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Full-Text Articles in Social and Behavioral Sciences
“For The Moment, I Am Not F*Cking,” I Am Tweeting: Platforms Of / As Sexuality, Jacob Johanssen
“For The Moment, I Am Not F*Cking,” I Am Tweeting: Platforms Of / As Sexuality, Jacob Johanssen
CLCWeb: Comparative Literature and Culture
This article develops the argument that digital platforms are significantly infused with originary (and unconscious) residues of the sexual. Drawing on Laplancheian conceptualizations of sexuality, I argue that the digital has always been sexual(ised) in itself – a process that precedes and exceeds the erotic or pornographic. For Laplanche, sexuality is constitutive of the human subject as such. Infantile sexuality is shaped and transformed in an enigmatic relation with the caregiver. Drawing on this model as an analogy, I claim that users are drawn to platforms because they (unconsciously) desire to return to infantile sexuality and a holding environment but …
The Meaning And Relevance Of Video Game Literacy, Jeroen Bourgonjon
The Meaning And Relevance Of Video Game Literacy, Jeroen Bourgonjon
CLCWeb: Comparative Literature and Culture
In his article "The Meaning and Relevance of Video Game Literacy" Jeroen Bourgonjon argues that video gaming deserves scholarly attention as a social practice and a site for meaning-making and learning. Based on an overview of contemporary trends in literacy and cultural studies, he argues that video games cannot be approached like traditional text forms. He contends that video games serve as an important frame of reference for young people and call for informed decision making in the context of culture, education, and policy. Bourgonjon provides an integrated perspective on video game literacy by employing theoretical insights about their distinctive …
Fernández And Cinematic Propaganda In The U.S. And Mexico, Renae L. Mitchell
Fernández And Cinematic Propaganda In The U.S. And Mexico, Renae L. Mitchell
CLCWeb: Comparative Literature and Culture
In her article "Fernández and Cinematic Propaganda in the U.S. and Mexico" Renae L. Mitchell discusses the competing ideologies on both sides of the U.S.-Mexican border. As one of the foremost filmmakers of the Mexican Golden Age of cinema, Emilio Fernández established what would is recognized as "Mexicanness" by means of Indigenous characters in his films, most apparent in the film María Candelaria. RKO (Radio-Keith-Orpheum) Pictures, as the principal purveyor of US-American propagandist cinema, led Hollywood into the cinematic market of Mexico revealing its intentions by means of the RKO film The Falcon in Mexico. Fernández sought to …
Digital Humanities In Developed And Emerging Markets, Verena Laschinger
Digital Humanities In Developed And Emerging Markets, Verena Laschinger
CLCWeb: Comparative Literature and Culture
In her article "Digital Humanities in Developed and Emerging Markets" Verena Laschinger discusses the impact e-culture has on humanities pedagogy both in affluent countries and emerging markets. Claiming that e-literacy training generally offers opportunities to recover the traditional agency of the humanities thus catapulting the disciplines into the educational forefront of the creative economy, special attention is given to the chances digital humanities education offers in Turkey’s emerging market economy. Given that technology promotes the country's economic development, which includes a rapidly growing private educational sector, digital humanities education helps citizens to adjust to critical democratic exchange, to facilitate and …
Old And New Medialities In Foer's Tree Of Codes, Kiene Brillenburg Wurth
Old And New Medialities In Foer's Tree Of Codes, Kiene Brillenburg Wurth
CLCWeb: Comparative Literature and Culture
In her article "Old and New Materialities in Foer's Tree of Codes" Kiene Brillenburg Wurth analyzes how intermediality works — not what it "is" — in the analysis of literary texts. How intermedial can texts "do," precisely when they consist only of words? Do such texts compel us to reconsider literature as a verbal art? Her analysis focuses on a recent book by Jonathan Safran Foer: Tree of Codes (2010), a literary work cut out of the remains of Bruno Schulz's Street of Crocodiles (1934). Brillenburg Wurth points out how intermediality works as a productive interaction not only between …
Intersubjectivity And Intermediality In The Work Of Serra, Rocío Von Jungenfeld
Intersubjectivity And Intermediality In The Work Of Serra, Rocío Von Jungenfeld
CLCWeb: Comparative Literature and Culture
