The Mini Syllabus: Locating And Engaging With Black Women In Popular Culture, 2024 Rochester Institute of Technology
The Mini Syllabus: Locating And Engaging With Black Women In Popular Culture, Katrina Marie Overby
Feminist Pedagogy
No abstract provided.
Real #Hotgirl Sh*T: Practical Application Of Intersectional Re-Presentation Instruction, 2024 Jackson State University
Real #Hotgirl Sh*T: Practical Application Of Intersectional Re-Presentation Instruction, Jessica F. Love
Feminist Pedagogy
This critical commentary outlines how the Real #HotGirl Sh*T: Megan Thee Stallion & Mediated Hip Hop, Black Feminist and Communication Pedagogy promotes active learning via popular culture and digital media, and it provides a practical model for employing intersectionality in classroom settings. Previous critical media pedagogy exploring minority media re-presentation primarily focused on the effects of master narratives produced by traditional media. This syllabus's incorporation of social and digital media helps students understand how collective minority groups use and interact with media as a political tool to challenge re-presentational regimes. More importantly, this syllabus employs real-world examples of popular culture …
Savage, Classy, Bougie And Ratchet Feminist Pedagogy, 2024 Rochester Institute of Technology
Savage, Classy, Bougie And Ratchet Feminist Pedagogy, Katrina Marie Overby, Gheni Platenburg
Feminist Pedagogy
No abstract provided.
‘The Power Of Three Will Set Us Free': Witchy Womanist Readings Of Toni Morrison’S Sula, Opal Palmer Adisa’S It Begins With Tears, And Migdalia Cruz’S The Have-Little And Miriam’S Flowers, 2024 The Graduate Center, City University of New York
‘The Power Of Three Will Set Us Free': Witchy Womanist Readings Of Toni Morrison’S Sula, Opal Palmer Adisa’S It Begins With Tears, And Migdalia Cruz’S The Have-Little And Miriam’S Flowers, Anamaría Flores
Dissertations, Theses, and Capstone Projects
Witchy womanism is a critical methodology for reading, teaching, and writing about literature in order to generate emancipatory knowledge, activate Queer, Black, and Indigenous consciousnesses, contribute to 21st century women’s, Black, and Indigenous liberation movements, and foster (re)connections to ancestral rituals and knowledge. Born at the intersections of Black Studies, BIPOC Queer and Gender Studies, Caribbean Studies, English, Hip-Hop Studies and Latinx Studies, “‘The Power of Three Will Set Us Free’: Witchy Womanist Readings of Toni Morrison's Sula, Opal Palmer Adisa's It Begins With Tears, and Migdalia Cruz's The Have-Little and Miriam's Flowers" is a multidisciplinary …
Form In Hip-Hop Music: Sections, Songs, And History, 2023 The Graduate Center, City University of New York
Form In Hip-Hop Music: Sections, Songs, And History, Stephen M. Gomez
Dissertations, Theses, and Capstone Projects
This dissertation explores musical form in recorded hip-hop music from 1979–present. Form, defined as the large-scale organization of songs, is a parameter that artists consider in the creative process and fans experience while listening. Hip-hop’s historical foundation as a live, improvised, party-oriented genre influenced formal functions and patterning from the earliest days of its popular recorded life, beginning with the Sugar Hill Gang’s “Rapper’s Delight” in 1979. While many of the section and song form labels used by scholars of pop-rock music are transferable to the analysis of hip-hop, the latter genre conveys a unique sense of time rooted in …
A Meditation On Afrosurrealism, Black Gender, And The Non-Human, 2023 Brandeis University
A Meditation On Afrosurrealism, Black Gender, And The Non-Human, Logan K. Shanks
Crossings: Swarthmore Undergraduate Feminist Research Journal
Quotidian Black life is characterized by our ability to alchemize violence into generative life-sustaining properties of matter. In this paper, I will measure Black matter based on anything produced and engaged by Black collectives. While Black existence is not tied to white violence, descendants of enslaved Black people enter our worlds of worlds greeted by a white captor. It is not until we consciously recognize that we are in his dream that we can work to escape the white captor’s circadian rhythms. Through this paper, I will tease out the contradictions of our Black living-unliving. I will employ an anti-methodological …
Black Best-Selling Books And Bibliographical Concerns: The Essence Book Project, 2023 University of New Orleans
Black Best-Selling Books And Bibliographical Concerns: The Essence Book Project, Jacinta R. Saffold, Kinohi Nishikawa
Criticism
On October 27, 2021, the Bibliographical Society of America (BSA) sponsored the first in a series of virtual interviews about the Essence Book Project. Founded by Jacinta R. Saffold, the BSA’s inaugural Dorothy Porter Wesley Fellow, the Essence Book Project is a database of the books that appeared on Essence magazine’s bestsellers’ list from 1994 to 2010. In talking about the project with Kinohi Nishikawa, Saffold highlights how Black best-selling books contribute new paths of inquiry to bibliographical scholarship and explains why it is important to archive contemporary Black print culture. Presented in this article is a modified version of …
Give The Drummer Some: A Dive Into Drum Breaks And Drum Break Production, 2023 California State University, Monterey Bay
Give The Drummer Some: A Dive Into Drum Breaks And Drum Break Production, Kyle Kaldhusdal
Capstone Projects and Master's Theses
This paper traces the history of hip-hop culture through the evolution of the drum break, the original context of drum breaks in funk and soul music, their influence on DJ culture, and the subsequent impact of drum breaks on music and music production. It follows the development of breakbeat compilations in the 1970s and 1980s, parallel to the development of turntablism and sampling techniques. It also examines in detail how copyright litigation in the 1990s shaped the development of sample-based music genres and created a niche market for originally-recorded drum breaks over the subsequent decades.
