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Articles 1 - 13 of 13
Full-Text Articles in Science and Technology Studies
3d Scan Data For Selected Artifacts From Blackwater Draw National Historic Landmark (La3324), New Mexico, Usa, Robert Z. Selden Jr., George T. Crawford
3d Scan Data For Selected Artifacts From Blackwater Draw National Historic Landmark (La3324), New Mexico, Usa, Robert Z. Selden Jr., George T. Crawford
CRHR: Archaeology
Between February 8-11, 2016, selected artifacts from the Blackwater Draw National Historic Landmark (LA3324) were scanned in advance of a grant proposal to digitally aggregate the Clovis-era artifacts from the Clovis type site. These data were collected using a NextEngineHD running ScanStudioHD Pro, and were post-processed in Geomagic Design X 2016.0.1. All data associated with this project have been made publicly available (open access) and are accessible in Zenodo under a Creative Commons Attribution license, where they can be downloaded for use in additional projects and learning activities. These data have the capacity to augment a variety of research designs …
3d Scan Data For Caddo Ceramic Vessels From The George C. Davis Site (41ce19), Robert Z. Selden Jr.
3d Scan Data For Caddo Ceramic Vessels From The George C. Davis Site (41ce19), Robert Z. Selden Jr.
CRHR: Archaeology
On June 8, 2015, the intact and reconstructed vessels from the George C. Davis site (41CE19) were scanned (3D) in advance of an analysis of 3D geometric morphometrics. These data were collected using a Creaform GoSCAN50 running VXElements via the scanner direct control function in Geomagic Design X. All data associated with this project are available in Zenodo under a Creative Commons Attribution license, where they can be downloaded for use in additional projects. These data have the capacity to augment numerous research designs in the digital humanities and ceramic studies, as well as a wide range of comparative research …
Frit-Core Beads In North America, Karlis Karklins
Frit-Core Beads In North America, Karlis Karklins
BEADS: Journal of the Society of Bead Researchers
Among the earliest European beads to reach North America is a distinctive group generally referred to in the archaeological literature as frit-core or frit-cored, so called because their interiors consist of sintered sand rather than solid glass. Likely produced in France, they are restricted to northeastern North America and have short temporal ranges, making them ideal chronological indicators for the latter part of the 16th century and the very early 17th century.
The Fichtelgebirge Bead And Button Industry Of Bavaria, Karlis Karklins, Sibylle Jargstorf, Gerhard Zeh, Laure Dussubieux
The Fichtelgebirge Bead And Button Industry Of Bavaria, Karlis Karklins, Sibylle Jargstorf, Gerhard Zeh, Laure Dussubieux
BEADS: Journal of the Society of Bead Researchers
Venice and Bohemia are generally considered to be the principal bead manufacturers of Europe. Yet Germany, especially the Fichtelgebirge region of northeastern Bavaria, produced large quantities of glass beads for the world market beginning in the 15th century, if not even earlier, and continued to do so well into the 20th century. The Fichtelgebirge industry is especially notable for two things: 1) the utilization of furnace-winding technology which, based on our current knowledge, was not employed to a significant degree elsewhere in Europe during the post-medieval period, and 2) the localized use of Proterobas, a greenish igneous rock, to produce …
Beads At The Place Of White Earth - Late Neolithic And Early Chalcolithic Aktopraklık, Northwestern Turkey, Emma L. Baysal
Beads At The Place Of White Earth - Late Neolithic And Early Chalcolithic Aktopraklık, Northwestern Turkey, Emma L. Baysal
BEADS: Journal of the Society of Bead Researchers
The site of Aktopraklık in northwestern Turkey was inhabited during the Late Neolithic and Early Chalcolithic periods, from the mid-7th to mid-6th millennia B.C. The site lies in a region that came to link Anatolia with Europe through the introduction of early farming practices and has already provided much information about the groups which inhabited the area along with their domesticated plants and animals. Although scientific techniques have led to recent breakthroughs in our understanding of the dynamics of change in the region, it is material culture that continues to form the foundation of archaeological research into daily life. Aktopraklık …
Table Of Contents (V. 28, 2016)
Table Of Contents (V. 28, 2016)
BEADS: Journal of the Society of Bead Researchers
No abstract provided.
