Education Commons^™

Teaching And Integrating Women’S Studies Into The Classroom: Perspectives Of Elementary Teachers, Thomas Lucey

The Councilor: A National Journal of the Social Studies

Women’s studies represent an underappreciated aspect of elementary education. Whether or how classrooms and their resources portray, present, and value women role-models informs both boys and girls about what passes for acceptable communication, treatment, and conduct towards women. Indeed, the extent to which and the basis that a young citizenry is taught to appreciate others informs the nature of the conversations engaged.

This paper describes the results of a research study that interpreted elementary teachers’ perspectives of women’s studies in elementary settings. The online survey was administered as part of the registration for two workshops that prepared teachers in the …

Inclusion And Disability As Curricular Practice, Kelly M. Gross

Journal of Social Theory in Art Education

As policies regarding students with disabilities in education have changed to support inclusive approaches, the field of art education must consider the translation of these concepts to Prek-12 art and design curriculum. This study examines inclusive curriculum content regarding the inclusion and representation of disability in Prek-12 visual art and design classrooms in Illinois. It utilized a descriptive survey design that involved art and design education teachers throughout the state. These data provide information on the general state of art and design education while also considering the connections between theory and practice. Data from this study indicate that although art …

An Unlikely Correspondence: Gps And Body In Place, Patti Pente

Artizein: Arts and Teaching Journal

This visual essay investigates the significance of GPS technology and the human body in relation to a sense of place. Framed by posthumanism, the poetic images offer an approach to transformative education through a local site. Agency of place is key to this exploration of dynamic relationships with technology, body and the earth. As a creative performance, I executed a series of movements in a place of personal significance, and then further developed the essay through visual poetry. The research is informed by an underlying assumption that creative understanding and artistic analysis can foster deeper environmental care, and although this …

Prosthetic Ontology Into Pedagogy: Applying Garoian’S Theory To The Performing Arts, Elise Lael Kieffer

International Journal of Lifelong Learning in Art Education

Prosthetic pedagogy, as developed by Charles Garoian, provides a framework for using artificial-real worlds created by the arts to influence and impact teaching practice. The prosthetic space is artificial, separate, from the artist and audience, yet it is felt authentically, as if it were part of their being. Garoian explored prosthetic pedagogy through visual arts and museum experiences. This research further examines prosthetic pedagogy by applying it the Theatre. The art of theatre builds worlds onstage and through performance that allow performers to be and exist apart from their physical selves in the realm of prosthetic reality. The artist and …

Building Relationships: Art Making And Empty Bowls, Susan R. Whiteland

International Journal of Lifelong Learning in Art Education

How can collaborative art making foster relationship building for those involved? A Problem Based Learning project that investigated food insecurity and the creation of clay soup bowls provided an answer for a number of students, and various community members. This article follows the story of a university professor’s involvement with her students in a partnership with a local intermediate school when they pursued an initiative to include art in their STEAM based curriculum dedicated to meeting a local need. Older adults, elementary students, and a variety of other interested individuals joined the effort and demonstrated how art can build relationships.

The Art Of Reflection, Amy L. Ruopp, Mae Debruyn

Artizein: Arts and Teaching Journal

This writing shares a course designed to reconnect middle school students to the natural world. In reconnecting to nature while IN nature students are afforded the opportunity for deep reflection, and the space to wonder and realize the inter-connectivity between things. We highlight transformational thinking and feeling awareness as students’ connection with nature is expressed though art and writing while deeply immersed in the natural environment.

Front Matter, Jodi A. Patterson

Artizein: Arts and Teaching Journal

This file contains cover for Volume II, Issue II, Editorial Board, Acknowledgements.

Art Education As Potential Space: A Conversation About Navigating Divides In The Process Of Becoming An Art Teacher, Karyn Sandlos, Miriam Dolnick

Journal of Social Theory in Art Education

The authors reflect on some challenges, opportunities, and lessons learned in the process of planning and implementing an artistic investigation of physical space in a public high school in Chicago. This article is the result of conversations between a student teacher and a preservice teacher educator working in collaboration. Our definition of ‘divides’ includes both the sense in which divides function as obstacles, barriers, and/or forms of constraint, and also productively as opportunities to navigate and work through tensions between opposites. Working with the psychoanalytic concept of potential space, we suggest how students, art teachers, and teacher educators might make …