In her article "Intersubjectivity and Intermediality in the work of Serra" Rocío von Jungenfeld examines the intersubjective space in which artworks are conceived and the cross boundaries of media in order to construct a general understanding of intersubjective perception in visual and plastic arts and an understanding of the processes that determine works of art, reflective perception, and intersubjective experience. Although the argument is that perception is subjective and untransferable, (i.e., a unique personal experience) influenced by innumerable factors and bound to a specific context, there are some elements of perception which can be understood intersubjectively as they apply to …
Plotting The Pixel In Remediated Word And Image, Sarah Wyman
Plotting The Pixel In Remediated Word And Image, Sarah Wyman
CLCWeb: Comparative Literature and Culture
In her article "Plotting the Pixel in Remediated Word and Image" Sarah Wyman argues that art's historic negotiation of culture continues into the new digital media age as it both asserts the materiality of the medium and acknowledges the impact of embodied perception. She demonstrates that however revolutionary, the new digital media still relate to many traditional paradigms of aesthetic expression. Problems of representation and simulation continue to catch on questions of time, space and human perception. The contingent relationships between categories and entities once kept separate — word/image, observer/observed — determine and define the process of globalization. The new …
Towards A Multimodal Analysis Of Da Rimini's Dollspace, Maya Paniagua Zalbidea
Towards A Multimodal Analysis Of Da Rimini's Dollspace, Maya Paniagua Zalbidea
CLCWeb: Comparative Literature and Culture
In her article "Towards a Multimodal Analysis of da Rimini's Dollspace" Maya Zalbidea Paniagua analyzes Francesca da Rimini's Dollspace <http://dollyoko.thing.net/> (1997-2001). By analyzing Dollspace Zalbidea Paniagua reinforces the proposition that studies on material aesthetics and intermediality encompass a process of rethinking the notion of boundaries across material structures. This is clearly shown in da Rimini's Dollspace, where ambivalence cuts across discursive genres and distinct material formats of image, text, and audio. Hypertext engages the user/participant in a dialogue with the machine and, in the case of Dollspace, across people's sexual attitudes. Dollspace seeks to do more than …
Video Games As Equipment For Living, Ronald Soetaert, Jeroen Bourgonjon, Kris Rutten
Video Games As Equipment For Living, Ronald Soetaert, Jeroen Bourgonjon, Kris Rutten
CLCWeb: Comparative Literature and Culture
In their article "Video Games as Equipment for Living" Ronald Soetaert, Jeroen Bourgonjon, and Kris Rutten postulate that with the emergence of new media there is need of a re-evaluation of all modes of communication and the ways in which literacy is conceptualized. Drawing on the concept of multi-literacy they suggest a rhetorical/ anthropological meta-perspective to describe human beings as symbol using animals and focus on particular symbol systems: narrative, drama, and video games. Specifically, they focus on the perspective of drama as a tool to analyze cultural artifacts in general and video games — as a new art form …
Intermediality, Rewriting Histories, And Identities In French Rap, Isabelle Marc Martínez
Intermediality, Rewriting Histories, And Identities In French Rap, Isabelle Marc Martínez
CLCWeb: Comparative Literature and Culture
In her article "Intermediality, Rewriting Histories and Identities in French Rap" Isabelle Marc Martínez analyzes aspects of French hip hop culture. As an example of resistant cultural manifestations, hip hop scenes all over the world develop strategies to subvert mainstream values and to replace them by new de-localized, contesting identities via intermedial and intertextual processes. In France during the 1990 rap was intended to reassess French national history and national self-perception. Foundational hip hop bands such as Assassin, Ministère AMER, IAM, and NTM aimed at discrediting official narratives concerning the French culture's colonial and social past. hip hop artists, who …
Intermediality As Cultural Literacy And Teaching The Graphic Novel, Geert Vandermeersche, Ronald Soetaert
Intermediality As Cultural Literacy And Teaching The Graphic Novel, Geert Vandermeersche, Ronald Soetaert
CLCWeb: Comparative Literature and Culture
In their article "Intermediality as Cultural Literacy and Teaching the Graphic Novel" Geert Vandermeersche and Ronald Soetaert argue for the inclusion of the graphic novel for the teaching of cultural literacy and literature. As the printed book is no longer the sole carrier of cultural literacy, Vandermeersche and Soetaert postulate that literary culture must be repositioned in intermedial culture and practices. In order to do so, Vandermeersche and Soetaert apply Werner Wolf's typology of intermediality, aspects of narratology, and scholarship about comics. Following a theoretical discussion they analyze the graphic novel series The Unwritten, a text that thematizes the …
Digital Media, 419, And The Politics Of The Global Network, Paul Benzon
