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Full-Text Articles in Social and Behavioral Sciences
Hellenism, Hebraism, And The Eugenics Of Culture In E.M. Forster's Howards End, Seth Jacobowitz
Hellenism, Hebraism, And The Eugenics Of Culture In E.M. Forster's Howards End, Seth Jacobowitz
CLCWeb: Comparative Literature and Culture
Seth Jacobowitz, in his paper "Hellenism, Hebraism, and the Eugenics of Culture in E.M. Forster's Howards End," explores how the culturalist principles of Hellenism and Hebraism theorized by Matthew Arnold as the basis of Englishness in Culture and Anarchy (1869) were incorporated into the text of E.M. Forster's Howards End (1910) to show the close institutional and conceptual linkages Forster shared with Arnold. Further, Jacobowitz seeks to bring Howards End into dialog with Forster's only major work of science fiction, The Machine Stops (1928), to address their mutual themes of eugenics, the racialization of class difference, and concerns over the …
Czech Literature, The King With The Horse's Ears, And Its Translations By Karel Havlícek Borovský And Milan Uhde, Michelle Woods
Czech Literature, The King With The Horse's Ears, And Its Translations By Karel Havlícek Borovský And Milan Uhde, Michelle Woods
CLCWeb: Comparative Literature and Culture
Michelle Woods, in her paper "Czech Literature, The King with the Horse's Ears, and Its Translations by Karel Havlícek Borovský and Milan Uhde," analyses the adaptation and "translation" of the Irish legend into the Czech language in Karel Havlícek Borovský's 1854 epic poem Král Lávra and in Milan Uhde's 1964 play Král Vávra. The translation of Irish language myths and legends into English functioned as way of constructing and disseminating the notion of a great literary and heroic past within the language of the colonizer but also in dissent to the constructions imposed by that language. Woods focuses on how …
Separatist Nationalism In Gilbert Imlay's The Emigrants, Karsten H. Piep
Separatist Nationalism In Gilbert Imlay's The Emigrants, Karsten H. Piep
CLCWeb: Comparative Literature and Culture
Karsten H. Piep, in his paper "Separatist Nationalism in Gilbert Imlay's The Emigrants," argues that only recently rediscovered among American scholars and still awaiting much critical work, Gilbert Imlay's The Emigrants offers an intriguing case study in the complex relationship between fictional representation and late eighteenth-century nation formation. Tracing briefly the novel's reception history, Piep locates The Emigrants within the socio-political context of eighteenth-century discourses on revolution, emancipation, and independence. Taking Benedict Anderson's study on the rise of nationalism as a point of reference, Piep argues that Imlay's novel offers an example of a perhaps uniquely American separatist nationalism that …
The New Woman In Early Twentieth-Century Chinese Fiction, Jin Feng
The New Woman In Early Twentieth-Century Chinese Fiction, Jin Feng
CLCWeb: Comparative Literature and Culture
Jin Feng, in her paper "The New Woman in Early Twentieth-Century Chinese Fiction," proposes that the representation of the "new woman" in Chinese fiction was paradoxically one of the ways in which male writers of the era explored, negotiated, and laid claim to their own emerging identity as "modern" intellectuals. Previous scholarship on fiction of the period probed occasionally the thematic implications of female characters in specific works but has not engaged in systematic study of the "new woman" as a figure through a discussion of the politics of the narrative form. Feng addresses aspects of audience in early-twentieth-century Chinese …
Selected Bibliography Of Michael Ondaatje's Texts And Studies About Michael Ondaatje's Texts, Steven Tötösy De Zepetnek
Selected Bibliography Of Michael Ondaatje's Texts And Studies About Michael Ondaatje's Texts, Steven Tötösy De Zepetnek
CLCWeb: Comparative Literature and Culture
No abstract provided.
Introduction To Comparative Cultural Studies And Michael Ondaatje's Writing, Steven Tötösy De Zepetnek
Introduction To Comparative Cultural Studies And Michael Ondaatje's Writing, Steven Tötösy De Zepetnek
CLCWeb: Comparative Literature and Culture
No abstract provided.
Exploring Transnational Identities In Ondaatje's Anil's Ghost, Victoria Cook
Exploring Transnational Identities In Ondaatje's Anil's Ghost, Victoria Cook
CLCWeb: Comparative Literature and Culture
Victoria Cook, in "Exploring Transnational Identities in Ondaatje's Anil's Ghost," addresses issues of identity raised in the narrative of Michael Ondaatje's novel Anil's Ghost. Cook's paper is a close analysis of Ondaatje's novel, paying particular attention to the way in which Ondaatje examines identity as both a "construct" and a "process." The approach used is one that draws on postcolonial theory and takes a "transnational" perspective. Cook argues that Ondaatje's text moves beyond the concept of a postcolonial literature of "resistance" into an area that requires a theory of process rather than product. Transnationalism is shown here to be just …
Ondaatje's The English Patient And Rewriting History, Stephanie M. Hilger
Ondaatje's The English Patient And Rewriting History, Stephanie M. Hilger
CLCWeb: Comparative Literature and Culture
Stephanie M. Hilger, in her paper "Ondaatje's The English Patient and Rewriting History," situates the novel within the long-standing Western tradition of writing about the cultural "Other," from Herodotus to Michel de Montaigne to Rudyard Kipling. Michel de Certeau's notion of history serves as a reference point for the analysis of Ondaatje's presentation of the "English" patient's story as well as of twentieth-century history. Hilger argues that the protagonist's physical mutilation is a metonymic representation of post-World War II and postcolonial consciousness. In the same way that the characters in the novel attempt to understand the mystery that is the …
Medieval Cosmopolitanism And The Saracen-Christian Ethos, Marla Segol
Medieval Cosmopolitanism And The Saracen-Christian Ethos, Marla Segol
CLCWeb: Comparative Literature and Culture
In her paper, "Medieval Cosmopolitanism and the Saracen-Christian Ethos," Marla Segol argues that in Floire et Blancheflor and Aucassin et Nicolette, two medieval Occitanian romances, the writers work actively to incorporate Islamic culture and its accomplishments into a hybrid communal identity. The hybrid elements of this identity are demonstrated in two ways: first, through the portrayal of mixed couples and second, through depiction of a biculturally constituted landscape and culture. Intercultural relations between the characters are dramatized through the structures of religious conversion. Each romance features a mixed couple, with one member Christian and the other, formerly Muslim but converted …