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Full-Text Articles in Speech and Rhetorical Studies
Performing Masculinities: U.S. Representations Of The Male Body In Performance Art Monologues, Darren C. Goins
Performing Masculinities: U.S. Representations Of The Male Body In Performance Art Monologues, Darren C. Goins
LSU Doctoral Dissertations
In this study, I describe and analyze the masculinities constructed in four performance art monologues staged in the US on Broadway. I examined Whoopi Goldberg’s 1984 performance Whoopi Goldberg Live, Lily Tomlin’s 1987 performance in Jane Wagner’s The Search for Signs of Intelligent Life in the Universe, Eric Bogosian’s 1990 performance Sex, Drugs, Rock & Roll, and John Leguizamo’s 1998 performance Freak: A Semi-Demi-Quasi-Pseudo Autobiography. My method of analysis is a critical interpretation incorporating the lenses of Robert Connell and Victor Seidler. It is grounded in a social-cultural perspective using Arthur W. Frank’s “sociology of the body.” By means of …
Performance As Ministry: An Ethnographic Study Of Three Christian Repertory Theatre Troupes, Webster Ford Drake
Performance As Ministry: An Ethnographic Study Of Three Christian Repertory Theatre Troupes, Webster Ford Drake
LSU Doctoral Dissertations
This work seeks to define, explain, and place into historical and social context the phenomena of Christian Repertory Theater (CRT). It does so by examining three CRT troupes: Acts 2 from Nashville, TN, sponsored by Two Rivers Baptist Church; The Company from Fort Worth, TX, sponsored by Southwestern Baptist Theological Seminary; and Gen X from Clinton, MS, which operated independent of external support . Ethnographic fieldwork was the primary vehicle of information-gathering in this case study analysis. The author experienced each group as either a participant-observer, observer, and/or interviewer. CRT was ultimately defined as an activity wherein a constituted group …
Flesh And Spirit Onstage: Chronotopes Of Performance In Medieval English Theatre, Gregory Lee Cavenaugh
Flesh And Spirit Onstage: Chronotopes Of Performance In Medieval English Theatre, Gregory Lee Cavenaugh
LSU Doctoral Dissertations
This study uses Mikhail Bakhtin's chronotope, which is the informing principle of one's experience of space and time, to explore different relations among space, time, actors, and audience in medieval theatre. Relations between the material and spiritual worlds as understood in the Middle Ages are considered in the context of relations between performers and audience members with two goals. First, I explore how the ontological status of the metaworld created through performance changed in the context of specific chronotopes. Second, I explore how diverse religious discourses affected medieval modes of representation. This study posits three chronotopes of performance informing medieval …