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Articles 2401 - 2430 of 3043

Full-Text Articles in Art Education

Reviews: John Lang’S Creating Architectural Theory, Joanne K. Guilfoil Jan 1991

Reviews: John Lang’S Creating Architectural Theory, Joanne K. Guilfoil

Journal of Social Theory in Art Education

Book review for Creating Architectural Theory, Jon Lang, van Nostrand Reinhold, New York, 1987.


Community Projects And The University Curriculum: Re-Searching For A Civil Rights History Through Community Photographs, Jan Peterson Roddy, Benita R. Vanwinkle Jan 1991

Community Projects And The University Curriculum: Re-Searching For A Civil Rights History Through Community Photographs, Jan Peterson Roddy, Benita R. Vanwinkle

Journal of Social Theory in Art Education

The following articles represent a collaborative process, as does the project that we will discuss. It is not within the scope of these articles to engage in an in depth examination of community photography. This practice and its relationship to high art, cultural production and representation has been the topic of other very interesting investigations. We will instead focus on a possible relationship between community photography and the higher education curriculum, wherein each project facilitates the other. The first article represents my view of the pedagogical foundations of this relationship as the instructor and a participant in this process. The …


The Names Quilt And The Art Educator’S Role, Doug Blandy, Karen Branen, Kristin G. Congdon, Laurie E. Hicks Jan 1991

The Names Quilt And The Art Educator’S Role, Doug Blandy, Karen Branen, Kristin G. Congdon, Laurie E. Hicks

Journal of Social Theory in Art Education

During October of 1989, more than 9,000 individual memorial quilt panels were collected and displayed in Washington, D.C. by the NAMES Quilt Project. The panels, covering the equivalent of nine football fields, made public the grief of thousands of individuals and families whose loved ones have died of AlDS. This quilt, the NAMES Quilt, is an international effort to create a living visual memory of the devastation that the AIDS virus has inflicted on those who have died from the disease and those who have been left behind to grieve.


Commentary, Nick Webb Jan 1991

Commentary, Nick Webb

Journal of Social Theory in Art Education

These remarks are adapted from part of the session at the 1990 NAEA conference in Kansas City that debated the proposition: “The Caucus on Social Theory is Neither Social nor Theoretical.” Webb subtitled his statement: "As the imaginary wine bottles said to the vintner - we're with you in theory but you can't cork us."


A Para-Critical/Sitical/Sightical Reading Of Ralph Smith’S Excellence In Art Education, Jan Jagodzinski Jan 1991

A Para-Critical/Sitical/Sightical Reading Of Ralph Smith’S Excellence In Art Education, Jan Jagodzinski

Journal of Social Theory in Art Education

Figuratively speaking Smith is an old, old man, at least three-hundred and fifty years old, a reincarnation of Matthew Arnold who established the field of liberal-humanist cultural tradition between 1852-1882. At that time, English literature carried into the school curriculum was an act of faith whereby the great works of literature would have a civilizing influence on the nation. They could do for the masses what the classics had apparently failed to do for the privileged: to provide a bulwark against rising materialism (akin to the leisure and apathy of our youth today); compensate for the failure of religion to …


The Journal Of Social Theory In Art Education Jan 1991

The Journal Of Social Theory In Art Education

Journal of Social Theory in Art Education

No abstract provided.


Young Geographers: How They Explore The World And How They Map The World [4th Ed.], Lucy Sprague Mitchell Jan 1991

Young Geographers: How They Explore The World And How They Map The World [4th Ed.], Lucy Sprague Mitchell

Books

"Lucy Sprague Mitchell's thesis is that through their own experiences children can learn geography, and that through geography children can learn about the human world."-- Foreward.


Visual Literacy For The 1990'S, Lynda S. Meral Jan 1991

Visual Literacy For The 1990'S, Lynda S. Meral

Theses Digitization Project

Visual aesthetics -- Whole-brain thinking -- Pictorial imaging -- Art and science, mathematics, social studies, and language arts.


