2003 Arbitration Hearings Chart,
2018
University of Notre Dame
2003 Arbitration Hearings Chart, Edmund P. Edmonds
Annual Hearings Charts
No abstract provided.
2007 Arbitration Hearings Chart,
2018
University of Notre Dame
2007 Arbitration Hearings Chart, Edmund P. Edmonds
Annual Hearings Charts
No abstract provided.
2015 Arbitration Hearings Chart,
2018
University of Notre Dame
2015 Arbitration Hearings Chart, Edmund P. Edmonds
Annual Hearings Charts
No abstract provided.
2017 Arbitration Hearings Chart,
2018
Notre Dame Law School
2017 Arbitration Hearings Chart, Edmund P. Edmonds
Annual Hearings Charts
No abstract provided.
2012 Arbitration Hearings Chart,
2018
University of Notre Dame
2012 Arbitration Hearings Chart, Edmund P. Edmonds
Annual Hearings Charts
No abstract provided.
2011 Arbitration Hearings Chart,
2018
University of Notre Dame
2011 Arbitration Hearings Chart, Edmund P. Edmonds
Annual Hearings Charts
No abstract provided.
2010 Arbitration Hearings Chart,
2018
University of Notre Dame
2010 Arbitration Hearings Chart, Edmund P. Edmonds
Annual Hearings Charts
No abstract provided.
2018 Arbitration Hearings Chart,
2018
University of Notre Dame
2018 Arbitration Hearings Chart, Edmund P. Edmonds
Annual Hearings Charts
No abstract provided.
Fair Use Avoidance In Music Cases,
2018
Chicago-Kent College of Law
Fair Use Avoidance In Music Cases, Edward Lee
Boston College Law Review
This Article provides the first empirical study of fair use in cases involving musical works. The major finding of the study is surprising: despite the relatively high number of music cases decided under the 1976 Copyright Act, no decisions have recognized non-parody fair use of a musical work to create another musical work, except for a 2017 decision involving the copying of a narration that itself contained no music (and therefore might not even constitute a musical work). Thus far, no decision has held that copying musical notes or elements is fair use. Moreover, very few music cases have even ...
2018 Masthead,
2018
Berkeley Law
Little Bits Can’T Be Wrong: The De Minimis Doctrine In The Context Of Sampling Copyright-Protected Sound Recordings In New Music,
2018
Berkeley Law
Little Bits Can’T Be Wrong: The De Minimis Doctrine In The Context Of Sampling Copyright-Protected Sound Recordings In New Music, Christopher J. Norton
Berkeley Journal of Entertainment and Sports Law
No abstract provided.
When Trade Secrecy Goes Too Far: Public Health And Safety Should Trump Corporate Profits,
2018
University of Dayton
When Trade Secrecy Goes Too Far: Public Health And Safety Should Trump Corporate Profits, Julie Zink
School of Law Faculty Publications
This Article addresses the historical and ongoing use of trade secrets to withhold critical information from the public. Through its text and footnotes, the Article discusses the positives and negatives of trade secret protection; addresses historical and current examples of trade secret abuse; analyzes the inadequate solutions that have been tried and proposed; and, ultimately, recommends changing trade secret law by incorporating the precautionary principle into the definition of a trade secret to ensure that protection will no longer be available for information that endangers public health. This Article is both timely and necessary, as the public is continually bombarded ...
America's Past-Time And The Art Of Diplomacy,
2018
Indiana University Maurer School of Law
America's Past-Time And The Art Of Diplomacy, Alyson St. Pierre
Indiana Journal of Global Legal Studies
As organizations and corporations construct an international reach, they become influential actors in foreign relations between sovereign countries. Particularly, while Major League Baseball continues to recruit players and build a large fan base across the globe, it increases its ability to facilitate civil relations between the United States and other nations. An exploration of how professional baseball provides a useful platform to improve diplomatic relations between the United States and Cuba best exemplifies how the League can promote change. Although the United States and Cuba have had a rather tumultuous relationship in recent history, a coordinated effort to improve the ...
