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Notes From The Field - Conference Proceedings, Summer Fellows 2025, Center For Latin American, Caribbean, And Latino Studies (Clacls)

Center for Latin American, Caribbean, and Latino Studies

CLACLS presents proceedings papers from the third CLACLS Summer Fellows Showcase Conference, held on November 12, 2025.

The daylong event showcased the research endeavors of fourteen Summer Fellows, who offered succinct presentations on their projects funded by the CLACLS Summer fellowship. The included three panels: “Feminist and Queer Critical Perspectives”, “Language, Archive and Power”, “Social Movements and Political Imaginations.”

Listening To Taos Amrouche, A Kabyle Woman’S Singing Voice In A Context Of Exile And Immigration : Between A Search For Intimacy And Independence, Melek Chekili

Journal of Amazigh Studies

This article analyzes the vocal, musical and literary strategies Algerian Kabyle singer and writer Taos Amrouche employs to determine the place voicing holds for her in contexts of colonization, exile and migration. I demonstrate through her singing career and her 1975 autobiographical novel l’Amant Imaginaire, that within the ambivalences stemming from her birth in Tunisia to exiled Kabyle Christian converts and her emigration to France, Taos Amrouche’s singing voice provides a space where those ambivalences can co-exist. By being adamant about keeping her artistic activity close to her body and explicitly referring to sex in her writing, she exerts …

Conga Santiaguera: A Century Of Innovation And Competition, Nick Herman

Dissertations, Theses, and Capstone Projects

Santiago de Cuba is home to the island’s biggest, oldest, and most famous carnival.  Any local resident will confirm that “sin conga no hay carnaval (without conga there is no carnival).” In Santiago, conga refers to a vibrant street procession, the music that drives it, and the ensemble that makes the music.  Conga Santiaguera: A Century of Innovation and Competition presents a musical history of the conga from roughly 1910 to 2010.  This project, https://cuny.manifoldapp.org/projects/conga employs an eBook, musical analysis, oral histories, and audiovisual media to show how the conga has been constantly reinvigorated by innovation, competition, and Afro-Diasporic …

Sonic Rupture And Embodied Politics:
Reconfiguring The Aesthetic Regime In The Syrian Uprising, Lynn Shabani

Theses and Dissertations

This thesis argues that the Syrian uprising of 2011 emerged as a sonic and embodied rupture within an authoritarian aesthetic regime that had long governed public sensibility. Through chants, song, and coordinated movement, political agency took form as collective, affective practice, transforming vernacular repertoires into infrastructures of mobilization, audibility, and resistance.

Appreciative Commoning; Musical Knowledge-Sharing In Earhouse Songwriting Club, Arya J. P. Adyuta

Wacana, Journal of the Humanities of Indonesia

This article develops the concept of “appreciative commoning” to focus on the importance of appreciation in musical community practices. By examining the practices of musical knowledge-sharing in the Earhouse Songwriting Club (ESC), a songwriting community, this article argues that greater attention should be paid to the roles of appreciation and support in facilitating media and cultural commoning in Indonesia. The article draws on ethnographic fieldwork in Earhouse, an initiative space located in Pamulang, South Tangerang, established by the musician duo Endah N Rhesa. Exploring three main activities of the community: weekly meetings, monthly showcases, and afterparties, I show how embracing …

Groove Goes The Distance: An Initial Inquiry Into Jazz Music In Egypt, Farida Gohar

Theses and Dissertations

Jazz music has been a historically contentious site of social, cultural, and political signification. From the violent subjugation that characterized its origins and aspirational freedom that animated its practice, to its transformation into a distinctly “American” music instrumentalized by the US State Department to counter Soviet influence, jazz’s capacity for the inscription of meaning is vast and regularly cause for debate. The particular configuration of jazz music in Egypt is no less complicated although seldom studied. This thesis ventures an initial mapping of the dynamics and negotiations that historically defined the initiation of “Egyptian” jazz, as well as the ones …

Inventing New Pilgrimage And Religious Tourism In Lombok, Indonesia, Ujang Mahadi, Moch. Khafidz Fuad Raya, Aibdi Rahmat, Jonsi Hunadar, Rindom Harahap

International Journal of Religious Tourism and Pilgrimage

In the contemporary Muslim world, especially in Indonesia, the boom in religious tourism is increasingly widespread after the discovery of the grave sites of saints (wali) or people who are considered holy. More than that, pilgrimage is increasingly popular when these sites display natural views and multifaceted aspects, thereby adding to the intimacy of Islamic meditation and veneration rituals. This article focuses on five holy tombs in Lombok (West Nusa Tenggara), considered tombs of Muslim saints. Using ethnography with observational techniques and unstructured interviews, we explore the construction of veneration and the marketing efforts of pilgrimages to the …

