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Literature And The Arts As Antisubordination Praxis: Latcrit Theory And Cultural Production: The Confessions Of An Accidental Crit, Pedro A. Malavet Jul 2000

Literature And The Arts As Antisubordination Praxis: Latcrit Theory And Cultural Production: The Confessions Of An Accidental Crit, Pedro A. Malavet

UF Law Faculty Publications

I attend LatCrit conferences to be educated on what I regard as the most exciting legal scholarship being produced today. Therefore, I naturally jumped at the opportunity to help organize the Fourth Annual LatCrit Conference and to chair one of its Plenary Panels. I have penned this Essay for the purpose not only of joining Critical Race Theory ("CRT") discourse, but also to create a recorded history of LatCrit travels.

In Part I of this Essay, I will describe the process that led the Planning Committee to include the Literature and Arts as Antisubordination Praxis: LatCrit Theory and Cultural Production …


Culture, Nationhood, And The Human Rights Ideal, Berta E. Hernández-Truyol, Sharon E. Rush Jan 2000

Culture, Nationhood, And The Human Rights Ideal, Berta E. Hernández-Truyol, Sharon E. Rush

UF Law Faculty Publications

This paper was written as a part of a Symposium on Culture, Nation, and LatCrit (Latina/o Communities and Critical Race) Theory and focuses on the concept of voice and silence. Part I locates the works in the axis of silence and power. Part II explores how critical theory and international human rights norms can be used to develop a methodology to analyze and detect the exclusion or silencing of voices. A paradigm is developed that, by internationalizing voice, serves as a useful tool to explore power-based silencing. In Part III, the article illustrates how the proposed paradigm can focus the …


[The Accidental Crit I:] Literature And Arts As Antisubordination Praxis Latcrit Theory And Cultural Production: The Confessions Of An Accidental Crit, Pedro A. Malavet Dec 1999

[The Accidental Crit I:] Literature And Arts As Antisubordination Praxis Latcrit Theory And Cultural Production: The Confessions Of An Accidental Crit, Pedro A. Malavet

Pedro A. Malavet

This short article: (1) explains the development the Arts Panel at the LatCrit IV Conference and provides an account of its substantive content; (2) it gives the author's reactions to the presentations, while placing them within the planned description and written questions, locating them within the contemporary debate over the use of narrative in legal scholarship and in postmodern philosophical discourse more generally; and (3) the author gives a narrative about his own reluctant, difficult, and ultimately accidental gravitation towards LatCrit theory.


Puerto Rico: Cultural Nation, American Colony, Pedro A. Malavet Dec 1999

Puerto Rico: Cultural Nation, American Colony, Pedro A. Malavet

Pedro A. Malavet

A study of Puerto Rico's century-old legal relationship with the United States, and how it constructs Puerto Ricans as legal and social second-class citizens because of their cultural nationhood. The discriminatory treatment conflicts with contemporary notions of justice and morality in postmodern political and legal philosophy. The article articulates a framework for legal reform that is consistent with a new progressive theoretical construct of a pluralistic and communitarian form of liberalism. I further developed the material that I discuss in this article in my book: America's Colony: The Political and Cultural Conflict Between the United States and Puerto Rico (NYU …


[The Accidental Crit I:] Literature And Arts As Antisubordination Praxis Latcrit Theory And Cultural Production: The Confessions Of An Accidental Crit, Pedro A. Malavet Dec 1999

[The Accidental Crit I:] Literature And Arts As Antisubordination Praxis Latcrit Theory And Cultural Production: The Confessions Of An Accidental Crit, Pedro A. Malavet

Pedro A. Malavet

This short article: (1) explains the development the Arts Panel at the LatCrit IV Conference and provides an account of its substantive content; (2) it gives the author's reactions to the presentations, while placing them within the planned description and written questions, locating them within the contemporary debate over the use of narrative in legal scholarship and in postmodern philosophical discourse more generally; and (3) the author gives a narrative about his own reluctant, difficult, and ultimately accidental gravitation towards LatCrit theory.