The Ceiling Is The Sky: Affective Constructs, Event, And Community In The Marginal Spaces Of Art Education, Kristopher J. Holland, Nandita Baxi Sheth

Journal of Social Theory in Art Education

This article sketches philosophical concepts of affect and event within the canvas of lived experience in a university art education teacher preparation course. We claim that by embracing architectural and metaphorically marginal spaces the course manifested transformative experiences for students, instructors, and community. We position and celebrate the often marginalized spaces of art education as potential sites of becoming through curricular rich environments and as thresholds of event for the educator of art within the community at large. Specifically, we describe the deconstructed space of the “classroom,” the curricular arc of learning, and the occurrence of an unplanned, emergent, student …

Regardless, Sarah Casmass

Honorable Mention

Sarah Casmass recounts her study abroad experience in Jamaica over Christmas Break 2015. She traveled with twenty colleagues though Liberty's School of Education. While there, she taught Art Education. Casmass wrote: “The Lord taught my teammates as well as myself the countless reasons why we do what we do,” and strongly encouraged readers to use that word regardless, for: "Honors student—whoever you or wherever you are, in whatever you do, regardless of your situation or how equipped you feel—trust the Lord of your calling over your current condition."

Facebook And The Final Practicum: The Impact Of Online Peer Support In The Assistant Teacher Program, Lisa F. Paris, Julie Boston, Julia Morris

Australian Journal of Teacher Education

Australian pre-service teachers (PST) frequently report feeling isolated and vulnerable during the high stakes Assistant Teacher Program (ATP) final practicum. Mentoring and online learning communities have been shown to offer effective support during periods in which pre-service and beginning teachers feel challenged. As social media progressively infiltrates all aspects of contemporary life, individuals and organisations are opting to use technology in highly adaptive ways; as a result, they have to navigate both the positive aspects and pitfalls of the medium. In this paper we examine whether university Facebook^© support groups, coupled with professional standards training and moderator involvement by …

Inoperative Art Education, Nadine M. Kalin, Daniel T. Barney

Journal of Social Theory in Art Education

Increasingly, assessment has encroached on art education, inextricably linking visual arts learning to standardized performances wherein, art educators are becoming technicians accountable to the neoliberal state of education. Under these circumstances, the authors’ hearts and minds are understandably heavy for a postponement of art education as usual, proposing the question: Given the permission to escape art education’s current workings, what might art educators abandon, and how might they undertake this? IN order to delve into this provocation, the authors propose a limbo space of deferral in relation to art education that might inspire any predetermined usages inoperable. From this paradoxical …

Keeping Abreast With Liberal Arts And Science Through Steam, Tanya Rivas, Gregory Knotts

The STEAM Journal

The integrated unit on breast cancer described here includes biological science and visual art standards and was targeted at high school juniors and seniors. The goal was to make a potentially controversial and taboo subject relatable through an art-science approach

Hosting The Occupation Of Art Education As Aporia, Nadine M. Kalin

Journal of Social Theory in Art Education

This article articulates an ethics of hospitality within art education that adopts an uncertain disposition to visual arts learning and affirms the unforeseeable while inviting openings for the transformation of art education knowledges and associated subjectivities. Throughout, I endeavor to keep the question of whom we teach unanswered and open, while searching for spaces of possibility within unpredictable, aporetic entanglements inherent in normalizing frameworks of art education. I contextualize Derridean notions of aporia, hospitality, monstrous arrivant, undecidability, and responsibility within the specificities of art teaching that call on us to approach the field as contradictory and ambiguous so that we …

(De)Fending Art Education Through The Pedagogical Turn, Nadine M. Kalin

Journal of Social Theory in Art Education

This article reviews the current state of higher education in light of the pedagogical turn in contemporary art. It starts with an overview of higher education and its current struggles, followed by an outline of some of the features of the pedagogical turn in art, which is both critical of institutionalism and symptomatic of the current state of higher education. These ideas are discussed within the context of an art education graduate seminar. Finally, the argument is made for possible critical practices that take place inside the institution and that are inspired by priorities inherent in education as art projects …

