? Cet article aborde la question par le biais des illustrations de presse des années 1880-1960. Dans les périodiques illustrés de cette époque, les images d’art traversèrent mieux les frontières que les images non artistiques, en particulier en Europe. Mais plutôt que de conclure à un musée imaginaire européen, une étude multiscalaire plus fine incite à se pencher sur les facteurs sociaux, esthétiques, économiques et techniques de la circulation imprimée des images artistiques.
War And Peace. The Film Iconeme Of The Urban Square As Image Of Europe In Transition (1944-1948), Paolo Villa
War And Peace. The Film Iconeme Of The Urban Square As Image Of Europe In Transition (1944-1948), Paolo Villa
Artl@s Bulletin
A central feature of European urban landscapes, the square represents the public space par excellence. At the end of WW2 and in the immediate postwar time, the role of cinema in representing and reimagining urban squares was crucial. Through film images, they became the stage and the mirror of a Europe in transition. This contribution, examining Italian, French, German, and Czechoslovak cases, posits the square as an essential iconeme in postwar nonfiction cinema and visual culture, acting as a fil rouge to visually retrace the path of Europe from war to peace, and into new forms of political tension.
Perspectives On Changing Cultural Spaces In 19th Century Europe, Christophe Charle
Perspectives On Changing Cultural Spaces In 19th Century Europe, Christophe Charle
Artl@s Bulletin
To define the limits of European cultural spaces requires a pragmatic and empirical approach, founded on a comparative overview of the circulations of symbolic goods, of the agents involved in the processes of diffusion and mediatization of these goods, and of their modes of transmission or valorization. In this essay, I illustrate the effects of changing conditions on the specific field of 19th-century opera, one of the first international forms of cultural practice in Europe. I then consider the origins and causes of unequal cultural circulations in other fields, notably the presence or absence of mediators in these processes of …
The New World Debate And The 18th-Century Images Of America That Brought Europe Together, Catherine Dossin
The New World Debate And The 18th-Century Images Of America That Brought Europe Together, Catherine Dossin
Artl@s Bulletin
The New World Debate offers a privileged site to reconstruct and study Europe’s self-image in the 18th century. Taking on Buffon’s Histoire Naturelle, Rameau’s Les Indes Galantes, Voltaire’s Alzire et les Americains, and De Pauw’s Recherches philosophiques sur les Américains, this paper traces the process through which Europe elaborated a Eurocentric view of the world organization through a paternalistic, usually benevolent but always contemptuous, relation to America that would come to define Europe’s colonial expansion of the 19th century and make colonialism an essential, yet uncomfortable, dimension of Europe’s modern identity.
Fashioning Europe: Identity And Dress In Early Modern Costume Books, Emilia Olechnowicz
Fashioning Europe: Identity And Dress In Early Modern Costume Books, Emilia Olechnowicz
Artl@s Bulletin
This article aims to demonstrate how early modern costume books attempted to define the identities of Europeans. They presented a system of social stratifications, describing the presumed differences between people of various origins, age, gender, and, above all, social position. The existence of these differences was presented as part of an order not only social and political but also moral and religious. On closer inspection, however, it becomes apparent that these differences had as much to do with actual cultural disparities between people as with the different perspectives and attitudes of the authors of the individual books.
The Column And The Pediment: The Persistence Of Values?, Areti Adamopoulou
The Column And The Pediment: The Persistence Of Values?, Areti Adamopoulou
Artl@s Bulletin
There is one icon dispersed worldwide and historically associated with higher values: the façade of a columnated building capped by a pediment. This simple vertical, horizontal, and triangular formation runs through the ages and is firmly associated with values and ideas stemming from Europe. It survived centuries of use and abuse, and served revolutions, nation-states, democracies, colonialism, totalitarian regimes, and commercial culture. It even reached the world of computer graphic symbols and still inspires artists. In this paper, I discuss this icon in terms of its diffusion and persistency and comment upon its link to Europe.
Thinking Europe Visually. A Schizophrenic Certitude, Béatrice Joyeux-Prunel
Thinking Europe Visually. A Schizophrenic Certitude, Béatrice Joyeux-Prunel
Artl@s Bulletin
Existe-t-il un musée imaginaire européen ? Cet article aborde la question par le biais des illustrations de presse des années 1880-1960. Dans les périodiques illustrés de cette époque, les images d’art traversèrent mieux les frontières que les images non artistiques, en particulier en Europe. Mais plutôt que de conclure à un musée imaginaire européen, une étude multiscalaire plus fine incite à se pencher sur les facteurs sociaux, esthétiques, économiques et techniques de la circulation imprimée des images artistiques.
