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Social and Behavioral Sciences Commons™
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- Keyword
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- Ahmadou Kourouma (2)
- Chaos (2)
- Disorder (2)
- Madness (2)
- African Francophone Fiction (1)
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- Algeria (1)
- Allah n’est pas obligé (1)
- Asylum (1)
- Body (1)
- Boubacar Boris Diop (1)
- Boudjedra (1)
- Burlesque comedy (1)
- Collective/individual memory (1)
- Dany Laferrière (1)
- Desert (1)
- En attendant le vote des bêtes sauvages (1)
- Exile (1)
- Haiti (1)
- Hospitality (1)
- Hybridity (1)
- Image (1)
- Internally Displaced Persons (1)
- Ivory-Coast (1)
- Jacques Derrida (1)
- Le goût des jeunes filles (1)
- Legitimacy (1)
- Lessons (1)
- Linda Lê (1)
- Maghreb (1)
- Masks (1)
Articles 1 - 9 of 9
Full-Text Articles in Social and Behavioral Sciences
La Vie Et Demie Ou Les Corps Chaotiques Des Mots Et Des Êtres, Caroline Giguère
La Vie Et Demie Ou Les Corps Chaotiques Des Mots Et Des Êtres, Caroline Giguère
Présence Francophone: Revue internationale de langue et de littérature
Due to its polysemy, corporality has several functions in the works of Sony Labou Tansi. More than descriptive or thematic elements, the novelistic bodies in La vie et demie are at the same time meeting points for multiple meanings, objects and producers of discourse. This study aims to demonstrate how the writing of the body is symbolic of a disorder that characterizes the forms and contents of Sony Labou Tansi’s novels and invites the reader to reflect on language and its power.
Chaos Temporel Et Chaos Romanesque Dans Allah N'Est Pas Obligé D'Ahmadou Kourouma, Nathalie Roy
Chaos Temporel Et Chaos Romanesque Dans Allah N'Est Pas Obligé D'Ahmadou Kourouma, Nathalie Roy
Présence Francophone: Revue internationale de langue et de littérature
This paper proposes an analysis of time representation in Allah n’est pas obligé with concepts taken from Temps et récit. It aims to show that in relation to Kourouma’s novel, one of Ricoeur’s hypothesis is revealingly insufficient. This hypothesis actually questions representation modes occuring in the text, exposing one of the sources of fictional chaos.
Folie Et Écriture Dans Calomnies De Linda Lê, Ching Selao
Folie Et Écriture Dans Calomnies De Linda Lê, Ching Selao
Présence Francophone: Revue internationale de langue et de littérature
This article proposes to explore the many faces of madness through a reading of Linda Lê’s Calomnies, in which two narrative voices are presented. The following shall demonstrate how this novel reproduces a “romantic” perception of madness as encountered in Michel Foucault’s work. Although this narrative text introduces a mad narrator speaking in the “I” persona, it nonetheless points out the difficulties of letting madness speak for itself. These difficulties are also examined in this study.
Le Goût Des Jeunes Filles De Dany Laferrière : Du Chaos À La Reconstruction Du Sens, Nathalie Courcy
Le Goût Des Jeunes Filles De Dany Laferrière : Du Chaos À La Reconstruction Du Sens, Nathalie Courcy
Présence Francophone: Revue internationale de langue et de littérature
This paper analyses the way politics, society and the representation of speech is structured in Le goût des jeunes filles, Dany Laferrière’s fourth novel. How do the events told and the disorganised narration itself symbolise the unspeakable? Moreover, how does the characters’ speech rebuild the meaning of existence, and how does Laferrière see the future? Chaos, madness, all that overtakes or destroys the norm, anchors fiction in an attempt to reorganize reality and the imaginary.
Face À La Meute – Narration Et Folie Dans Les Romans De Boubacar Boris Diop, Susanne Gehrmann
Face À La Meute – Narration Et Folie Dans Les Romans De Boubacar Boris Diop, Susanne Gehrmann
Présence Francophone: Revue internationale de langue et de littérature
The article analyses the narrative techniques and the theme of madness in three novels by the Senegalese writer Boubacar Boris Diop, caracterised by narrative polyphony and metatextual reflexion on the production of a story. The speech of protagonists affected by “intellectual madness” plays a strategic role in the structure of the novel which, as a hybrid genre, draws on oral and literary traditions in a still splintered aesthetic. The image of the pack represents an unreasonnable society condemning a so-called mad individual whose madness consists in bringing a counter-memory of the foundation myths.
Transcrire L'Horreur Sur L'Espace De La Page, Bernadette Ginestet-Levine
Transcrire L'Horreur Sur L'Espace De La Page, Bernadette Ginestet-Levine
Présence Francophone: Revue internationale de langue et de littérature
Rachid Boudjedra’s Timimoun uses the theatrical convention of a minibus taking tourists to the desert. In this mini-bus, news from the outside world is brought through the radio, which plays the part of a messenger. The narration moves forward by a progression of press releases that report bombings committed by terrorists. The barbarian nature of the acts is transcribed on the page by means of typography. The spatial/visual convention itself is set in concentric lexical fields – liquid, then desertic – erected as fences in an attempt to confine the unbearable.
Les Pouvoirs Du Récit : Un Remède Au Chaos Du Monde? En Attentant Le Vote Des Bêtes Sauvages, Madeleine Borgomano
Les Pouvoirs Du Récit : Un Remède Au Chaos Du Monde? En Attentant Le Vote Des Bêtes Sauvages, Madeleine Borgomano
Présence Francophone: Revue internationale de langue et de littérature
Right from his first novel, Les Soleils des Indépendances (1970), Kourouma introduced the theme of the reversed world, a baroque metaphor for the state of Africa after Independence. In Monnè (1990), telling the history of this reversal, he insisted on its linguistic roots. Consequently, En attendant le vote des bêtes sauvages (1998) shows how this reversal in the context of Cold War, favoured the genesis and development of dictatorial powers leading to an actual apocalypse. This victory of Chaos is told as a donsomana, traditional song of expiation among the Malinke hunters. The forms and magic virtues of this song …
Parties Annexes
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
L'Image Des Réfugiés Et Des Personnes Déplacées Dans La Fiction Africaine Francophone, Augustin H. Asaah
L'Image Des Réfugiés Et Des Personnes Déplacées Dans La Fiction Africaine Francophone, Augustin H. Asaah
Présence Francophone: Revue internationale de langue et de littérature
In their capacity as moralists and committed intellectuals, African Francophone writers such as C.C. Sow, N.N. Ndjekery, M.S. Keita, F. Couao-Zotti, Ahmadou Kourouma, Nimrod and E. Dongala portray various images of refugees and internally displaced persons in their works. This depiction is driven by the perceived need to humanize these displaced members of society by establishing moral/affective bridges between unfortunate members of society and readers. It is also sustained by the desire to reduce the damage caused by wars and natural disasters, as well as the need to reveal the plural identities of humans to the world.