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Full-Text Articles in Critical and Cultural Studies
The Quest For Body And Voice In Assia Djebar's So Vast The Prison, Susannah Rodríguez Drissi
The Quest For Body And Voice In Assia Djebar's So Vast The Prison, Susannah Rodríguez Drissi
CLCWeb: Comparative Literature and Culture
Using Northrop Frye's definition of the quest novel and Joseph Campbell's writings, Susannah Rodríguez Drissi explores in her paper, "The Quest for Body and Voice in Assia Djebar's So Vast the Prison," the motif of the journey as Djebar adapts it to her female characters. Rodríguez Drissi proposes that in previous studies concerning the hero -- such as in James Frazer's The Golden Bough or in Joseph Campbell's The Hero with a Thousand Faces -- women are relegated to a secondary role. Recently, however, it has become evident that the study of the woman as "heroine" is necessary to a …
Anita Desai's Fasting, Feasting And The Condition Of Women, Ludmila Volná
Anita Desai's Fasting, Feasting And The Condition Of Women, Ludmila Volná
CLCWeb: Comparative Literature and Culture
In her article "Anita Desai's Fasting, Feasting and the Condition of Women" Ludmila Volná presents a critical culture-based reading of Desai's novel Fasting, Feasting, a work that deals with the condition of women (not only) in India. Volná analyzes both female and the male sensitivities in the novel where Desai makes use of a double symbolic of food expressed throughout the novel by (not only literal) hunger. In Volná's view, Desai's Hindu imagery of sun/fire as patriarchal power and water, which, as the counterpart of the sun and fire, represents recognition of women’s condition and a possible way to …
The Staged Self In Mary Carleton's Autobiographical Narratives, Geraldine Wagner
The Staged Self In Mary Carleton's Autobiographical Narratives, Geraldine Wagner
CLCWeb: Comparative Literature and Culture
In her paper, "The Staged Self in Mary Carleton's Autobiographical Narratives," Geraldine Wagner examines Mary Carleton's use of romance and picaresque modes of self-representation to appropriate and redefine counterfeiting as a legitimate means to identity. The most notorious female criminal of the English Restoration, Mary Carleton, captured the public's imagination in 1662 when she stood trial for bigamy. Although acquitted on insufficient evidence, the allegation that she was a common shoemaker's wife counterfeiting the identity of a German noblewoman spawned a war of pamphlets of competing biographical accounts between Carleton and her detractors. Wagner argues that these attempts to confine …