On Gary Snyder’S Tradaptation Of Cold Mountain Poems And Its Spiritual Salvation And Literary Enlightenment In Postwar America, Hu Anjiang
CLCWeb: Comparative Literature and Culture
Cold Mountain Poems (CMPs), which have been neglected in the history of Chinese literature for ages, captured the attention of most Americans immediately after its being translated into America by the American poet Gary Snyder in 1950s, however. It is Snyder that reconfigured and recreated a sagacious Chinese Chan Buddhist poet Han-shan (literally, Cold Mountain), the acknowledged author of Cold Mountain Poems, in his translation for the postwar Americans in the midst of varied social problems and cultural identity crisis after World War II. Snyder eventually found in his translation of Cold Mountain Poems a back-to-nature remedy of …
Topological Tropology Of V.S. Naipaul’S Islamic Travelogues And Daniel Pipes’ Islamic History: Ahistorical Historicism, Md. Habibullah
Topological Tropology Of V.S. Naipaul’S Islamic Travelogues And Daniel Pipes’ Islamic History: Ahistorical Historicism, Md. Habibullah
CLCWeb: Comparative Literature and Culture
Nobel laureate V. S. Naipaul’s (1932-2018) first Islamic travelogue Among the Believers: An Islamic Journey (1981) contains his experience of a visit from August 1979 to February 1980 to the four non-Arab Muslim-majority countries – Iran, Pakistan, Malaysia, and Indonesia. Similarly, his last Islamic travelogue Beyond Belief: Islamic Excursions among the Converted Peoples (1998) has a description of another visit to the same countries for five-month in 1995. Concurrently, Daniel Pipes (1949-), an American historian, published his doctoral dissertation, Slave Soldiers and Islam: The Genesis of a Military System (1981), which represents Islamic culture as the first instigator of …
Westernization Or Localization? The (Mis)Reading Of “The Tragic” In Modern Chinese Literary Discourse, Tian Gu
CLCWeb: Comparative Literature and Culture
This paper examines the features and causal factors in constructing an idea of the tragic in modern Chinese literary discourse. It attempts at revisiting and reproducing the realities of misreading and variation upon modern Chinese introduction of the term “tragedy” (beiju) at different socio-historical periods, and has observed the interplay between two trends, namely, Westernization and localization, through the negotiation of “the tragic” into modern Chinese literary practice. These two trends have been integrated by a political and pragmatic perspective, which dominates the formation of a modern Chinese literary discourse on “the tragic”. This perspective offers both possibility …
Children’S Gothic In The Chinese Context: The Untranslatability And Cross-Cultural Readability Of A Literary Genre, Chengcheng You
Children’S Gothic In The Chinese Context: The Untranslatability And Cross-Cultural Readability Of A Literary Genre, Chengcheng You
CLCWeb: Comparative Literature and Culture
As an emerging literary subgenre in the twenty-first century, Children’s Gothic challenges and blends the norms of both children’s literature and Gothic literature, featuring child characters’ self-empowerment in the face of fears and dark impulses. The foreignness and strangeness that pertain to the genre haunt the border of its translatability. Daniel Handler’s A Series of Unfortunate Events (1999–2006), written under the pseudonym Lemony Snicket, poses a chain of translational challenges due to its linguistic creativity, paratextual art, and mixed style of horror and dark humor intended for a child readership. To investigate the interplay between Children’s Gothic and its (un)translatability …
Remembering Complicity And Resistance: A Review Of Mihaela Mihai’S Political Memory And The Aesthetics Of Care: The Art Of Complicity And Resistance (2022), Sofía Forchieri
CLCWeb: Comparative Literature and Culture
This article offers a review of Mihaela Mihai’s book Political Memory and the Aesthetics of Care: The Art of Complicity and Resistance (2022). In it, Mihai courageously brings together insights from critical theory, political and legal science, philosophy, literary studies, and feminist theory to argue for the need of rearticulating how we remember complicity and resistance in the aftermath of political violence. Mihai develops her argument in three steps. First, she provides an account of how complicity and resistance are misremembered after systemic violence. Second, she tracks the political, epistemic and ethical consequences that this faulty work of memory-making holds …
Terada Torahiko, A Physicist And A Haikai Poet, Akira Komiya
Terada Torahiko, A Physicist And A Haikai Poet, Akira Komiya
CLCWeb: Comparative Literature and Culture