Digital Media, 419, And The Politics Of The Global Network, Paul Benzon
CLCWeb: Comparative Literature and Culture
In his article "Digital Media, 419, and the Politics of the Global Network" Paul Benzon analyzes advance fee fraud, a scam in which con artists communicate with potential victims via email, promising them a monetary reward in return for financial assistance in extracting an allegedly astronomical (yet ultimately nonexistent) fortune from within a geographical zone often characterized as highly violent and unstable. Advance fee fraud is often referred to simply as 419, in accordance with the section of Nigerian penal code that addresses fraud. Benzon reads advance fee fraud as a practice of epistolary narrative that self-consciously allegorizes central processes …
Intermediality And Human Vs. Machine Translation, Harry J. Huang
Intermediality And Human Vs. Machine Translation, Harry J. Huang
CLCWeb: Comparative Literature and Culture
In his article "Intermediality and Human vs. Machine Translation" Harry J. Huang analyzes translation as a process of transferring meaning and/or information. The process and the translated text represent a new medium. When machine translation originating from human translation is integrated into the world wide web, it becomes part of global media. Accordingly, machine translation may best be studied within the context of intermediality, especially its quality vs. that of human translation. Based upon data generated from an international survey of 300 translators, writers, editors, and translation scholars, Huang analyses the participants' expectations and their acceptance of imperfection in the …
Bibliography Of Publications In Media And (Inter)Mediality Studies, Geert Vandermeersche, Joachim Vlieghe, Steven Tötösy De Zepetnek
Bibliography Of Publications In Media And (Inter)Mediality Studies, Geert Vandermeersche, Joachim Vlieghe, Steven Tötösy De Zepetnek
CLCWeb: Comparative Literature and Culture
No abstract provided.
Introduction To New Perspectives On Material Culture And Intermedial Practice, Steven Tötösy De Zepetnek, Asunción López-Varela, Haun Saussy, Jan Mieszkowski
Introduction To New Perspectives On Material Culture And Intermedial Practice, Steven Tötösy De Zepetnek, Asunción López-Varela, Haun Saussy, Jan Mieszkowski
CLCWeb: Comparative Literature and Culture
No abstract provided.
Making Sense Of The Digital As Embodied Experience, Serge Bouchardon, Asunción López-Varela
Making Sense Of The Digital As Embodied Experience, Serge Bouchardon, Asunción López-Varela
CLCWeb: Comparative Literature and Culture
In their article "Making Sense of the Digital as Embodied Experience" Serge Bouchardon and Asunción López-Varela discuss a digital creation — Loss of Grasp <http://lossofgrasp.com/> — created by Serge Bouchardon and Vincent Volckaert. The work is about the notions of grasp and control. Through an analysis of Loss of Grasp, Bouchardon and López-Varela Azcárate show how the Cartesian understanding of private isolated experience, independent of reality external to it, has given way to a communal understanding of experience in which the subject constitutes itself by mirroring himself/herself on its objects, producing a mutual engagement or co-creativity among interdependent intersubjects: …
Intermedial Representations In Asian Macbeth-S, I-Chun Wang
Intermedial Representations In Asian Macbeth-S, I-Chun Wang
CLCWeb: Comparative Literature and Culture
In her article "Intermedial representations in Asian Macbeth-s" I-Chun Wang discusses three Asian versions of Macbeths that exemplify the cultural meanings through the interaction of landscape, body, and spectacles of power. Shakespeare remains one of the most popular playwrights in the Eastern world, and playwrights in the Asian world find Shakespearean plays attractive to the Asian audience. Among Shakespearean plays, Macbeth fascinates its Asian audience with its theme on kingship, territory of social relationships as well as moral and emotional development. These adaptations oftentimes become cross-cultural reproductions because each adapted text manifests not only cross-cultural interpretations but also highlights …
Computer Mapping Of Geography And Border Crossing In Scandinavia, Øyvind Eide
Computer Mapping Of Geography And Border Crossing In Scandinavia, Øyvind Eide
CLCWeb: Comparative Literature and Culture
In his article "Computer Mapping of Geography and Border Crossing in Scandinavia" Øyvind Eide discusses computer based methods for enquiry into a set of border protocols created in the mid-eighteenth century based on interviews with inhabitants of northern Scandinavia. Most of the interviews are with common people: semi-nomadic reindeer herders, fishers, and farmers of Sámi, Norwegian, Swedish, and Finnish origin. Eide discusses the value of the interview material as source material which can be used to understand the way people spoke, especially about geographical matters. The data and their analysis suggest the relevance of mediality and materiality with not only …
