Open Access. Powered by Scholars. Published by Universities.®
Social and Behavioral Sciences Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Keyword
- Publication Type
Articles 1 - 3 of 3
Full-Text Articles in Social and Behavioral Sciences
Inconvenient Questions: Televisual Representations And The Building Of Kyrgyz National Identity, Greta Uehling
Inconvenient Questions: Televisual Representations And The Building Of Kyrgyz National Identity, Greta Uehling
Greta Uehling
No abstract provided.
Altered States Of Embodiment: Spirit Possession In Ethnographic And Feature Films, Kevin Taylor Anderson
Altered States Of Embodiment: Spirit Possession In Ethnographic And Feature Films, Kevin Taylor Anderson
Kevin Taylor Anderson
Possession and other forms of altered states of embodiment are represented in both feature and ethnographic films, yet result in divergent illustrations. Ethnographic films dealing with possession (a la Rouch, Deren, Adair, Asch) suggest that it is a therapeutic phenomenon, often framed as a means of resistance to dominant socio-political forces. Yet, in feature films the possessed body is rendered as a passive recipient of diabolical forces. In the former case, possession signals empowerment, in the latter disempowerment. In addition to its portrayal as a form of resistance, religious supplicants in such ethnographic films as Rouch’s Les Maitre Fous and …
Altered States Of Embodiment: Spirit Possession In Ethnographic And Feature Films, Kevin Taylor Anderson
Altered States Of Embodiment: Spirit Possession In Ethnographic And Feature Films, Kevin Taylor Anderson
Adjunct Faculty Author Gallery
Possession and other forms of altered states of embodiment are represented in both feature and ethnographic films, yet result in divergent illustrations. Ethnographic films dealing with possession (a la Rouch, Deren, Adair, Asch) suggest that it is a therapeutic phenomenon, often framed as a means of resistance to dominant socio-political forces. Yet, in feature films the possessed body is rendered as a passive recipient of diabolical forces. In the former case, possession signals empowerment, in the latter disempowerment. In addition to its portrayal as a form of resistance, religious supplicants in such ethnographic films as Rouch’s Les Maitre Fous and …