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Full-Text Articles in Law
Introduction, Daniel Bradlow, David Hunter
Introduction, Daniel Bradlow, David Hunter
Contributions to Books
This is the introduction to an edited volume of papers on International Financial Institutions and International Law. The introduction provides an explanation of the editors motivation for undertaking this book project and an overview of the chapters in the book.
Conclusion: The Future Of International Law And International Financial Institutions, Daniel Bradlow, David Hunter
Conclusion: The Future Of International Law And International Financial Institutions, Daniel Bradlow, David Hunter
Contributions to Books
This is the conclusion to the edited volume, International Financial Institutions and International Law. After a brief overview of the key points made in the volume, the authors offer some observations on the role that international law plays and should play in the functioning of international financial institutions and some suggestions for future research on the topic.
Using Competition Law To Promote Access To Knowledge, Sean Flynn
Using Competition Law To Promote Access To Knowledge, Sean Flynn
Contributions to Books
One of the points of convergence among the many strands of the A2K movement is resistance to the one-size-fits-all ratcheting up of intellectual property provisions around the world. The resistance is grounded in analysis showing that intellectual property rules often create social costs that far outweigh their intended benefits. Much of the A2K movement’s advocacy for limitations of intellectual property rights is located within the field of intellectual property law – promoting the inclusion and use of balancing mechanisms within the laws granting intellectual property rights. But intellectual property rights are also shaped and limited by their interaction with other …
Imagining The Law: Art, Christine Haight Farley
Imagining The Law: Art, Christine Haight Farley
Contributions to Books
Law’s relations to art--to its creation, its production, and dissemination, its restriction as well as to commercial and contractual agreements about art works—are as multiform and complex as the category of art itself. Acknowledging that there is no discrete body of law that governs art, the author defines art law as “the survey of legal issues raised by art, artist, and the art world” and surveys four central themes: the law as art, the law of art, the law of creativity, and the collision of art and law. Any legal dispute about art usually evokes a plea for special legal …