(Transforme Des Mines De Plomb En Or): Webster Et L'Alchimie Du Nous (En Rap), 2023 Old Dominion University
(Transforme Des Mines De Plomb En Or): Webster Et L'Alchimie Du Nous (En Rap), Peter Schulman
World Languages and Cultures Faculty Publications
[Introduction] Auteur de plusieurs disques et de nombreux ateliers d'écriture internationaux, d'un livre pour enfants et d'une d'exposition sur des escclaves fugitifs au Musée national des beaux-arts du Québec1, le rappeur <> Webster (de son vrai nom Aly Ndiaye) est connu pour la profondeur de ses chansons, nourries d'Histoire (fidèle à sa formation d'historien), mais surtout d'un humanisme qui fait face non seulement aux attitudes racistes qu'il a dû affronter pendant sa jeunesse, et aussi à l'isolement créé par des barrières artificielles imposées par la société québecoise dont il fait partie.
Can Anyone Withhold The Water...?, 2023 Southern Methodist University
Can Anyone Withhold The Water...?, Brandon Keith Lacey Sr
Doctor of Ministry Projects and Theses
Abstract
Thesis
Contextualization and indigenization have always been necessary and expected components of establishing Christian communities of faith and practice. Failed or obsolete attempts at contextualization and indigenization in evangelism and missions continue to harm the development of the African American Church. This results in the development of spiritually marginalized communities alienated from the very relationship with God that such communities need. Preventing such spiritual marginalization in communities requires a training curriculum that combines a working theology on appropriate contextualization and indigenization with a framework for practical implementation. The outcome would decrease the tendency to replicate non-contextual religious practice and …
Grinding All My Life: Nipsey Hussle, Community Health, And Care Ethics, 2022 Johns Hopkins University
Grinding All My Life: Nipsey Hussle, Community Health, And Care Ethics, Pyar J. Seth, Carlton K. Harrison, Jasmyn Mackell
Journal of Hip Hop Studies
As John Legend said, “Nipsey was so gifted, so proud of his home, so invested in his community” (Martin, 2019). Though Nipsey Hussle certainly had a lyrical gift, the discourse after his murder remained largely focused on his work as a humanitarian and community activist. Hussle was a staunch advocate for gun control, police abolition, and education equity in Los Angeles and the State of California. Academic research has often neglected the very clear relationship between Hip Hop and health, particularly the underlying theme of improving community health. To our knowledge, Hussle never identified as a community health organizer. Still, …
“Imbedded” Belonging And Black Being: A Critical Analysis Of Blackness In Kendrick Lamar’S 2016 Grammy Awards Performance, 2022 Wayne State University
“Imbedded” Belonging And Black Being: A Critical Analysis Of Blackness In Kendrick Lamar’S 2016 Grammy Awards Performance, Anwar Uhuru
Journal of Hip Hop Studies
This article argues that in a space of artistic performance Black people can fully imbed themselves in the space, despite the temporality of the performance itself. Therefore, in the act of performing, Black people are able to fully be recognized as a human whole. The goal of this article is to think of a Hip Hop beingness that fuses the temporal/body, consciousness/beyond the body, and the ancestral connections of orality and genetic memory. I do so by looking at how black performance disrupts dominant narratives of black bodies as being just flesh. This article brings together, Hip Hop studies, Africana …
'Space Is The Place:' Afrofuturism In Black Popular Music, 2022 Louisiana State University and Agricultural and Mechanical College
'Space Is The Place:' Afrofuturism In Black Popular Music, Tamyka Jordon-Conlin
LSU Doctoral Dissertations
This dissertation focuses on developing a theory of Afrofuturist music. Afrofuturism is an umbrella term used to describe Black cultural productions that reflect on the African diasporic culture of the past while imagining potential futures, often while appropriating imagery of technology and science-fiction tropes. With the intent of redefining notions of blackness, Afrofuturist artists create alternative historical narratives and speculative future projections. These productions create space that allows the Afrofuturist to discorporately negotiate the limits of Black subjectivity. Poet, activist, and avant-garde musician Sun Ra is credited as the progenitor of Afrofuturism, and his model has since been adapted by …
Mourning The Marathon: Black Men Rappers, Homicide Survivorship Bereavement, And The Rap Tribute Of Nipsey Hussle, 2022 Pace University
Mourning The Marathon: Black Men Rappers, Homicide Survivorship Bereavement, And The Rap Tribute Of Nipsey Hussle, Melvin L. Williams, Justin K. Winley, Justin Causey
Far West Popular Culture Association Annual Conference
