Philosophy Commons^™

The Gift Of Life: Death As Teacher In The Aghori Sect, Rochelle Suri, Daniel B. Pitchford

International Journal of Transpersonal Studies

This article utilizes the example of the Aghori, with their radical and unique perspective on death,

as a challenge to the Western world to live an authentic, present life by maintaining awareness of

mortality. Specifically, three main themes are explored: first, a theoretical engagement of the concept

of death based on the (Western) philosophy of existentialism, second, a review of the historical

origins and philosophy of the Aghori sect, and third, a depiction of the Aghoris as a living example

of vigorously accepting death as an inevitability of life. On this basis a brief comparison of Western

and Eastern attitudes …

Notices

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Recent Publications

Contemporary Aesthetics (Journal Archive)

No abstract provided.

The Third Tear In Everyday Aesthetics, Katya Mandoki

Contemporary Aesthetics (Journal Archive)

Although totally overlooked by mainstream aesthetic theory, various paths were nevertheless left open for addressing everyday aesthetics, a natural yet surprisingly controversial topic. Why they were never taken until recently, when the theme of everyday aesthetics is now becoming fashionable, can be explained not only by the obvious fact of philosophical aesthetics’ restrictive focal point on art but, among other reasons, by a kind of fetishism that demands an object of recognized value for legitimating an aesthetic inquiry. This new popularity entails, however, certain theoretical risks such as clinging to traditional art-centric and beauty-centric categories to explain the everyday and …

Report: The Xviiith International Congress Of Aesthetics- "Diversities In Aesthetics" (Peking University, Beijing, China, 9-13 August 2010), Michael Ranta

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Why Beauty Still Cannot Be Measured, Ossi Naukkarinen

Contemporary Aesthetics (Journal Archive)

This article focuses on the question of whether the latest results achieved in sciences such as evolution studies and brain research can help us understand the nature of aesthetic judgments. It suggests that such approaches may offer interesting insights for understanding many problems in aesthetics, but for clarifying aesthetic judgments one needs a philosophical point of view. Aesthetic judgments cannot be proven right or wrong by scientific methods, and beauty or other aesthetic qualities cannot be directly measured. The “method” of both making and analyzing aesthetic judgments is discussion, and the article clarifies why this is still the case, even …

Another One Bites The Dust!, Gabriela Salazar

Contemporary Aesthetics (Journal Archive)

The contemporary landscape is rife with ruins, from circumscribed tourist attractions to urban decay and demolition sites. When examined, our aesthetic experience of these sites ranges from historical distancing to the sublime and, when found in our local communities (e.g., Providence, RI), to discomfort, displacement, and horror. In particular, this paper is interested in how certain forms of demolition, from slow and messy to explosively dramatic, can be understood as compressed and heightened experiences of the traditional sublime ruin. Additionally, as contemporary artists often use the vernacular of the ruin in their work, this paper considers how three artists, Gordon …

A Symposium On Laurent Stern's , John Gibson

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Laurent Stern's Interpretive Reasoning, Mary Wiseman

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Allowing The Accidental; The Interplay Between Intentionality And Realism In Photographic Art, Katrina Mitcheson

Contemporary Aesthetics (Journal Archive)

We experience photographs both as intentional and as prone to the accidental. The photograph is both capable of being an artwork with its own, constructed world and of drawing our attention to the reality of the objects used in creating it. In this article I employ the insights contained in the concepts of Barthes’ studium and punctum in order to explore how the artist’s intentions and the realism of photography interact aesthetically. I advance the idea that a unique aesthetics of photography can be rooted in the tension between the intentional, culturally coded message of a photograph and the emanation …

Home Life: Cultivating A Domestic Aesthetic, Jessica J. Lee

Contemporary Aesthetics (Journal Archive)

Home Life is an exploration of environmental aesthetics as it applies to the domestic realm. I consider Kevin Melchionne’s argument that through notions of taste, grace, and performance, everyday domestic chores can become heightened artistic practices. I argue that this does not go far enough in overcoming the traditional view of art as aesthetically superior to popular or everyday artefacts and practices; rather, it encourages the limitations of traditional aesthetics values within the domestic setting. Through examples, including Pauliina Rautio’s study on laundry, I consider the possibility that domestic practices are made up of actions that are not performed with …

Nightwatch, Justin Winkler

Contemporary Aesthetics (Journal Archive)

In this essay I examine the features of night, in particular, urban night. I try to highlight the epistemological divide between day and night, light and darkness. Even as light-based experiencing, acting, and thinking, and their cultural tools colonize urban night, nocturnal elements relate dialectically to our daytime reasoning. I conclude with the question of whether a kind of half-tone thinking contained in a trialectic of light, twilight, and darkness would be capable of appreciating the peculiar qualities of night.