Health And Safety Practices In Three Art Classrooms, George Wade Killian Jan 1991

Health And Safety Practices In Three Art Classrooms, George Wade Killian

Graduate Research Papers

Each day art teachers and their students use clay, glazes. paints, solvents, aerosols, and adhesives that may be slowly poisoning their bodies. In most cases there are safe art material substitutes or alternative working methods which may be used. Unfortunately, many art teachers and their students still may not be fully aware of the dangers posed by a variety of hazardous materials and processes.

The purpose of this study was to investigate the nature of teacher concern about health and safety in the classroom.


Current Practices And Continuity Of Programmes In Recorder Tuition In Selected North East Metropolitan Schools, B. J. Pascoe Jan 1991

Current Practices And Continuity Of Programmes In Recorder Tuition In Selected North East Metropolitan Schools, B. J. Pascoe

Theses : Honours

The learning of music literacy through playing an instrument has generally, as development of been emphasised by music educators being vital in the overall musical the child. Despite easy access to wind recorders and recorder repertoire, many classroom teachers in years four to seven in. Western Australian schools are either not teaching this subject, or where it is being pursued, there is often a lack of continuity. The reasons for this could be numerous, including: - Lack of an interest or musical background, or both, by teachers and administrators. - Failure by teachers and administrators to realise the importance of …


An Investigation Of Changes To The Tertiary Entrance Examination Art History Syllabus And Art Teachers' Perceptions Of Those Changes, A. Ivankovic Jan 1991

An Investigation Of Changes To The Tertiary Entrance Examination Art History Syllabus And Art Teachers' Perceptions Of Those Changes, A. Ivankovic

Theses : Honours

In 1986, a new Tertiary Entrance Examination Art Syllabus was introduced to the secondary school curriculum. Four years have passed since the implementation of this syllabus without 11 formal evaluation having taken place. Because the changes to the Art Syllabus were implemented swiftly, it is considered appropriate to investigate any discrepancies between the intended changes to the Tertiary Entrance Examination Art History Syllabus and art teachers' perceptions of those changes, This study was prompted by concern expressed by art teachers over the changes in the Tertiary Entrance Examination (TEE) Art Syllabus. A foreshadowed minor change in the 1992 Art History …


Summer In The Nineteenth Century, Virginia Heaven Nov 1990

Summer In The Nineteenth Century, Virginia Heaven

Virginia Heaven

No abstract provided.


Http://Pillsward.Com/Vexgen-Keto/, Amyz Bowl Sep 1990

Http://Pillsward.Com/Vexgen-Keto/, Amyz Bowl

Amyz Bowl

We standard looking for safe weight control plans which empowers us overabundance fat immediately, all things considered, not slaughter us in simple. Isn't that so? Here's a not entirely obvious factor that ought to be incorporated into an assortment of safe plans.



Reducing The Odds: An Educational Board Game For The Repatriation Of Cambodian Refugees, Don L. Robishaw Jan 1990

Reducing The Odds: An Educational Board Game For The Repatriation Of Cambodian Refugees, Don L. Robishaw

Master's Capstone Projects

No abstract provided.


Table Of Contents Jan 1990

Table Of Contents

Journal of Social Theory in Art Education

Table of contents for the Journal of Social Theory in Art Education, 1990, Number Ten.


Editorial Re(Mark)! The Question Of Representation, Jan Jagodzinski Jan 1990

Editorial Re(Mark)! The Question Of Representation, Jan Jagodzinski

Journal of Social Theory in Art Education

As the perceptive, or should I say - receptive reader may not(e), no thumbprint appears in the margins of this years editorial-rather, an index finger 'figures' prominently. The index sign is particularly apropos for this issue for index signs give us dues to what is being represented. Deceivingly, they establish their meanings through a physical relationship to their referents. As Krauss puts it: "They are the marks or traces of a particular cause, and that cause is the thing to which they refer, the object they signify. Into the category of the index, we would place physical traces (like footprints), …


Creativity And Political Identification In The Work Of Herbert Read, David Thistlewood Jan 1990

Creativity And Political Identification In The Work Of Herbert Read, David Thistlewood

