Open Access. Powered by Scholars. Published by Universities.®

Education Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 11 of 11

Full-Text Articles in Education

The Continuance Of Romance In American Fiction, Oliver James Benham Dec 1969

The Continuance Of Romance In American Fiction, Oliver James Benham

All Master's Theses

Critics recognize an important tradition of American romance in the nineteenth century, yet they pay little if any serious attention to the continuing tradition of romance in the literature of this century.


An Original Composition For Symphonic Wind Ensemble In Contemporary Style, Patrick Ellis Thompson Aug 1969

An Original Composition For Symphonic Wind Ensemble In Contemporary Style, Patrick Ellis Thompson

All Master's Theses

The purpose of the composition, Overture for Symphonic Winds, is to contribute to the list of works designed exclusively for wind ensemble performance.


An Original Composition For Band “Suite For Band”, Bill R. Love Aug 1969

An Original Composition For Band “Suite For Band”, Bill R. Love

All Master's Theses

The writer's contemporary work seeks to contribute to the growing repertoire of original band music. The technique, range, intonation, and rhythm problems of average high school musicians are taken into special consideration. It could easily serve as an introductory piece to performers unfamiliar with the contemporary idiom. Although performance difficulties are kept to a minimum, "Suite for Band" should prove musically challenging and worthwhile to both high school and college bands.


An Experiment In Teaching Perfect Pitch With Programmed Learning, Harry Ross Nelson Aug 1969

An Experiment In Teaching Perfect Pitch With Programmed Learning, Harry Ross Nelson

All Master's Theses

Ten college students were subjects of an experiment dealing with the teaching of perfect pitch through programmed learning. The experiment was based on a similar study by Dr. Robert W. Lundin. An attempt was made to use equipment readily available in public schools, and to make the lessons as nearly self-teaching as possible.


The Use And Effectiveness Of 8mm Single Concept Films For The Teaching Of Art In The Elementary Grades, Peter Summerill Aug 1969

The Use And Effectiveness Of 8mm Single Concept Films For The Teaching Of Art In The Elementary Grades, Peter Summerill

All Master's Theses

It was the purpose of this study (1) to explore the educational value of the single concept 8rnm cartridge loop idea; (2) to investigate the possibilities or problems in the production of 8mm films by the classroom teacher; and (3) to produce three single concept films under a variety of conditions.


The Influence Of Freemasonry On Some Of The Music Of Wolfgang Amadeus Mozart, Lloyd Earl Mitchell Aug 1969

The Influence Of Freemasonry On Some Of The Music Of Wolfgang Amadeus Mozart, Lloyd Earl Mitchell

All Master's Theses

There is considerable evidence to indicate that the Fraternity of Freemasonry exerted creative impulses to some of the music of Wolfgang Mozart, subsequent to 1784. This study shows that Mozart, by virtue of his membership in the Order, was sufficiently impressed with benevolences and spiritual teachings of Freemasonry to symbolically reflect the ritual of the Order in an artistic manner. To support this contention a review of Freemasonry in the Eighteenth Century, an analysis of Mozart's association with Masonry, an inquiry into the relation of Freemasonry and the existing religious order, and an overview of Mozart's Masonic compositions are presented.


An Organization Of Violin Technique Based On Proficiency Levels For The Clover Park School District, Richard P. Dawson Jul 1969

An Organization Of Violin Technique Based On Proficiency Levels For The Clover Park School District, Richard P. Dawson

All Master's Theses

The purpose of this paper is (1) to explore the sequence of learning those techniques necessary to achieve mastery of the violin, and, (2) to structure the sequence into levels of proficiency.


The Use Of Automatism In Mixed Media Watercolor Painting, Russell A. Hepler Jul 1969

The Use Of Automatism In Mixed Media Watercolor Painting, Russell A. Hepler

All Master's Theses

The purpose of this study is (1) to investigate the principles of automatism, (2) to apply these principles and means in developing a series of original mixed-media watercolor paintings, and (3) to draw conclusions relevant to the process.


Towards A Theory Of Metaphor, Lee A. Farr Jul 1969

Towards A Theory Of Metaphor, Lee A. Farr

All Master's Theses

Achieving insight through the understanding of a metaphor is not a process of losing one's subjectivity, ego, or selfhood, but is the uniting of that subjectivity, ego, or selfhood with what was thought to be, without insight, an external object. It is an imaginative advancement to the realization that what was thought to be external to ourselves is now part of ourselves. Thus it is a dissolving of the subject-object dichotomy and a unification and fulfilling of ourselves with our environment. It increases not only our understanding of the interrelationships of what we perceive as real but also enlarges our …


Historical Development Of The Clarinet With Special Emphasis On Technique And The Resolving Of Technical Problems, Virgil M. Kocher Jun 1969

Historical Development Of The Clarinet With Special Emphasis On Technique And The Resolving Of Technical Problems, Virgil M. Kocher

All Master's Theses

This paper was written for the purpose of discovering how the clarinet developed into the important instrument it is today. There have been many changes and additions to the mechanism and also in tonal characteristics since the first two-keyed clarinet was invented. These changes were the result of an effort to extend the range of the instrument, improve its tone, and to meet the demands of the composers of the day.


Communication Of An Actor’S Mental Processes To An Audience, Earl Dee Torrey Jun 1969

Communication Of An Actor’S Mental Processes To An Audience, Earl Dee Torrey

All Master's Theses

It is held that the actor communicates his mental processes to the audience and that this silent communication is of a subtle nature.