The Promiscuity Of Aesthetics, Paul Duncum

Journal of Social Theory in Art Education

I contend that the concept of aesthetics lies at the very heart of the art educational enterprise, albeit significantly reconfigured. I begin by offering a highly potted, historical overview of aesthetics that while it supports Tavin’s view of aesthetics as a confused and confusing concept, demonstrates how important it remains. My intention is not to support aesthetics as part of a progressive socio-political agenda, as many art educators do, but because the word aesthetics is today used extensively beyond our specialized area of art education to conceptualize the sensuousness of contemporary cultural forms. A brief investigation of books and articles …

Other(Wise): The Myth Of Wikipedia, Melanie L. Buffington

Journal of Social Theory in Art Education

This article explores the theme of Other(wise) as it relates to Web 2.0 and newer forms of creating knowledge. Through a discussion of Web 2.0, wikis, and Wikipedia, I explore newer ways of thinking about a text. Wikis represent modern texts and require different approaches than traditional texts. As a field, we need to become active on Wikipedia to develop our presence in ways that represent the complexities of our field.

One Of These Things Is Not Like The Other: Art Education And The Symbolic Interaction Of Bodies And Self-Images, James H. Rolling Jr.

Journal of Social Theory in Art Education

This article begins with the premise that self-imagery is constituted as a shape-shifting aggregate of symbolic systems that incorporates the human body itself as one of its representations. At intermittent points of the body's embodiment of visual culture and tacit social experience, alternative representations accrete into varying symbolic systems, the multiple shapes a self-image may take over a lifetime. Given that social identity is derived from the interaction of various symbolic systems, how do some bodies and self-images come to be taken as that of identities incompatible with most others? In this exploration of the self-image and identity, the author …

Thinking Of The Frame Otherwise: Putting Art Education Into The Abyss Of The Real, Jan Jagodzinski

Journal of Social Theory in Art Education

This paper argues against designer capitalism's perpetuation of consummatory experience- the 'oral-eye.' An attempt is made to introduce a form of 'psychoanalytic deconstruction,' as a strategy to retain a critical art education. I attempt this by examining two images on the covers of Art Education published in 1998. The argument was formulated in 1998 and presented at NAEA's millennium conference In Los Angeles.

Pre-Service Possibilities: Reconsidering ''Art For The Elementary Educator", Melanie L. Buffington, Jodi Kushins

Journal of Social Theory in Art Education

"Art for the Elementary Educator" courses are sites of possibility in the field of art education, particularly art education oriented toward curriculum integration and meaningful art experiences. Drawing on literature about "Art for the Elementary Educator" courses and our own teaching experiences we make recommendations for reconsidering possible futures for this course as related to the future of art education. We believe that this course, its students, instructors, and course materials are worthy of sustained attention by the art education community. Ultimately, we argue that art education appreciation and advocacy, concepts we define in our concluding remarks, should be primary …

Plazabilities For Art Education: Community As Participant, Collaborator & Curator, Kathleen Keys

Journal of Social Theory in Art Education

In the following article, a plaza metaphor and theories of plazability are applied to the recent work of three "Other" art educators to acknowledge, examine and articulate a refreshed vision for an art education based in community pedagogy which expands possibilities, builds community, and uses art to work for social change. Examples suggesting such achievements in creating plazability include work from a community artist backed by a visionary community arts foundation, a progressive cultural museum director and staff, and a contemporary artist each actively engaging the community in diverse ways. The innovative and community grounded practice and philosophies of these …

Multicultural Reservations, Hybrid Avenues: Reflecting On Culture In Art Education, David Gall

Journal of Social Theory in Art Education

This paper examines the role of hybridity in culture as it relates to art education. Curriculum strategies in art education are based essentially on pluralist premises. Such strategies recognize diversity, honor differences, and try to redress the inequitable Eurocentric models of the past. Nevertheless, even in their most critical forms they reproduce a scheme of culture that subtly confirms the established order of Modern hierarchies, and fail to capture the fluid, hybrid, and uneven character of culture. Margaret Archer's theories of culture, society, and change are among the most insightful to date. Taking them on board will ensure that our …

Performance Art As A Site For Learning: Queer Theory And Performance Studies In The Art Classroom, G. E. Washington

Journal of Social Theory in Art Education

Today, performance art is one of the most useful mediums for helping individuals see themselves differently. In this of "Out of sight" article, I explore the experience of participating in a student's performance art project. This work was a performance of crossing the road. Here, I discuss the inclusion of overtly queer articulations of personal experience within the art classroom. How can performance art construct learning experiences that engage a dynamic process of self-critique? How are classrooms organized differently when students become actively involved in the development of the art curriculum? And, how might a performative investigation of the sociality …

