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Full-Text Articles in Entertainment, Arts, and Sports Law

Return Of The De Minimis Exception In Digital Music Sampling: The Ninth Circuit's Recent Holding In Vmg Salsoul Improves Upon The Sixth Circuit's Holding In Bridgeport, But Raises Questions Of Its Own, Francesco Di Cosmo Jan 2017

Return Of The De Minimis Exception In Digital Music Sampling: The Ninth Circuit's Recent Holding In Vmg Salsoul Improves Upon The Sixth Circuit's Holding In Bridgeport, But Raises Questions Of Its Own, Francesco Di Cosmo

Washington University Law Review

Sampling is a musical production practice that has become increasingly common since the 1980s. A producer samples by copying a section of a sound recording and inserting it into the piece of music she is producing. The type of sound recording sampled by producers can vary vastly from piece to piece. Numerous pop and hip hop songs sample from songs of various genres (rock, classical music, or other pop songs, for example). Audio from a film, commercial, or speech may also be inserted into a song. Typically, the purpose of these samples is either to make use of the musical ...


New Copyright Act And The Classroom Use Of Videotaped Films, Francis M. Nevins Jr. Jan 1978

New Copyright Act And The Classroom Use Of Videotaped Films, Francis M. Nevins Jr.

Washington University Law Review

No abstract provided.


Motion Picture Copyright, Milton H. Aronson Jan 1940

Motion Picture Copyright, Milton H. Aronson

Washington University Law Review

No abstract provided.


Unfair Competition—Right To Privacy—Performer's Interest In His Recorded Performance—Injunction Jan 1938

Unfair Competition—Right To Privacy—Performer's Interest In His Recorded Performance—Injunction

Washington University Law Review

No abstract provided.


Copyrights—Musical Composition—Reception For Profit Jan 1929

Copyrights—Musical Composition—Reception For Profit

Washington University Law Review

No abstract provided.


Copyrights—A Single Rendition Of The Refrain Of A Copyrighted Musical Selection, Without Permission—An Infringement—Damages Jan 1924

Copyrights—A Single Rendition Of The Refrain Of A Copyrighted Musical Selection, Without Permission—An Infringement—Damages

Washington University Law Review

No abstract provided.


Musical Copyrights—Infringement Through Failure Of Memory To Detect Source Of Melody—No Actual Damage—Minimum Recovery Jan 1924

Musical Copyrights—Infringement Through Failure Of Memory To Detect Source Of Melody—No Actual Damage—Minimum Recovery

Washington University Law Review

No abstract provided.


Copyrights—Broadcasting Copyrighted Musical Composition By Radio Held Not “Public Performance”—Statute—Construed According To Natural Import Of Words Used Jan 1924

Copyrights—Broadcasting Copyrighted Musical Composition By Radio Held Not “Public Performance”—Statute—Construed According To Natural Import Of Words Used

Washington University Law Review

No abstract provided.