An Intermedial Reading Of Paley's Sita Sings The Blues, Ipshita Chanda
An Intermedial Reading Of Paley's Sita Sings The Blues, Ipshita Chanda
CLCWeb: Comparative Literature and Culture
In her article "An Intermedial Reading of Paley's Sita Sings the Blues" Ipshita Chanda discusses the film text of Nina Paley's 2008 animation film, a culturally reconceptualized version of Válmíki's Sanskrit epic Rámáyana. Chanda discusses the film as an intermedial retextualization of the Rámáyana in the film where media boundaries and genres are crossed in "textual," audio, and visual media. The basic premise from which Chanda proceeds is that the condition of intermediality in film is produced by a "conceptual fusion" of different media which, in turn, are analyzed using theories of reception and contact between different media …
(Inter)Mediality And The Study Of Literature, Werner Wolf
(Inter)Mediality And The Study Of Literature, Werner Wolf
CLCWeb: Comparative Literature and Culture
In his article "(Inter)mediality and the Study of Literature" Werner Wolf elaborates on the "intermedial turn" and asks whether this turn ought to be welcomed. Wolf begins with a discussion about the definitions of "medium" and "intermediality" and the impact these concepts and practices exert on scholarly, as well as student competence. He argues that despite of the fact that literary studies ought not simply turn into media or cultural studies, mediality and intermediality have become relevant issues for both teaching and the study of literature especially in the fields of comparative literature and (comparative) cultural studies. Following his postulate …
Musical, Rhetorical, And Visual Material In The Work Of Feldman, Kurt Ozment
Musical, Rhetorical, And Visual Material In The Work Of Feldman, Kurt Ozment
CLCWeb: Comparative Literature and Culture
In his article "Musical, Rhetorical, and Visual Material in the Work of Feldman" Kurt Ozment compares early and late scores by Morton Feldman and argues that Feldman's interest in the visuality of the score was not limited to his experiments with graphic notation. More specifically, Projection 3 (1951) and String Quartet (II) (1983) suggest that Feldman experimented with notation from beginning to end. Up until the early 1980s, one of Feldman's main strategies for commenting on his music was to refer to painting. In his essay "Crippled Symmetry" and in an interview with the percussionist Jan Williams, Feldman also turns …
Dialogue Between Meaning Systems In Intermedial Texts, Cristina Peñamarín
Dialogue Between Meaning Systems In Intermedial Texts, Cristina Peñamarín
CLCWeb: Comparative Literature and Culture
In her article "Dialogue between Meaning Systems in Intermedial Texts" Cristina Peñamarín analyzes visual-verbal texts showing different ways of conceiving and representing the world, that in each case involves certain ways of reinforcing or challenging preconceptions about the object and ways of positioning author and addressee. Peñamarín's aim is to explore a method by which to address presupposed world visions in the texts and to ask how images and plurisemiotic texts are used to confirm, discuss, or expand the boundaries of systems of meaning. She raises the question of the possibilities of dialogue, hybridization, cultural translation, and the change …
Discourses And Models Of Intermediality, Jens Schröter
Discourses And Models Of Intermediality, Jens Schröter
CLCWeb: Comparative Literature and Culture
In his article "Discourses and Models of Intermediality" Jens Schröter discusses the question as to what relations do different discourses pose between different "media." Schröter identifies four models of discourse: 1) synthetic intermediality: a "fusion" of different media to super-media, a model with roots in the Wagnerian concept of Gesamtkunstwerk with political connotations, 2) formal (or transmedial) intermediality: a concept based on formal structures not "specific" to one medium but found in different media, 3) transformational intermediality: a model centered around the representation of one medium through another medium. Model 3) leads to the postulate that transformational intermediality is not …
Intermediality And Aesthetic Theory In Shklovsky's And Adorno's Thought, Oleg Gelikman
Intermediality And Aesthetic Theory In Shklovsky's And Adorno's Thought, Oleg Gelikman
CLCWeb: Comparative Literature and Culture
In his article "Intermediality and Aesthetic Theory in Shklovsky's and Adorno's Thought" Oleg Gelikman places the concept of intermediality in the context of the unresolved conflict between philosophical aesthetics and aesthetic theory. The conflict originated in the response of an influential generation of thinkers to the crisis of the neo-Kantian schools and the emergence of modernism in the 1910s. Despite superficial similarities, aesthetic theory is neither a revamped aesthetics of the subject nor a theoretical vindication of modernism. By severing the connection between subject-object epistemology and theory of artworks, the practitioners of aesthetic theory such as Victor Shklovsky and Theodor …