Journal of Social Theory in Art Education

The idea of a class conflict, in which a powerful minority subjugates the majority among other ways by depriving it of any sense of self-esteem deriving from worthwhile, original work - that is, by suppressing its creativity - was something Herbert Read acquired through his youthful involvement in the late stages of the Arts and Crafts Movement. It was a premise he was never seriously to question, as was the corresponding idea that to assert one's right to be creative was to engage in a political act. He was certain that artistic conventions were the means of suppression, and that …


Art Education And The Promotion Of Intercultural Understanding, F. Graeme Chalmers Jan 1990

Art Education And The Promotion Of Intercultural Understanding, F. Graeme Chalmers

Journal of Social Theory in Art Education

The comparative study of art, of response to art, and the production of art forms which matter can help us to understand each other. Art has always been a powerful force in shaping our vision of the world. We need to understand each other's vision and keep our own alive. We need to combat any art-for-art's-sake attitudes that may be entrenched in schools because it is a rather peculiar notion of art and one that deters a full understanding of the role of art in a variety of contexts and cultures. In contrast, art educators who view art as a …


Dialogues: Paradigms & Teaching Teachers Of Art, Elleda Katan, Harold Pearse Jan 1990

Dialogues: Paradigms & Teaching Teachers Of Art, Elleda Katan, Harold Pearse

Journal of Social Theory in Art Education

Writings between Elleda Katan and Harold Pearse relating to Theoretical Foundations of Art Teacher Education, Student Teaching Seminar, University Preparation, Art Education Preparation.


The Promises Of Art Appreciation: The Foundations Of Aesthetic Education, Charles R. Jansen Jan 1990

The Promises Of Art Appreciation: The Foundations Of Aesthetic Education, Charles R. Jansen

Journal of Social Theory in Art Education

A history of appreciation could quickly multiply into a collection of histories, some tracing theories of appreciation as a phenomenon of mind and some tracing appreciation as a pedagogical subject or goal. In order to limit the directions a history of appreciation could take, this paper assumes that art appreciation in pedagogy encompasses and reflects various theories of art appreciation as a process of mind and thus focuses on the institutionalization of art appreciation.


The Limits Of Linear Modes Of Inquiry Into Naturalistic World-Views: A Case Study Of Cherokee Culture, Karen L. Sorensen, Charles G. Wieder Jan 1990

The Limits Of Linear Modes Of Inquiry Into Naturalistic World-Views: A Case Study Of Cherokee Culture, Karen L. Sorensen, Charles G. Wieder

Journal of Social Theory in Art Education

We begin with the cultural-anthropological assumption that a people’s world-view is based in concepts of time and process, and is reflected in the ceremonies, customs, rituals, and other traditional patterns of social conduct within the society. In a case study of the Native American Cherokee, linear modes of inquiry, characteristic of Western science, are shown to be limited in their capacity to examine and appreciate these dimensions of culture in pre-literate societies. It is suggested that those aspects of our own culture which are grounded in aesthetic value may also be relatively inaccessible for the same reason. By examining meanings …


Collecting Women’S Art And Native American Artificates: Issues For Museum Curators, John Wilton Jan 1990

Collecting Women’S Art And Native American Artificates: Issues For Museum Curators, John Wilton

Journal of Social Theory in Art Education

Egalitarianism is quite possibly the education buzzword of the eighties. Egalitarianism is belabored in the literature of late that it seems inconceivable that any person or institution with any degree of social responsibility has not yet acted to realign the programs and policies of our biased past. Yet many major social groups still remain disenfranchised in the current American cultural scenario. This commentary addresses the predicament of two of those groups-women and Native Americans. While seemingly unrelated, both groups share a common dilemma: their voices, their opinions and their expressions are not yet respected in the realm of art and …


Art Education In The Time Of Aids, Peter Schellin Jan 1990

Art Education In The Time Of Aids, Peter Schellin

Journal of Social Theory in Art Education

The health crisis which in recent years has depleted the ranks of the art community, has not received much formal notice in art education journals. A continuing stigma remains attached to AIDS due to its appearance among gay men and IV drug users. Many people pretend it is not there. My own life has become consumed by it, due to the illness of many, many friends and associates. For nearly two years, because of the enormity of the crisis combined with relatively little action on state and federal levels and the mounting grief and loss in my own life, I …