Hegemonic Microtonality: Decolonizing The Soundscape Of Music Theory Pedagogy, Ash K. Wetty

Honors Theses

This thesis examines how Western music theory pedagogy—long organized around tonal and twelve-tone equal-temperament frameworks—structures both what is taught and how students are trained to listen. Through a literature review tracing the historical construction of tonal universality in undergraduate curricula, the project argues that dominant models of music theory reproduce broader epistemic hierarchies inherited from Western conservatory traditions. Situating these histories within my own experience as a student navigating institutional listening norms, the thesis combines critical self-reflection with ethnographic research conducted across five liberal arts institutions, including the CBB consortium and JanPlan research at Wesleyan University and Amherst College. Rather …

Do You See What I Hear?: The Effects Of Musical Harmony On Cultural Perception And Recognition, Marvin Martin Williams

Antioch University Dissertations & Theses

This study explores whether listeners can identify the differences in harmonic progressions in a musical composition, and, if so, whether those differences can elicit a cultural or social perception of the origins of the music. By investigating how audiences respond to variations in harmony, specifically traditional versus altered harmonic treatments, the research offers a framework for music producers, educators, healthcare providers, and other cultural gatekeepers to better understand and engage with audiences on an empathetic and meaningful level. The underlying hypothesis posits that harmony in music does more than evoke emotion but may inform a cultural interpretation, thus presenting an …

From The Heaviest, Dirtiest Depths To The Washy Ambient Clouds: Guitar Timbre In/As Schismogenesis In North American Christianity, Joshua K. Busman, Nathan Myrick

Yale Journal of Music & Religion

This essay argues that within the socio-cultural context of North American Christianity, the timbral qualities of electric guitar, with its long lineage as a site of cultural values conflict and identity negotiation, serves a theological function in the emerging and cohering sonority of digital worship. Using as comparative case studies the timbral qualities of delay and ambience as promoted and sold by Worship Tutorials as representing normative sonic values for these Christians, on the one hand, and the dialectic and schismatic deployment of distortion by the band My Epic on the other, we suggest that these timbral qualities become important …

Dragon Guitars And Sexy Zombies: Tracing The Meta-Motion Of The Naga Motif In Northeast Thailand, Aaron Michael Stanley

Dartmouth College Master’s Theses

Abstract

This thesis traces the evolving symbolism of the Naga motif (a mythic water serpent) in Northeast Thailand through a framework I call meta-motion, which maps symbolic persistence of this cultural signifier and boundary marker across four cultural horizons—animist (Z), Hindu–Khmer (B), Buddhist (A), and modern/global (C). Like electrons in quantum super position, symbolic motifs circulate as overlapping “waves” of potential meaning and are concretized into cultural “particles” only when recruited for specific ritual, commercial, or political purposes. I add a bookend extension to Chang’s Hindu-Buddhist (B/A) typology with the addition of Horizons Z and C in order to make …

Tuning Out The Dark: Music As A Defense And Folk Solution, Melanie Kimball

All Graduate Reports and Creative Projects, Fall 2023 to Present

Music across cultures and throughout history is a tool for engaging with the supernatural. It shares similarities with apotropaic magic. Through research and ethnographic fieldwork, I argued that even in modern times, individuals use music as an apotropaic remedy for fear and negative emotions. These remedies reflect strategies identified by Jeannie Thomas, including companionship, magical substance, neutralization, and displacement. Modern apotropaic music regulates emotions, re-establishes personal relationships, creates safe environments, and provides a means of control.

Contributors used music to combat various negative feelings, selecting genres that matched their emotional needs. In the absence of family and friends, music reaffirmed …

Decolonizing Java: Rethinking Gamelan, Bodies, And Cultural Authenticity, Citra Aryandari

Paradigma: Jurnal Kajian Budaya

This article critically examines the complex interactions between Javanese identity, colonial influence, and karawitan (traditional Javanese music) through an autoethnographic methodology. By introducing the innovative concept of the ‘body as archive,’ the research explores how embodied experiences function as repositories of cultural memory and resistance. It deconstructs colonial interventions in karawitan, uncovering how documentation, standardization, and systematic recording processes altered the transmission and cultural significance of the art form. The research traces the transition from oral traditions to written documentation, highlighting the commodification of Javanese artistic expressions and the emergence of cultural stereotypes. A central focus of this study …

This Needs More Time!: Considerations For Improving Partnerships Between Communities And Institutions In Folklore, Sarah M. Gordon, Jasper Waugh-Quasebarth, Junious Lee Brickhouse, Ashley Minner Jones, Naomi Sturm-Wijesinghe

Art Faculty Publications

From 2021 to 2023, the authors convened a series of discussion forums at the annual meetings of the American Folklore Society to discuss the challenges of community-institutional partnerships in the field of folklore. This perspectives piece presents the outcomes of that series of panels with the goal of advancing adaptability in institutional practices to better support community-engaged work. We seek to promote practices that better respond to community needs in collaborative partnerships through disciplinary norms and institutional bureaucratic mechanisms.