Reviews And End Matter
BEADS: Journal of the Society of Bead Researchers
Contact in the 16th Century, edited by Brad Loewen and Claude Chapdelaine, reviewed by Marvin T. Smith
Flower Forever: Bead Craft from France and Venice, by Ragnar Levi, reviewed by Alice Scherer
Beads from Germany: Idar-Oberstein, Lauscha, Neugablonz, by Floor Kaspers, reviewed by Valerie Hector
Beads And Pendants From The Tumuli Cemeteries At Wadi Qitna And Kalabsha-South, Nubia, Joanna Then-Obłuska
Beads And Pendants From The Tumuli Cemeteries At Wadi Qitna And Kalabsha-South, Nubia, Joanna Then-Obłuska
BEADS: Journal of the Society of Bead Researchers
More than 500 beads and pendants were excavated by a Czechoslovakian team in the early 1960s at two sites in Lower Nubia. The beads were associated with 40 tumuli in the Wadi Qitna cemetery and two tumuli in the Kalabsha-South cemetery. These 4th-century cemeteries are related to the Blemmyes, the Eastern Desert dwellers whose pottery has been commonly recognized in the region between the Nile Valley and the Red Sea coast at a time of intensive overseas trade contacts. The bead assemblage, stored at the Naprstek Museum in Prague, was recently restudied and its materials and parallels could be more …
Bead Netting And Plaiting Techniques In The Peranakan World, Valerie Hector
Bead Netting And Plaiting Techniques In The Peranakan World, Valerie Hector
BEADS: Journal of the Society of Bead Researchers
It has long been recognized that the Peranakan Chinese peoples of Southeast Asia were expert bead embroiderers. As it happens, they were also expert bead netters and plaiters. After establishing a conceptual framework for discussing bead netting and plaiting techniques in general, this article discusses 14 pieces of Peranakan Chinese (or Minangkabau) beadwork and various techniques. The techniques likely derived not just from Europe, as early researchers tended to assume, but from island Southeast Asia and China as well. Knowledge of these and other needleworking techniques helped Peranakan beaders devise radically new permutations, some of them highly complex. Additional factors …
Imitation Amber Beads Of Phenolic Resin From The African Trade, Rosanna Falabella
Imitation Amber Beads Of Phenolic Resin From The African Trade, Rosanna Falabella
BEADS: Journal of the Society of Bead Researchers
Examination of contemporary beads with African provenance reveals large quantities of imitation amber beads made of phenol-formaldehyde thermosetting resins (PFs). This article delves into the early industrial history of PFs and their use in the production of imitation amber and bead materials. Attempts to discover actual sources that manufactured imitation amber beads for export to Africa and the time frame have not been very fruitful. While evidence exists that PFs were widely used as amber substitutes within Europe, only a few post-WWII references explicitly report the export of imitation amber PF beads to Africa. However they arrived in Africa, the …
Beads: Journal Of The Society Of Bead Researchers - Volume 28 (Complete)
Beads: Journal Of The Society Of Bead Researchers - Volume 28 (Complete)
BEADS: Journal of the Society of Bead Researchers
No abstract provided.
The Future Of Arabic Music: No Sound Without Silence, Nesma Magdy Khodier Vcuq
The Future Of Arabic Music: No Sound Without Silence, Nesma Magdy Khodier Vcuq
Theses and Dissertations
For centuries, Arabic music has been intrinsically linked to Arab culture and by extension bonded to the environmental landscape of the region, reflecting their emotions, moods, and behaviors. Numerous technological advancements in the latter half of the twentieth century, have greatly affected the rich legacy of Arabic music, significantly impacting the natural progression of traditional Arabic musical genres, scales, and instrumentation.
This thesis serves as an introduction to generative methods of music production, specifically music generated through gestures. Through generative music, and its unique ability to map gestures to different musical parameters, music can be produced using computer algorithms.
The …