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Entertainment, Arts, and Sports Law Commons

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Articles 1 - 18 of 18

Full-Text Articles in Entertainment, Arts, and Sports Law

“Sorry,” But I Didn’T Release It: How The Court’S Analysis Of The Fair Use Doctrine In Chapman V. Maraj Protects Innovation And Creativity In The Music Industry, Samantha Ross May 2022

“Sorry,” But I Didn’T Release It: How The Court’S Analysis Of The Fair Use Doctrine In Chapman V. Maraj Protects Innovation And Creativity In The Music Industry, Samantha Ross

University of Miami Business Law Review

The fair use doctrine is an important affirmative defense to copyright infringement when a particular use does not interfere with copyright law’s primary goal of promoting creativity for the public good. Artists and songwriters frequently experiment with copyrighted music without permission before seeking licensing approval from the original rights holders to “sample” or “replay” the work. In Chapman v. Maraj—a copyright infringement suit brought by Tracy Chapman against Nicki Minaj—the United States District Court for the Central District of California held that experimenting with a copyrighted musical composition for the purpose of creating a new work with an intent to …


The Sample Solution: How Blockchain Technology Can Clarify A Divided Copyright Doctrine On Music Sampling, Angelo Massagli Dec 2018

The Sample Solution: How Blockchain Technology Can Clarify A Divided Copyright Doctrine On Music Sampling, Angelo Massagli

University of Miami Business Law Review

This article will examine how blockchain technology can clarify the complex and inconsistent judicial approach to the copyright doctrine regarding music sampling. As it stands today, circuit courts are divided over how to handle copyright infringement stemming from unlicensed music sampling. The first approach is simple: if you want to sample, get a license. The second approach is more lenient and applies a de minimis standard that forces courts to make fact sensitive, case–by–case decisions regarding whether or not the sample of the original work is sufficient enough to be defined as an infringement. The reason for this split in …


“Wake Up, Mr. West!”: Distinguishing Albums And Compilations For Statutory Damages In Copyright Within A Streaming–Centric Music Economy, Tyler Laurence May 2018

“Wake Up, Mr. West!”: Distinguishing Albums And Compilations For Statutory Damages In Copyright Within A Streaming–Centric Music Economy, Tyler Laurence

University of Miami Business Law Review

The concept of the music album has been a vital cornerstone of the recorded music industry since its adoption in the form of the long–play vinyl record in 1948. For over sixty years, the ability for artists to package a cohesive collection of performances has remained of paramount priority and an art within itself, notwithstanding the flurry of technological innovations that have altered the album’s size, shape, length, and interactivity. These collections of songs have even withstood the so–called “era of unbundilization,” as digital music services declared a new piecemeal distribution standard of albums through the turn of the century. …


Mickey Mouse Emeritus: Character Protection And The Public Domain, Jessica Litman Apr 1994

Mickey Mouse Emeritus: Character Protection And The Public Domain, Jessica Litman

University of Miami Entertainment & Sports Law Review

No abstract provided.


Licensing And Merchandising Of Characters: Art Law Topic For Aals 1994, Phillip Edwards Page Apr 1994

Licensing And Merchandising Of Characters: Art Law Topic For Aals 1994, Phillip Edwards Page

University of Miami Entertainment & Sports Law Review

No abstract provided.


The Methuselah Factor: When Characters Outlive Their Copyrights, Leslie A. Kurtz Apr 1994

The Methuselah Factor: When Characters Outlive Their Copyrights, Leslie A. Kurtz

University of Miami Entertainment & Sports Law Review

No abstract provided.


The Joint Work Dilemma: The Separately Copyrightable Contribution Requirement And Co-Ownership Principle, Nancy Perkins Spyke Oct 1993

The Joint Work Dilemma: The Separately Copyrightable Contribution Requirement And Co-Ownership Principle, Nancy Perkins Spyke

University of Miami Entertainment & Sports Law Review

No abstract provided.


Campbell V. Acuff-Rose Music, Inc., And The Economic Approach To Parody: An Appeal To The Supreme Court, Joseph E. Sullivan Oct 1993

Campbell V. Acuff-Rose Music, Inc., And The Economic Approach To Parody: An Appeal To The Supreme Court, Joseph E. Sullivan

University of Miami Entertainment & Sports Law Review

No abstract provided.


Market Substitution And Copyrights: Predicting Fair Use Case Law, Michael G. Anderson, Paul F. Brown, Andrew P. Cores May 1993

Market Substitution And Copyrights: Predicting Fair Use Case Law, Michael G. Anderson, Paul F. Brown, Andrew P. Cores

University of Miami Entertainment & Sports Law Review

No abstract provided.


The Legal Protection Of Fictional Characters, Kenneth E. Spahn Oct 1992

The Legal Protection Of Fictional Characters, Kenneth E. Spahn

University of Miami Entertainment & Sports Law Review

No abstract provided.


The Inadvertent Joint Author: The Need To Establish Joint Authorship In Commissioned Works By Contract, Kent R. Middleton Jul 1991

The Inadvertent Joint Author: The Need To Establish Joint Authorship In Commissioned Works By Contract, Kent R. Middleton

University of Miami Entertainment & Sports Law Review

No abstract provided.


Judicial Review, Copyrightability And The Register's Discretion: A New Direction, James A. Booth, E. J. Yera Apr 1990

Judicial Review, Copyrightability And The Register's Discretion: A New Direction, James A. Booth, E. J. Yera

University of Miami Entertainment & Sports Law Review

No abstract provided.


E.T. Phone Home: The Protection Of Literary Phrases, Richard W. Stim Oct 1989

E.T. Phone Home: The Protection Of Literary Phrases, Richard W. Stim

University of Miami Entertainment & Sports Law Review

No abstract provided.


Copyright Protection: The Erosion Of Renewal Rights Under The Copyright Act Of 1909: Abend V. Mca, Inc., 863 F.2d 1465 (9th Cir. 1988), Cert. Granted Sub Nom. Stewart V. Abend, 58 U.S.L.W. 3212 (U.S. Oct. 2, 1989) (No. 88-2102)., Todd G. Scher Oct 1989

Copyright Protection: The Erosion Of Renewal Rights Under The Copyright Act Of 1909: Abend V. Mca, Inc., 863 F.2d 1465 (9th Cir. 1988), Cert. Granted Sub Nom. Stewart V. Abend, 58 U.S.L.W. 3212 (U.S. Oct. 2, 1989) (No. 88-2102)., Todd G. Scher

University of Miami Entertainment & Sports Law Review

No abstract provided.


Digital Sampling And Signature Sound: Protection Under Copyright And Non-Copyright Law, Thomas Arn Apr 1989

Digital Sampling And Signature Sound: Protection Under Copyright And Non-Copyright Law, Thomas Arn

University of Miami Entertainment & Sports Law Review

No abstract provided.


The Potential Harm Of Musical Parody: Toward An Enlightened Fair Use Calculus, F. Casey Del Casino Apr 1989

The Potential Harm Of Musical Parody: Toward An Enlightened Fair Use Calculus, F. Casey Del Casino

University of Miami Entertainment & Sports Law Review

No abstract provided.


Colorization: Removing The Green, Richard T. Kilgore Apr 1989

Colorization: Removing The Green, Richard T. Kilgore

University of Miami Entertainment & Sports Law Review

No abstract provided.


Imperfect Property: Defective Protection For Bona Fide Purchasers Of Copyrights, Brenda J. Saunders Apr 1988

Imperfect Property: Defective Protection For Bona Fide Purchasers Of Copyrights, Brenda J. Saunders

University of Miami Entertainment & Sports Law Review

No abstract provided.