Our Neighbours’ Understanding Of Art: A Class Field Study, Patricia Stuhr, Jeffrey Leptak Jan 1990

Our Neighbours’ Understanding Of Art: A Class Field Study, Patricia Stuhr, Jeffrey Leptak

Journal of Social Theory in Art Education

Most people believe that taste in art is highly individual, that one person’s opinion is as good as another. However, the literature on art and art education usually reflects the assumptions and values of the established authorities –art critics, historians, and aesthetic philosophers. It is assumed that, "With varying degrees of success, schools and colleges pass on a set of cultural values which reflect the dominant culture of society ... '" Jones, p. 135). Other institutions, such as museums, also promote these values. However, Johnson's study of socialization in art museum tours found that docents and visitors both emphasized the …


The Journal Of Social Theory In Art Education Jan 1990

The Journal Of Social Theory In Art Education

Journal of Social Theory in Art Education

No abstract provided.


Popular Culture’S Revolt Against The Normalizing Consequences Of Tradition, Pat Rafferty Jan 1990

Popular Culture’S Revolt Against The Normalizing Consequences Of Tradition, Pat Rafferty

Journal of Social Theory in Art Education

For several years there has been an ongoing debate regarding whether street art (graffiti) qualifies as art or could be more aptly described as vandalism. While this paper does not claim to resolve the issue, a discussion of the corollary of that - the extent to which we are willing to tolerate divergence from normative expectations, lends insight into the topic of the means and limitations of what is representable as art.


Introduction(S) To Men In Feminism, Kristin G. Congdon, Doug Blandy Jan 1990

Introduction(S) To Men In Feminism, Kristin G. Congdon, Doug Blandy

Journal of Social Theory in Art Education

In the Spring of 1988 I received a note from Doug Blandy asking if I wanted to co-ordinate a panel on "Men in Feminism" with him. The idea of men working with feminist ideas was not new to our discussions. When we worked together at Bowling Green State University, we often wondered (and indeed frequently laughed) at how gender related the reactions of our faculty and students probably were to our successes and failures. Shortly after I agreed to coordinate this panel with Doug, I attended a conference in the Pennsylvanian mountains in "Women, Art and Society." This was my …


A Modernity-Postmodernity Dialectic On Men In Feminism, Karen A. Hamblen Jan 1990

A Modernity-Postmodernity Dialectic On Men In Feminism, Karen A. Hamblen

Journal of Social Theory in Art Education

In my discussion of men in feminism, I will focus on this topic in terms of art educators employed in higher education. My comments are based on the assumption that feminism and its attendant values, attitudes, and behaviors are seen as something that men, in some way, react to, adjust to, or, just plainly, take into consideration at this time in history. An ostensibly neutral stance is not possible - ignoring feminism is itself charged with value judgments. Questions, however, arise as to how an optimum state of sex equity and gender consciousness might occur and what relationships men would …


Feminism As Metaphor, Amy Brook Snider Jan 1990

Feminism As Metaphor, Amy Brook Snider

Journal of Social Theory in Art Education

When I was first invited to be on a panel discussing “Men in Feminism," my only thoughts on the topic were, "Sure, we need men in feminism. Feminism is a way of looking at the world, so why not!" But then I continued to myself how could I be a spokeswoman for men? Maybe only men are in a position to talk about the subject, Perhaps if I read the book. Men in Feminism, the selection of presentations from two sessions of an MLA Conference in 1984 which inspired this panel, I'd have more to say about the topic ... …


Queen-Of-The-Mountain: A Game I Can Play, Ken Marantz Jan 1990

Queen-Of-The-Mountain: A Game I Can Play, Ken Marantz

Journal of Social Theory in Art Education

From the top, let it be known that I was dragged into this arena, persuaded to participate only out of friendship for the organizers. My avowed reluctance was a function of genuine puzzlement about my ability to add any notions of substance to an already overloaded panel (I objected to the number of panelists, concerned about front-end overload) and to concerns which to these simple-minded ears are far too academic for me to understand.