Marching To The Beat Of The Eu's Drum: Refining The Collective Management Of Music Rights In The United States To Facilitate The Growth Of Interactive Streaming,
2018
Indiana University Maurer School of Law
Marching To The Beat Of The Eu's Drum: Refining The Collective Management Of Music Rights In The United States To Facilitate The Growth Of Interactive Streaming, Gary W. Hunt Iii
Indiana Journal of Global Legal Studies
In the digital era, interactive streaming is now the preferred method for music consumers to access their favorite albums and songs. The traditional copyright system used to administer music rights and royalties has not evolved accordingly, which not only impedes progress by music platform innovators, but also frustrates artist, labels, and composers who are unable to reap the benefits of their music rights. This Note examines the complex process interactive streaming services undergo to obtain the rights necessary to stream music through their platforms, which involves a discussion of collective rights organizations. This Note then argues that the European Directive ...
Lessons From Hollywood Cybercrimes: Combating Online Predators,
2018
Berkeley Law
Lessons From Hollywood Cybercrimes: Combating Online Predators, Robert Kang
Berkeley Journal of Entertainment and Sports Law
No abstract provided.
How To Protect Orphan Film,
2018
Berkeley Law
How To Protect Orphan Film, Yinghua Li
Berkeley Journal of Entertainment and Sports Law
No abstract provided.
Who's Afraid Of Swiss Cheese? Resolving The Copyright Claims Of Non-Coauthors,
2018
Seattle University School of Law
Who's Afraid Of Swiss Cheese? Resolving The Copyright Claims Of Non-Coauthors, D. Sean West
Seattle University Law Review SUpra
No abstract provided.
Screening Justice In "The Accused" (1988),
2018
University of New Mexico - Main Campus
Screening Justice In "The Accused" (1988), Sherri L. Burr
Sherri L. Burr
Screening Justice is designed to tell the complex story of law through an exploration of forty films focusing upon courtroom dramas, social issues and questions of justice. These motion pictures are evaluated by distinguished scholars who, using a range of narrative styles, compare the law on the screen and the law in action. The work serves as a guide to understanding law, the rhetoric of law and images of justice. The book will introduce readers to new films as well as help create new perspectives on familiar classic movies.
Remnants Of Net Neutrality: Policing Unlawful Content Through Broadband Providers,
2018
Brooklyn Law School
Remnants Of Net Neutrality: Policing Unlawful Content Through Broadband Providers, Aaron Lerman
Brooklyn Journal of Corporate, Financial & Commercial Law
The 2015 Open Internet Order, released by The Federal Communication Commission (FCC), introduced sweeping, new rules that promised to preserve an equal and open Internet to consumers. These rules, otherwise known as “Net Neutrality,” prohibited broadband and internet service providers from impairing, blocking, or throttling access to “lawful content” online. But with a new administration and agenda, the FCC’s 2017 Restoring Internet Freedom Order repealed Net Neutrality. Since then, various states have pushed back against the repeal, with some adopting their own versions of the 2015 Open Internet Order’s Net Neutrality, keeping most of the rule language intact ...
Hollywood’S Red Dawn: China’S Restrictions On American Film,
2018
University of Missouri School of Law
Hollywood’S Red Dawn: China’S Restrictions On American Film, Taylor Shortal
The Business, Entrepreneurship & Tax Law Review
The Chinese film market has undergone unprecedented expansion in the past 17 years. As North American box office revenues drop, Hollywood film studios often rely on the Chinese market to balance the costs of blockbuster films. However, Beijing maintains strict regulations on China’s film imports, including annual quotas on the number of foreign films released, limits on the share of grosses Hollywood studios can receive from their films, and content censorship based on Communist Party directives. Many of these regulations are designed to incentivize Hollywood studios to co-produce films with Chinese companies. Through co-production agreements, Beijing anticipates that Chinese ...