Introduction: Beyond Hollow Materialism, Jasper Waugh-Quasebarth, Zada Komara

Art Faculty Publications

This introduction to the special issue, “Transformative Approaches to Materiality in Appalachian Studies,” provides theoretical background and examples that demonstrate applications of new material culture and materiality theory to key Appalachian studies themes. It offers new directions for the study of material entanglement in social relationships by reviewing the history of material culture studies in the Appalachian context, fundamental theoretical propositions emerging from the “material turn” in social theory, and examples drawn from ethnographic and archaeological research into the patterns of use of material culture in the timber country of West Virginia and coalfields of eastern Kentucky. Finally, this introduction …

Islamic Themes In Us Hip-Hop Culture, Anders Ackfeldt

Music & Performance in Muslim Contexts

Explores how Islam is produced in American hip-hop culture by both Muslims and non-Muslims

Islam has been a part of hip-hop culture since it sprang from New York’s street culture in the 1970s. Today hip-hop has evolved into a global artform with a diversity of Muslim Islamic discourses expressed. Using tools from the field of social semiotics, this book examines how Islamic themes feature in US hip-hop culture, maintaining a particular awareness that both Muslims as well as non-Muslims participate in their production.

Anders Ackfeldt analyses a collection of lyrics, sounds and images to show how Islamic themes are featured …

Popularizing Autogestión: Punk, Zapatismo, And Anarchist Ethics In Mexico City, Livia K. Stone

Faculty Publications – Sociology and Anthropology

Autogestión (self-management), has been a popular articulation of radical politics since its emergence in the 1960s. This article examines how Mexico City's anarcho-punk scene transformed autogestión in the 1990s from an anarcho-syndicalist principle into a unique ethical practice detached from industrial material production. It was then popularized and made more mainstream through university rock festivals. As these were Zapatista benefit concerts, autogestión became inadvertently attached to Zapatismo and detached from anarchism and punk. This history is a crucial one for understanding the political development of an entire generation of the political left in Mexico City who were young in the …

Transformation Of Buddhist Musical Practices From The 7th-13th Centuries As A Response To Political And Social Disorder In Medieval India, Stephan Duran

Monsoon: South Asian Studies Association Journal

This article gives an account of the development of Buddhist musical practices on the Indian subcontinent from their earliest, datable instances, to the disappearance of Buddhist institutions from India proper, demonstrating the persistence of descendant traditions of Sanskrit Buddhist chant and song in contemporary Japanese, Tibetan, and Newar esoteric Buddhist communities. It is argued that the Buddhist musical theory and praxis of these three cultural spheres both preserve features of ancient and medieval Indian Buddhist music and sonically illustrate the transition from political and social order to de-centralized social organization, a shift that took place between the 7^th and …

"If The Gyil Has Died, Dagara Itself Has Died": On The Relationship Of Dagara Music, Food, And Costume, Gordon Cortney

Honors College Undergraduate Theses

The Dagara people, located primarily in the Upper West region of Ghana, take pride in their careful preservation of traditional customs, amidst years of brutal colonization and ethnocide. Previous ethnomusicological research has recognized the gyil, a Ghanaian xylophone, as the focal point of Dagara society, noting how it interacts with and is inherent in all aspects of their culture. Recent developments to the gyil’s design, practice, and performance have created concern for a lost or dying culture among the Dagara. If the gyil is experiencing change, then so too is the rest of Dagara culture. In June and July 2022, …

Border Soundscapes: Latinidad, Belonging, And Sense Of Place In The Paso Del Norte Region., Josã© Manuel Flores Fuentes

Open Access Theses & Dissertations

This dissertation explores the acoustic ecologies of the Juárez-El Paso border, investigating how soundscapes shape and reflect the cultural identity, sense of belonging, and sense of place within this unique transnational region. Guided by the theoretical lenses of belonging (Kohut, Tajfel, Turner, Hooks), sense of place (Feld & Basso), and habitus (Bourdieu), the research takes a phenomenological approach, informed by Merleau-Ponty's concepts of perception and Ceraso's notion of embodied listening. The study analyzes soundscape samples through Krause's categories of biophonies, geophonies, and anthropophonies, uncovering how these sounds contribute to the development of Latino identity and cultural cohesion in the borderlands.Focusing …

Vol. 47 No. 1 (2024): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 47, No 1-Jun 2024 edition of the Pacific Studies Journal.

Vol. 47 No. 1 (2024): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The

Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young

University Hawai‘i #1979, 55–220 Kulanui Street, Lā ‘ie, Hawai‘i 96762, but

responsibility for opinions expressed in the articles rests with the authors alone.

Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center

for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian

and Pacific Studies (formerly The Pacific Institute) is an organization funded

by Brigham Young University Hawai‘i. The Center assists the University in

meeting its cultural and educational goals by undertaking a program of teach-

ing, …

A Música Na Tradição Indígena Wai Wai, Roque Yaxikma Wai Wai, Ruben Caixeta De Queiroz

Tipití: Journal of the Society for the Anthropology of Lowland South America

Este trabalho trata da história da música na tradição do povo indígena wai wai, um grupo de língua caribe da região guianense. A pesquisa se passa entre os Wai Wai do rio Mapuera (norte do Pará), tendo como foco os conhecimentos de anciãos e as músicas antigas que eles conhecem. Aqui tratamos da definição do que é música e instrumento musical para os Wai Wai, quem pode e quem não pode tocar e/ou ouvir música. Descrevemos as histórias dos lugares antigos de habitação dos Wai Wai, onde moravam outrora, no rio Baracuxi (Kikwo), os nomes das aldeias e os nomes …

“We Party As A Form Of Survival”: Clubbing During Economic Crisis In Beirut, Lebanon, Saumya Grover

Senior Theses

2020s Lebanon is wrought by a banking crisis, a refugee crisis, infrastructural issues, border conflict, and an unstable government—yet its nightlife scene is thriving. This has been the case since the onset of the Lebanese Civil War (1975-1990) when discotheques and nightclubs emerged in the region despite the decimated infrastructure and beleaguered nation. Although that war period has drawn considerable scholarly attention, there is limited scholarship on the persistence of the clubbing scene during the nation’s troubles of the 2020s. This project studies the vibrant Lebanese nightlife scene in contrast with the various crises the country is experiencing. Rendering my …

Rebetiko In Nyc: New Ideas Of Greek Diaspora, Mihalis Alisandratos

Theses and Dissertations

This thesis explores ideas of Greekness within the modern rebetiko space of New York City through the use of both ethnographic and reflexive techniques. Combining thick description, interview analysis, and extensive self reflection, this thesis endeavors to better understand how Greek American rebetiko musicians in NY today conceive of their experience in diaspora.

Bringing Recess Music Indoors: How Attention To Musical Play In The Classroom Impacts A School Community, Angelina B. Scolari

Theses and Dissertations

Why should elementary music teachers learn about the games their students play at recess? This paper discusses the process of recovering children’s folklore at a Bronx elementary school, what findings can teach us about the children in our lives, and how music teachers can use “kid culture” in the classroom.

“Sounds Like” Redemption? On The Musicality Of Species And The Species Of Musicality, Tyler Yamin, Alice Rudge

Faculty Journal Articles

Popular and academic studies of music frequently claim that human musicality arose from the so-called ‘natural world’ of non-human species. And amid the anxieties produced by the Anthropocene, it is thought that the possibility of reconnecting with the natural world through a renewed appreciation of music’s links with nature may usher in a new era of posthuman environmental consciousness, offering repair and redemption. To critique these claims, we trace how notions of ‘musicality’ have been applied to or denied from non-human entities across diverse disciplines since the late nineteenth century. We conclude that such debates reinforce the separation that they …

Mediating Authenticity: An Ethnographic Portrait Of Experience At U.S. Popular Music Festivals, Elizabeth Navarra Varnado

Theses and Dissertations--Music

This ethnographic study of U.S. popular music festivals subverts the impression of festivals as strictly ‘presentational’ live music events by utilizing a nuanced approach that is grounded in ethnographic fieldwork, historical analysis, and participant interviews.

Interlocutors, drawn from the author’s personal network of festival attendees, musicians, and promoters, reflect on “particularly positive festival moments,” the social and emotional benefits of festivals, and the corporeality of festival aesthetics. Discourse and published media play a vital role in festival participants’ perception of the festival field and their place within it; therefore, this study draws inspiration from the tripartite focus of iconic festival …

Vol. 46 No. 2 (2023): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 46, No 2-Dec 2023 edition of the Pacific Studies Journal.

Performing Tongan Identity And Indigeneity In Global Sporting Events, ‘Inoke Hafoka, Arcia Tecun, Tēvita O. Ka‘Ili, S. Ata Siu‘Ulua

Pacific Studies

During the 2017 Rugby League World Cup, Tonga’s national team made it into the semifinals, unleashing a powerful spirit of Tongan identity across the globe. Drawing from the borderlands concept and the Tongan tāvā theory, we analyze intersecting tensions of identity and colliding contexts during the tournament. Tonga’s team (mostly composed of players who chose Tonga rather than playing for the nation-states of their birth) revealed the limits of national identities while reinforcing them. Indigenous performances of sipi tau (war challenge/posture dance) and ancestral memories of kasivaki (ancient Tongan sport), cultivated feelings of māfana (exhilaration …