Terada Torahiko is known as a scientific essayist in Japan, but hardly anyone knows he was a haikai poet as well as a physicist. According to him, haikai poetry and physics are two different ways of conceiving Nature, both valid and perhaps complementary to each other. Seeing his research in physics looking for regularities in apparently irregular phenomena in everyday life, we may say his haiku haikai spirit is manifest there and that he was pioneering a new science such as the one developed later by Ilya Prigogine. His association of haiku haikai poetry and Freudian interpretations of dreams leads …
Orature: The Political Interpretation Of Performance Framework In Anthills Of The Savannah And Half Of A Yellow Sun, Jing Duan
CLCWeb: Comparative Literature and Culture
The focus of discussion in this paper lies in a perception that orature of African written literature is not innocent but a form of control. Operated through its performance framework, the concept of orature provides an angle to observe how African oral tradition penetrates written literature and cultivates an awareness of the political nature both of the material to be written and of the writing process itself. This paper explores the performance framework in two African novels — Achebe’s Anthills of the Savannah and Adichie’s Half of a Yellow Sun. Through such key concepts as event, narrative and self-reflexivity …
Community Despite Connection: Resisting The Digital Logics Of Optimization And Failure, Irina Kalinka
Community Despite Connection: Resisting The Digital Logics Of Optimization And Failure, Irina Kalinka
CLCWeb: Comparative Literature and Culture
If a certain brand of aspirational tech-utopian discourse is to be believed, those privileged enough to be plugged into digital information technology are living through a golden age of connection. Platforms claim to facilitate sharing and partaking, bring people together, and bestow upon them new and improved spaces to gather and build communities. While reality differs decidedly from such idealized conceptions, it is nonetheless crucial to ask what kind of guiding vision is being instituted through such representational efforts: namely, the figure of community made operational and optimizable. This project will reject such idealized visions of coherent communities drawn together …
The Social Sinthome, Ryan Engley
The Social Sinthome, Ryan Engley
CLCWeb: Comparative Literature and Culture
Much of the critical discourse on social media misidentifies its problematic features as bugs, or problems to solve. Supposed solutions to these problems tend to focus on individual actions. We should delete the apps, own our own data, never click on recommended videos, and realize that we are the product. But if predatory algorithms succeed by individuating people—selling people “choice” and “options” as it harvests user data—then an entire online ecosystem arranged through the logic of that design can neither be meaningfully challenged nor effectively understood at the level of the individual alone. Transformative action addressing social media can only …
Lacan And The Algorithm, Clint Burnham
Lacan And The Algorithm, Clint Burnham
CLCWeb: Comparative Literature and Culture
Exploring the development of algorithms in Lacanian theory, specifically the "R schema" in the 1950s, I argue that psychoanalysis, read through contemporary debates about the "algorithmic cult" of Netflix and other avatars of popular culture, can be said to reveal the inhuman, machinic essence of subjectivity. The etiology of algorithms, mathemes, and other formulae and diagrams in Lacan’s oeuvre has been under-studied, in part because for some readers they are not as attractive as his more bravura flourishes of word play as exegetical excess, and in part because they derive largely from the ‘hard’ structuralist moment of his work in …
Platform Psychoanalysis: What Does The Algorithm Want?, Matthew Flisfeder
Platform Psychoanalysis: What Does The Algorithm Want?, Matthew Flisfeder
CLCWeb: Comparative Literature and Culture
No abstract provided.
The Afterlife Of Danish Modern: Design Exhibition In Moscow, 1969–70, Yulia Karpova
The Afterlife Of Danish Modern: Design Exhibition In Moscow, 1969–70, Yulia Karpova
Artl@s Bulletin
The exhibition Contemporary Danish Design arrived in Moscow in December 1969, when Danish design was undergoing a crisis. The popularity of “Danish Modern,” the notion centered on excellent artisanship, natural materials, and a balance between tradition and modernity, was diminishing due to shifting tastes in home furnishing and consumer society critiques. This article considers the Moscow exhibition as a twin effort to include design in Danish- Soviet cultural diplomacy and to revive the cultural importance of Danish Modern in the era of waning techno-optimism and student protests.
