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Multimodal composition

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Full-Text Articles in Education

Creating Opportunities For Digital Writing: Multimodality In Argument Writing Tasks, Kristina D. Bybee, Mandy Luszeck Jun 2023

Creating Opportunities For Digital Writing: Multimodality In Argument Writing Tasks, Kristina D. Bybee, Mandy Luszeck

The Montana English Journal

Writing students need opportunities in their language arts classrooms to develop the global skills that are paramount in today’s digital world. Students should not only be prepared to communicate in traditional forms but also through multiple literacies as well. Secondary ELA teachers and first-year composition instructors can build interest in writing tasks by including digital writing and multimodal elements that appeal to Gen Z students while also developing skills that transfer to other disciplines, civic life, and career goals. A digital writing sample unit for secondary ELA and FYC is included.


Facilitating Adaptive And Dynamic Learning Transfer Using Genre-Based, Translingual, And Multimodal Pedagogies In L2 Composition Instruction, Raina Levesque May 2021

Facilitating Adaptive And Dynamic Learning Transfer Using Genre-Based, Translingual, And Multimodal Pedagogies In L2 Composition Instruction, Raina Levesque

Master's Projects and Capstones

Ensuring that students can transfer the knowledge and skills they learn in L2 composition classes to future personal, academic, and professional contexts outside of the classroom is perhaps the most important goal of L2 college writing instruction. However, while research shows that pedagogies based in adaptive and dynamic learning transfer, defined as the repurposing or innovation of knowledge to negotiate new and unfamiliar writing contexts, are more successful in preparing students to transfer their knowledge to future contexts than pedagogies based in similarity learning transfer, defined as the matching of knowledge across comparable known contexts, many L2 college composition instructors …


Towards A Critical Game Based Pedagogy, Justin K. Egan Jan 2019

Towards A Critical Game Based Pedagogy, Justin K. Egan

Cal Poly Humboldt theses and projects

This thesis outlines and examines core concepts of game-based learning as identified by James Paul Gee, and Kurt Squire, among other scholars. These findings are then connected to the contemporary, transformative threshold concepts of composition—as explored in Naming What We Know. This connection seeks to argue game-based pedagogy may be an invaluable tool for introducing critical perspectives to composition students in order to better equip them with critical thinking strategies and cultural critiques, while improving their writing skills. A theoretical framework is presented in the form of four “Pillars” of a Critical Game-Based Pedagogy: Literacy, Identity, Social Learning, and Multimodality—all …


Video Composition, Creative Discourse, And Facilitated Freedom: A Teacher's Journey To Reveal Student Potential, Michael A. Brinkmeyer May 2018

Video Composition, Creative Discourse, And Facilitated Freedom: A Teacher's Journey To Reveal Student Potential, Michael A. Brinkmeyer

MSU Graduate Theses

This research project was conducted in response to students’ lack of engagement in traditional modes of instruction and composition in a high school English Language Arts course. In order to better understand students as creative composers of knowledge, this research project asked students to engage in the video production process in collaborative groups. The research was conducted over the course of eight class periods in three different sections of Junior-level English Language Arts courses. Analysis of the data from this study reveals three important findings: 1) students respond well to creative and relevant performance assessments; 2) students’ collaborative conversations, or …


Multimodal K-12 Assessment Frameworks And The Interactive Audience: An Exploratory Analysis Of Existing Frameworks, Ewa Mcgrail, Nadia Behizadeh Jan 2017

Multimodal K-12 Assessment Frameworks And The Interactive Audience: An Exploratory Analysis Of Existing Frameworks, Ewa Mcgrail, Nadia Behizadeh

Middle and Secondary Education Faculty Publications

Multimodal writing often occurs through membership in an online, participatory culture; thus, the audience for student writers potentially can shift from imagined readers to actual, accessible readers and responders. In this article, we thoroughly review the idea of audience and then report results from an exploratory review of K-12 assessment frameworks and analyze how key frameworks address the need for consideration of an interactive audience. We found that multimodal composition is being defined consistently across all frameworks as composition that includes multiple ways of communicating, but the majority of multimodal composition examples were texts that were non-interactive composition types (as …


Multimodal Pedagogies, Processes And Projects: Writing Teachers Know More Than We May Think About Teaching Multimodal Composition, Jessica B. Gordon Jan 2017

Multimodal Pedagogies, Processes And Projects: Writing Teachers Know More Than We May Think About Teaching Multimodal Composition, Jessica B. Gordon

Theses and Dissertations

Multimodal writing refers to texts that use more than one communicative mode to convey information. While there is much scholarship that examines the history of alphabetic writing instruction and the alphabetic composing processes of students, little research explores the historical origins of multimodal composition and the processes in which students engage as they compose multimodal texts. This two-part project takes a fresh approach to studying multimodal writing by exploring the multimodal pedagogies of ancient Greek and Roman rhetoric and writing teachers, analyzing the role of mental and physical images in modern writers’ composing practices, and investigating contemporary students’ processes for …


From Literacy To Literacies: Negotiating Multiple Literacies In The English Classroom, Breanne S. Campbell Dec 2015

From Literacy To Literacies: Negotiating Multiple Literacies In The English Classroom, Breanne S. Campbell

Department of Teaching, Learning, and Teacher Education: Theses and Other Student Research

This dissertation is a narrative description of my teaching moves as I attempted to negotiate within my classroom both traditional print literacy and new literacies afforded by emerging technology. In this study, I sought to reconcile my rhetoric with my reality (Zeichner, 1999) by teaching students how to read and design multimodal compositions within the traditional framework and curriculum required by my school district. Students composed traditional memoirs and then participated in the synaesthesia process by remediating their memoirs using technology. Students were also asked to write a Statement of Goals and Choices (Shipka, 2011), reflecting on their own rhetorical …


Overviewing Software Applications For Graphic Novel Creation In The Post-Secondary And Secondary Classroom, Jeffrey S.J. Kirchoff Phd, Mike Cook Phd Sep 2015

Overviewing Software Applications For Graphic Novel Creation In The Post-Secondary And Secondary Classroom, Jeffrey S.J. Kirchoff Phd, Mike Cook Phd

SANE journal: Sequential Art Narrative in Education

It is well established that the 21st century literate student needs to be able to effectively craft and interpret texts that use multiple communicative modes. Graphic novels are one text type that facilitates such literacy instruction, as the seamless relationship between words, image, and sound (in the form of sound effects) are inherent to the medium. Though there is a wealth of scholarship on the importance of how reading graphic novels facilitate multimodal literacy, there is less scholarship on how writing graphic novels facilitate multimodal literacy. This article demonstrates not only how writing graphic novels enables multimodal literacy, but …