Intermediality, Rhetoric, And Pedagogy, Kris Rutten, Ronald Soetaert
Intermediality, Rhetoric, And Pedagogy, Kris Rutten, Ronald Soetaert
CLCWeb: Comparative Literature and Culture
In their article "Intermediality, Rhetoric, and Pedagogy," Kris Rutten and Ronald Soetaert discuss how the notion of intermediality challenges the institutions that traditionally "mediate" culture and they discuss implications for pedagogy. First, they focus on how the museum as an institution is questioned and problematized by describing it as a "medium" that is increasingly influenced by cultural and technological developments. Second, they focus on the implications of new material culture and intermedial practice and how this requires new perspectives on pedagogy. Rutten and Soetaert elaborate on previous work on the curriculum as a "contact zone" (Pratt) by focusing on the …
A Case Study Of (Inter)Medial Participation, Steven Tötösy De Zepetnek
A Case Study Of (Inter)Medial Participation, Steven Tötösy De Zepetnek
CLCWeb: Comparative Literature and Culture
In his article "A Case Study of (Inter)medial Participation" Steven Tötösy de Zepetnek presents survey data followed by quantitative and qualitative analysis about the daily intake of media in cultural participation. The survey data of the study are the result of questionnaires conducted 2001-2002 with advanced undergraduate students enrolled in media and communication studies at Northeastern University and with advanced undergraduate and graduate students at the University of Halle-Wittenberg. As the survey was conducted in 2001-2002, the data and the analysis have "historical" relevance with regard to (inter)medial cultural participation in the digital age. The data are from a mid-size …
Comparativism And Cyberculture: A Review Article Of New Books By Płaszczewska And Zawojski, Michał Ostrowicki
Comparativism And Cyberculture: A Review Article Of New Books By Płaszczewska And Zawojski, Michał Ostrowicki
CLCWeb: Comparative Literature and Culture
No abstract provided.
Authorship, Collaboration, And Art Geography, Martin De La Iglesia
Authorship, Collaboration, And Art Geography, Martin De La Iglesia
CLCWeb: Comparative Literature and Culture
In his article "Authorship, Collaboration, and Art Geography" Martin de la Iglesia explores the connection between geographical spaces and works of art, a connection often made, but hardly theorized, by scholars in the field of art geography. He suggests that the link between space and object is established by the creator of the object. A feasible method is devised to determine the creator's geographical identity, which in turn determines which space is assigned to the object. Particularly, the implications of multiple authorship for such a methodology are considered. The procedure is exemplified by a geographical analysis of the comic book …
The Metaphysics Of Electronic Being, Michał Ostrowicki [Aka Sidey Myoo]
The Metaphysics Of Electronic Being, Michał Ostrowicki [Aka Sidey Myoo]
CLCWeb: Comparative Literature and Culture
In his article "The Metaphysics of Electronic Being" Michał Ostrowicki discusses the electronic environment as a sphere of being. To this end, the notion of the "electronic sphere" is used as a subject of ontological analysis. Ostrowicki postulates that the problematics of the electronic sphere represents a part of ontology and designates it as "ontoelectronics." He makes a distinction made between an electronic image and an electronic being, thus indicating that they differ from each other in their existential status and thereby deny any metaphysical equivalence between the two. This distinction between an electronic image and an electronic being is …
Japanese Science Fiction And Conceptions Of The (Human) Subject, Maria Poulaki
Japanese Science Fiction And Conceptions Of The (Human) Subject, Maria Poulaki
CLCWeb: Comparative Literature and Culture
In her article "Japanese Science Fiction and Conceptions of the (Human) Subject" Maria Poulaki discusses the crisis that almost all essentialist categorizations have been facing in late modernity, in the context of which science fiction texts offer fertile ground to investigate the transitions brought about with the intensified invasion of the "human self" by its "nonhuman other." The analysis of a Japanese science fiction film draws a seemingly paradoxical connection between the Japanese version of modernity and self-identity with the relevant "Western" articulations found in the work of Bruno Latour and Alain Badiou. This connection points at a broader re-conceptualization …