Georg Brandes And Fin De Siècle Scandinavia As A Cultural Semiperiphery, Stefan Nygård
Georg Brandes And Fin De Siècle Scandinavia As A Cultural Semiperiphery, Stefan Nygård
Artl@s Bulletin
The article centres on the practice of cultural mediation and core-periphery dynamics in Scandinavian cultural life at the turn of the twentieth century. In this period, Copenhagen functioned as a gateway in the circulation of ideas and cultural goods to and from the region, as did individual actors and cultural institutions in Denmark. Similarly, Scandinavia as a whole occupied a transitional position in global intellectual space. With extensive intellectual networks and a strategic role in the literary traffic to and from Scandinavia, the critic and intellectual Georg Brandes provides a starting point for exploring core- periphery relations.
Pallavi Rastogi, Postcolonial Disasters: Narrating Catastrophe In The Twenty-First Century (2020): Review Essay, Sourit Bhattacharya
Pallavi Rastogi, Postcolonial Disasters: Narrating Catastrophe In The Twenty-First Century (2020): Review Essay, Sourit Bhattacharya
CLCWeb: Comparative Literature and Culture
This review essay reads literary-critical works of what is broadly understood as ‘postcolonial disasters’. It outlines how literary critics in the last decades have drawn upon cultural-geographical and anthropological readings of disasters to develop critical frameworks around how literary writers have used style, form, and aesthetics to represent postcolonial catastrophes. It then offers a detailed review of Pallavi Rastogi’s 2020 monograph, Postcolonial Disasters: Narrating Catastrophe in the Twenty-First Century. Through an engaged and critical reading, the essay attends to Rastogi’s insightful theorizing of the topic of ‘Disaster Unconscious’ and her wide-ranging interrogation of fiction from South Asia and Southern …
Incendiary Devices: Imagining E-Waste Frontiers And Africa’S Digital Futures, Treasa De Loughry
Incendiary Devices: Imagining E-Waste Frontiers And Africa’S Digital Futures, Treasa De Loughry
CLCWeb: Comparative Literature and Culture
In her article, “Incendiary Devices: Imagining E-Waste Frontiers and Africa’s Digital Futures,” Treasa De Loughry focuses on different visual responses to e-waste in West Africa, from eco-documentary film and photography responses to the infamous Agbogbloshie e-waste yard in Ghana; to techno-utopian visions of e-waste bricoleurs, and e-waste as a signifier and artefact of the neocolonial nature of the capitalist world-ecology. The first half of this article focuses on Florian Weigensamer and Christian Krönes’ documentary film, Welcome to Sodom (2018), grounding it in critiques of the transmedial influence of the documentary form, while attending to the film’s pyrotechnical “optical regime” (Schoonover). …
Signs Of The Inhuman: Hauntings And Lost Futures In Verónica Gerber Bicecci’S La Compañía, Marcela Romero Rivera
Signs Of The Inhuman: Hauntings And Lost Futures In Verónica Gerber Bicecci’S La Compañía, Marcela Romero Rivera
CLCWeb: Comparative Literature and Culture
Current criticism of works of eco fiction maintains that one of the central contributions of this literary genre is a consciousness-raising effect that these works have on their readers by virtue of alluding, with varying degrees of specificity, to real-world environmental problems, implying that this is a central step towards remedying our current planetary climate crisis. This article suggests, conversely, that literary criticism of eco fiction necessitates a more rigorous material analysis—specifically one attentive to class and class antagonism—of these works and their conditions of production to understand their relation to power, as well as their affordances and limitations as …
Returning To The Past To Rethink Socio-Political Antagonisms: Mapping Today’S Situation In Regards To Popular Insurrections, Nicol A. Barria-Asenjo, Slavoj Žižek, Hernán Scholten, David Pavón-Cuellar, Gonzalo Salas, Oscar Ariel Cabeza, Jesús William Huanca Arohuanca, Sergio J. Aguilar Alcalá
Returning To The Past To Rethink Socio-Political Antagonisms: Mapping Today’S Situation In Regards To Popular Insurrections, Nicol A. Barria-Asenjo, Slavoj Žižek, Hernán Scholten, David Pavón-Cuellar, Gonzalo Salas, Oscar Ariel Cabeza, Jesús William Huanca Arohuanca, Sergio J. Aguilar Alcalá
CLCWeb: Comparative Literature and Culture