Out Of Cite, Out Of Mind: Social Justice And Art Education, Therese Quinn

Journal of Social Theory in Art Education

What's a little "Lifestyle Statement," between friends? When the friendships are contingent, based on our common status as colleagues in education, and we are charged with reviewing the teacher education programs of a Christian college that lies a few hundred miles to the west of my home city (all quotes about the school, which I will leave unnamed, are drawn from its website), it turns out to be the dealbreaker. The "Lifestyle Statement" is really an agreement or contract that staff, students, faculty members, and administrators are required to sign; it is posted on the college's website, linked to the …

Art Education And Disability: Re-Envisioning Educational Efficiency, Michelle Kraft

Journal of Social Theory in Art Education

The value of efficiency has long been an ideal of educational policy in the United States (Guthrie, 1980). Where the education-and especially the art education-of students who are experiencing disabilities is concerned, traditional notions of efficiency (which are primarily rooted in economic standards of measure) may prove inflexible and inadequate in assessing educational outcomes. Guthrie (1980) equates efficiency in the schools with productivity. He explains that a number of factors may affect productivity, including availability of resources and students' environment and social background; likewise, students' varying (dis)abilities can be added to these factors. Indeed, traditional educational efficiency emphasizes autonomy and …

How To Draw A Heart: Teaching Art To Incarcerated Youth, Dennis Earl Fehr

Journal of Social Theory in Art Education

This article traces the progress of a social theory-based university art education program in which undergraduate majors teach art to incarcerated youth. It addresses and goes beyond the editor's question, "What imagery lies 'outside' art educators' accepted sphere?" Not only is the imagery of these populations out of sight, but so are the sites of incarceration themselves, they exist not only outside the purview of the art education field, but of nearly every sector of society except the police. Even their families are often "out of sight." The readable, conversational format is a political choice. I offer an alternative to …

The Permeable Classroom Or The Tilted Arc Revisited, Karen E. Frostig

Journal of Social Theory in Art Education

"The Permeable Classroom or the Tilted Arc Revisited" reviews the author's various roles as artist, community activist, art educator and art therapist, in the design and implementation of a large, sequential community-based ''Tree Memorial" project. Using the Tree Memorial Project as a compelling example of the "permeable classroom," the paper delivers an overview of the project that takes place in and around the public school setting, featuring collaboration between teachers, students, parents, administrators, community residents, and city officials.

Schooled In Silence, Patricia M. Amburgy, Wanda B. Knight, Karen Keifer-Boyd

Journal of Social Theory in Art Education

What is not said, is often more powerful than what is spoken about diversity, difference, and identity in U.S. classrooms. Examples are everywhere: Although no students of color may be enrolled in a course at a prominent research university, members of the class do not believe there is such a thing as institutional racism. A handful of women are discussed in course textbooks, all authored by men, but no one thinks it odd that only men have written accounts of women's achievements that appear on the syllabus. Gay, lesbian, bisexual, and transgendered people do not speak for themselves, either, in …

Three Silences: Infection … Abjection … Art Education, Bob Sweeney

Journal of Social Theory in Art Education

The students were waiting for the bus that would take them home after Drama Club, Intramurals, detention. Some students were sitting on the steps, as instructed by another teacher and myself who had either been assigned or volunteered for 'bus duty' that afternoon. The majority of the students were in various states of agitation, fueled by hormones that had just recently been switched into overdrive by developing pituitary glands. Buying sodas, 'athletic' drinks, and junk food from the vending machines, chasing each other around the bathrooms that separated the cafeteria from the exits, most of the students seemed like a …

Dbae And Iiae: Playing Finite And Infinite Games, Stan Horner

Journal of Social Theory in Art Education

This essay is an excerpt from the third volume in the iiae/Analogosseries by the author, now in preparation. DBAE refers to Discipline Based Art Education while iiae refers to interactive interdisciplinary art education. In this essay I posit that there are two co-dependent ‘game’ plans informing the orientation of contemporary art education as represented by these two curricular orientations, and that one is sustained inside the other. As set forth by Carse, each one gives rise to a very different set of activation rules for players; this forms the basis for an attempt to tease out a concept of the …