Social and Behavioral Sciences Commons^™

Facing The Past: Engendering The Study Of Iron Age Celtic Human Imagery In Continental Europe, Christopher Ray Allen

Theses and Dissertations

Iconography is an important tool in understanding the past because it may express apeople’s understanding of the world through representations of stories or figures, including human beings. The continental early Iron Age Celts left behind no written sources but did leave iconographic representations of humans in the form of full bodies as well as heads. How the Celts saw their world and how they perceived and gendered other humans or anthropomorphic beings can be partially accessed via these representations. This thesis examines a representative sample of statues and figures from Iberia, Gaul, and Central Europe from an intersectional perspective focused …

Cultural Constructions Of Nature: Animal Representation And Use In Early Iron Age Southeastern Slovenia, Adrienne C. Frie

Theses and Dissertations

This dissertation investigates the place of animals in the cultural world of Early Iron Age southeastern Slovenia (800-300 BCE) by analyzing animal iconography and faunal remains in archaeological contexts. The central questions are: What types of human-animal relationships characterized Early Iron Age Slovenia, and how were these relationships intertwined with conceptions about animals in local cultural frameworks? I examine the conception of the animal world and its symbolic significance through quantitative and qualitative analyses of animal depictions on artifacts as well as faunal remains from mortuary contexts. The analysis is structured to answer a series of empirical questions that provide …

Gender Reflections: A Reconsideration Of Pictish Mirror And Comb Symbols, Traci N. Billings

Theses and Dissertations

The interpretation of prehistoric iconography is complicated by the tendency to project

contemporary male/female gender dichotomies into the past. Pictish monumental stone sculpture

in Scotland has been studied over the last 100 years. Traditionally, mirror and comb symbols

found on some stones produced in Scotland between AD 400 and AD 900 have been interpreted

as being associated exclusively with women and/or the female gender. This thesis re-examines

this assumption in light of more recent work to offer a new interpretation of Pictish mirror and

comb symbols and to suggest a larger context for their possible meaning. Utilizing the Canmore

database, …