This article seeks to elaborate a map or cartogram based on a number of protests and social mobilizations that took place in different parts of the world -mainly in Latin America, but also in Europe and Asia. Beyond the data and figures available from various sources, which never speak for themselves, an interpretation is proposed here to reveal the meaning of these events. In other words, by displaying a map of these social movements, the authors propose not only the visualization of a collection of data, but also an illumination of these events in the light of history. From there, …
Necropolitics And Visuality: Remembering ‘Speculative Fictions’ In Hong Kong After Rancière And Mbembe, Anthony Siu
Necropolitics And Visuality: Remembering ‘Speculative Fictions’ In Hong Kong After Rancière And Mbembe, Anthony Siu
CLCWeb: Comparative Literature and Culture
In his article, “Necropolitics and Visuality: Remembering ‘Speculative Fictions’ in Hong Kong after Rancière and Mbembe,” Anthony Siu examines images from Defiance.Voices, a two-volume collection that gathers photography and art illustrations about the Hong Kong Protests. He studies how paintings from the second volume register politics and events, arguing that visual art can be viewed as a new form of “speculative fictions,” a material ontology that historicizes modes of sovereign violence in postcolony. The introduction situates the debate of aesthetics in Hong Kong, conjoining Rancière’s thinking on “the people” and Achille Mbembe’s philosophy on “necropolitics.” The first cluster of …
Fredric Jameson And Gayatri Chakravorty Spivak’S Periodizing The Black Internal Colony, Jeremy Matthew Glick
Fredric Jameson And Gayatri Chakravorty Spivak’S Periodizing The Black Internal Colony, Jeremy Matthew Glick
CLCWeb: Comparative Literature and Culture
In “Fredric Jameson and Gayatri Chakravorty Spivak’s Periodizing the Black Internal Colony,” Jeremy Matthew Glick reads these authors’ coupling of Black radical struggle with wars of decolonization as engaging against a twenty-first century war on revolutionary memory. This essay examines Jameson’s brief “Maoist Digression” in “Periodizing the Sixties” and discussion of Cuban Revolutionary Foco-theory as “neither in […] nor of it” and Spivak’s planetary turn’s link to Black internal colonialism analysis as a way to talk about the intersections of revolutionary politics and literary form. It concludes with a brief meditation on Amiri Baraka on the centrality of space for …
Beyond ‘Rising Tides’ And ‘Lying Flat’: Emergent Cultural Practices Among Youth In Urban China, Diego Gullotta, Lili Lin
Beyond ‘Rising Tides’ And ‘Lying Flat’: Emergent Cultural Practices Among Youth In Urban China, Diego Gullotta, Lili Lin
CLCWeb: Comparative Literature and Culture
In their article, “Beyond ‘Rising Tides’ and ‘Lying Flat’: Emergent Cultural Practices Among Youth in Urban China”, Diego Gullotta and Lili Lin examine how Chinese youth are positioned within the dominant culture, how young people appropriate space in their emergent cultural practices, and how they negotiate meaning-making. The article first analyses the rising tides (houlang) video, sponsored jointly by the state and the private sector, and argues that it reduces youth to a homogenous subject inscribed into the discourse of “China’s rise” (zhongguo jueqi) via emotional mobilization. The “lying flat” phenomenon represents young people’s negative response to …
Breadtube Rising: How Modern Creators Use Cultural Formats To Spread Countercultural Ideology, Jj Sylvia Iv, Kyle Moody
Breadtube Rising: How Modern Creators Use Cultural Formats To Spread Countercultural Ideology, Jj Sylvia Iv, Kyle Moody
CLCWeb: Comparative Literature and Culture
In their article, “BreadTube Rising: How Modern Creators Use Cultural Formats to Spread Countercultural Ideology,” J.J. Sylvia IV and Kyle Moody analyze the rise of BreadTube. Scholars have argued that YouTube’s algorithms lead to greater radicalization (Ribeiro et al.) and bad actors have weaponized algorithms to draw users into conspiracies (boyd, What Hath We Wrought?). This article adds to this by linking these practices to the commodification of social media that spread misinformation as adaptations of socially and rhetorically mediated technologies. It analyzes how the economics of YouTube and other platforms demand that user-generated content fit within paradigms of …