The reveries of the weak light guide into the innermost recesses of the familiar. It looks as if there are …

The Curatorial Muse, Michael J. Kowalski

Contemporary Aesthetics (Journal Archive)

An appreciation of the tension between the predicate, "to curate," and the subject, "the curator," is essential to understanding the convergence of creation, criticism, and administration in the graphic arts of our time. Curators were ideally positioned to step to the fore when the idea-versus-object dichotomy began to collapse in the work of Duchamp. The roots of activist curating can be found in Western Classical culture. The prevalence of conceptual art at the end of the twentieth century, combined with the explicit denigration of physical craft by artists, created a void into which activist curators moved. The curator's role as …

The Value Of Fictional Worlds (Or Why 'The Lord Of The Rings' Is Worth Reading), James Harold

Contemporary Aesthetics (Journal Archive)

Some works of fiction are widely held by critics to have little value, yet these works are not only popular but also widely admired in ways that are not always appreciated. In this paper I make use of Kendall Walton’s account of fictional worlds to argue that fictional worlds can and often do have value, including aesthetic value, that is independent of the works that create them. In the process, I critique Walton’s notion of fictional worlds and offer a defense of the study and appreciation of fictional worlds, as distinguished from the works of fiction with which they are …

A Functional Model Of The Aesthetic Response, Daniel Conrad

Contemporary Aesthetics (Journal Archive)

In a process of somatic evolution, the brain semi-randomly generates initially-unstable neural circuits that are selectively stabilized if they succeed in making sense out of raw sensory input. The human aesthetic response serves the function of stabilizing the circuits that successfully mediate perception and interpretation, making those faculties more agile, conferring selective advantage. It is triggered by structures in art and nature that provoke the making of sense. Art is deliberate human action aimed at triggering the aesthetic response in others; thus, if successful, it serves the same function of making perception and interpretation more agile. These few principles initiate …

Aristotle On Pure And Simple Stuff, Tiberiu Popa

Scholarship and Professional Work - LAS

A view that has been entertained traditionally by Aristotelian scholars is that the four simple bodies in the sublunary world (earth, water, air, and fire) cannot exist independently; a consequence of this view is the general belief that all homoeomers or uniform bodies have to be compounds. i would like to suggest that, while Aristotle consistently maintains that the four basic opposites (hot, cold, moist, dry) cannot exist independently, this is not always the case with the four simple bodies. My central claim is that Meteorology IV – Aristotle’s ‘chemical treatise’ – provides evidence that, contrary to the traditional interpretation …

Smooth Space, Tamsin E. Lorraine

Philosophy Faculty Works

No abstract provided.

Majoritarian, Tamsin E. Lorraine

Philosophy Faculty Works

No abstract provided.

Self-Knowledge And Rationality, Stephen Blackwood

Theses and Dissertations (Comprehensive)

Several basic asymmetries are normally thought to exist between first- and third-person present-tense ascriptions of mental states. First of all, when a speaker ascribes, for instance, a belief that p to another, she must do so on the evidence provided by the utterances and actions of the other. However, it at least appears that typically she need not do so when ascribing a belief to herself. In other words, there is an immediacy to a self-ascription of a belief (that is, an utterance of the form ‘I believe that p’) that thirdperson ascriptions (‘He believes that p’) lack. …

Epistemic Malevolence, Jason Baehr

Philosophy Faculty Works

Against the background of a great deal of structural symmetry between intellectual and moral virtue and vice, it is a surprising fact that what is arguably the central or paradigm moral vice—that is, moral malevolence or malevolence proper—has no obvious or well-known counterpart among the intellectual vices. The notion of “epistemic malevolence” makes no appearance on any standard list of intellectual vices; nor is it central to our ordinary ways of thinking about intellectual vice. In this essay, I argue that there is such a thing as epistemic malevolence and offer an account of its basic character and structure. Doing …