Eritrean-American rapper Ermias “Nipsey Hussle” Asghedom’s murder represented a cultural cataclysmic event that startled the hip-hop community and triggered previous memories of Black men’s homicidal deaths in rap and Black American urban communities. Nipsey Hussle’s death inspired touching rap tribute songs by Black men rappers, who sought to commemorate his cultural legacy and express their bereavement pains as homicide survivors. Rap tribute songs occupy a significant history, as rappers historically employed them to honor hip-hop’s fallen soldiers, communicate their homicide survivorship bereavement processes, and speak about social perils in the Black community. Framed by critical race (CRT) and gender role …
Hip-Hop History: Grades 9-12 Local History Curriculum, 2022 University of Massachusetts Boston
Hip-Hop History: Grades 9-12 Local History Curriculum, Sivia K. Malloy
Instructional Design Capstones Collection
As the founders and trailblazers mature, and sadly depart this life, a new generation is left behind with limited to no knowledge of the influence hip-hop has on current popular culture locally, nationally, or internationally. Research for this learning intervention determines what and how local hip-hop history incorporates into a social studies/history course with high school (9-12 grade) students, bridging local stories to the national and international trends and events of the past. Informal discussions took place with local hip-hop subject-matter experts throughout the northeast region of New England with ties to Massachusetts. Their recommendations were to wrestle with the …
Honor Thyself, 2022 Hollins University
Honor Thyself, Alonzo O. Williams
Dance (MFA) Theses
The black male experience and identity in America are filled with complexity. We struggle to know ourselves. We work to see the way of love and the peace of an unviolated free spirit. We want to engage with ourselves with the highest degree of freedom and comfort, not to continue to question our identity in a life-threatening white patriarchal masculinity ideal. Honoring oneself from the lenses of the Reconstruction era of the United States is essential. Reconceptualizing this history explores the significance of emphasizing Reconstruction in my life as a black male to go through a process of self-discovery and …
Do Androids Dream Of Improvisation?, 2022 Bard College
Do Androids Dream Of Improvisation?, Aidan J. Samp
Senior Projects Spring 2022
Senior Project submitted to The Division of Arts of Bard College.
Pedagogies Of The “Irresistible”: Imaginative Elsewheres Of Black Feminist Learning., 2022 Georgetown University
Pedagogies Of The “Irresistible”: Imaginative Elsewheres Of Black Feminist Learning., Mecca Jamilah Sullivan
Journal of Feminist Scholarship
In her foreword to the groundbreaking anthology, This Bridge Called My Back: Writings by Radical Women of Color, Toni Cade Bambara (1983) famously argues that the great work of feminist writing is “to make revolution irresistible.” This statement is often read as a founding call of women-of-color feminism, and of feminist literary expression in particular. Yet Bambara’s notion of the “irresistible” extends beyond the page; throughout her works, she also uses the term as a key descriptor of her pedagogy, and her vision of the classroom. Bambara joins Audre Lorde and other Black feminist writer/teachers in insisting on a …
A Form Of Our Own: An Examination Of Black Sonnet-Samplers, 2022 Georgia Southern University
A Form Of Our Own: An Examination Of Black Sonnet-Samplers, Lavonna D. Wright
Electronic Theses and Dissertations
This study responds to the need for understanding and terminology regarding Black poets’ engagement with the sonnet form. Referring to sampling strategies in Hip-Hop to analyze Black sonnets, this study disputes limiting ideas about sonnets as ineffective mediums to portray Black narratives and honors strategies maintained in Hip-Hop culture that define Black narrative expression, resistance to assimilation, and social reflection. Black sonnets are an ever-evolving vehicle of resistance to elitist ideas about traditional forms, Black aesthetics, and the ways that poetic strategies can be defined. This study names past and present Black sonneteers’ adherence to, remixing in, and rejection of …
For The Dead Homie: Black Male Rappers, Homicide Survivorship Bereavement, And The Rap Tribute Of Nipsey Hussle, 2021 Pace University
For The Dead Homie: Black Male Rappers, Homicide Survivorship Bereavement, And The Rap Tribute Of Nipsey Hussle, Melvin L. Williams, Justin K. Winley, Justin A. Causey
Journal of Hip Hop Studies
Ermias “Nipsey Hussle” Asghedom’s murder represented a cultural cataclysmic event that startled the Hip Hop community and triggered previous memories of Black men’s homicidal deaths in the world. Nipsey Hussle’s death inspired touching rap tribute songs by Black male rappers, who sought to commemorate his cultural legacy and express their bereavement as homicide survivors. Rap tribute songs occupy a significant history, as rappers historically employed them to honor Hip Hop’s fallen soldiers, communicate their homicide survivorship bereavement processes, and speak about social perils in the Black community. Framed by critical race (CRT) and gender role conflict theoretical frameworks, this study …