Education Commons^™

Developing Vocal Agility Of Light Lyric Coloratura Soprano Voices Through The Neglected Repertoire Of French Opéra Comique, Valentine Baron

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document explores light lyric coloratura soprano roles in the French opéra comique genre through an analysis of seven arias and their impact on the development of vocal agility. The opéra comique genre was popular at the beginning of the eighteenth century, but declined to disappear from the stage at the end of the nineteenth century. Despite the opéra comique’s influence on many other vocal genres, the genre is today neglected. Opportunities for singers to improve and practice challenging coloratura in this repertoire are limited. The two most famous arias from the genre which are the Doll Aria and Juliette’s …

An Orchestral Percussionist's Guide To Instruments Of The Caribbean, Lucas Brust

UNLV Theses, Dissertations, Professional Papers, and Capstones

Sparked by the introduction of Janissary percussion into the works of the First Viennese School, composers have been steadily expanding the musical responsibilities and tonal palette of the orchestral percussion section. Most institutions of higher education extensively address the traditional orchestral percussion instruments and only relatively recently have these institutions begun incorporating the more “exotic” percussion instruments from various indigenous musical traditions. With the resources and proposed performance practices suggested in this document, orchestral percussionists can gain the knowledge and familiarity to identify the instruments by name and construction, demonstrate fluency in technique and sound production, and display basic understanding …

Beginning The Baroque Bassoon: A Contemporary Approach, Elizabeth Ellen Valvano

UNLV Theses, Dissertations, Professional Papers, and Capstones

“Beginning the Baroque Bassoon: A Contemporary Approach” is an introductory method for bassoonists who are interested in learning how to play the baroque bassoon or transitioning from the modern bassoon to its baroque counterpart. This method begins with a history of the development of the bassoon before delving into specific performance techniques. This approach includes bassoon history, information on reed making, instructional examples, fingering charts, solo suggestions and playing examples, and resources for further study. While emphasizing beginning the baroque bassoon, this method also includes resources for the more advanced bassoonist. The goal of this text is to widen the …

Illuminating Unsung Americans Sung As A Musical Staple Within American Culture, Richard Leon Hodges

UNLV Theses, Dissertations, Professional Papers, and Capstones

The book Unsung Americans Sung was first published in 1944 by the Handy Brothers Publishing Company. With over 30 contributors and edited by William C. Handy, this book explores the great abolitionists of the eighteenth century and the climate of Negro culture during that moment in time. The book includes poetry, illustrations, children’s songs, choral works, scenes from major works, and art songs. Handy was not only offering his opinion of the Negro of the time, but he was creating a book that would add these freedom fighters and generational torchbearers into the archives of every American. Sadly, this glimpse …

Crossover Trumpet Performance: Jazz Style And Technique For Classical Trumpeters, Kevin Christopher Tague

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document examines crossover trumpet playing: the ability to comfortably transition from classical to jazz style. Problems trumpeters face when shifting between classical and jazz styles and the importance of always performing idiomatically are discussed. There is no consensus regarding the best way to develop crossover ability, but experts agree that the proper use of articulation is vital for stylistically authentic performances. A review of the literature reveals fundamental differences in how articulation is taught in classical and jazz pedagogies. Additionally, jazz and classical musicians approach printed music differently. By detailing key elements of jazz articulation and interpretation the document …

Going Old School: Using Eighteenth Century Pedagogy Models To Foster Musical Skills And Creativity In Today's Students, Monique Arar

UNLV Theses, Dissertations, Professional Papers, and Capstones

Recent research has illuminated a pedagogical approach to keyboard improvisation of the Italian conservatories of the seventeenth and eighteenth centuries, namely that of partimenti: single-stave, multiple clef exercises in which students were trained to improvise (Gjerdingen 2007, Sanguinetti 2012, van Tour 2015). This approach was passed down through oral instruction until the mid-twentieth century, when pedagogical priorities shifted away from improvisation and compositional creativity towards virtuosity, technique and adherence to the printed page. Simultaneously, the tradition of decade-long musical apprenticeship was replaced with semester-long courses in music theory and harmony.

The existing research on partimenti presents a compelling historical narrative …

Etudes For The Bassoon: An Annotated Bibliography And Pedagogical Guide, Eric Joaquin Fassbender

UNLV Theses, Dissertations, Professional Papers, and Capstones

There are well over one hundred published methods and etude collections written for the bassoon. However, many bassoon teachers and students are only familiar with a few of them, primarily those composed by Julius Weissenborn and Ludwig Milde. This is evidenced by the frequent mentions of these etudes in writings about bassoon literature, repertoire surveys, university syllabi, articles in the journal of the International Double Reed Society, and more. While these specific studies remain an invaluable part of the bassoonist’s repertoire, there are several aspects of bassoon playing they do not address, particularly where post-Romantic musical styles are concerned. When …

Efficient Strategies For Playing The Horn, Jon Allan Holloway

UNLV Theses, Dissertations, Professional Papers, and Capstones

In their pursuit of becoming accomplished performers, horn players spend a great deal of time studying proper brass playing techniques from the great pedagogues. The modern horn is a fairly young instrument (less than two hundred years old) and the most efficient pedagogical approach is still evolving. Because of this, horn players spend a great deal of time studying proper brass playing techniques from the great pedagogues. Books by Philip Farkas, Arnold Jacobs, Raphael Mendez, and more have many theories and exercises on how to breathe, the best way to perfect embouchure development, performance techniques, and more.

Modern pedagogues have …

Andre Jolivet's Fusion: Magical Music, Conventional Lyricism, And Japanese Influences Network To Create Concerto Pour Flute Et Piano And Sonate Pour Flute Et Piano, Kelly A. Collier

UNLV Theses, Dissertations, Professional Papers, and Capstones

André Jolivet’s Fusion, represents his formative style period, post-World War II. Fusion is a combination of Jolivet’s two earlier style-writing periods for flute, “magical music” and conventional lyricism. This study presents detailed analyses of two compositions reflecting this style period, Concerto pour flûte et piano and Sonate pour flûte et piano, by André Jolivet. In order to acquaint the reader with Jolivet’s interest in ancient musical cultures, a brief biography offers information on Jolivet’s interests in ancient rituals and mysticism. As appointed Director of the Comédie-Française in 1945, Jolivet extensively travelled and experienced new musical phenomena. These musical phenomena, Japanese …

Four Sonnets By Pablo Neruda, Sets 1 And 2, By Judith Cloud, For High Voice And Piano: A Performer’S Perspective, Sheronda Levonne Mckee

UNLV Theses, Dissertations, Professional Papers, and Capstones

Twentieth and twenty-first century compositions are growing in popularity amongst scholars of music. Along with this budding interest comes a plethora of composers, many of whom are women. While not a discussion on feminism in the modern age, this document will concentrate on one female composer. Drawing from the historical significance of the poet and the compositional history of Four Sonnets by Pablo Neruda set 1 and Four Sonnets by Pablo Neruda set 2 by Dr. Judith Cloud, my goal is to make these two song cycles more accessible to sopranos, as well as to those wanting to expand their …

An Annotated Bibliography Of Beginning And Intermediate Solo Bassoon Literature, Kim Kehau Chai

UNLV Theses, Dissertations, Professional Papers, and Capstones

A wind instrumentalist typically begins music study in a school band or orchestra. The instructors for these classes normally use method books, scales, and large ensemble pieces to teach and refine technique and musicianship. Unless the student has a private teacher, it is unlikely that they will study or perform solo music except on rare occasions. The serious study of solo literature typically begins on the college level, when all students have access to a professional teacher and private lessons.

Solo literature is critical for the evaluation of a student’s performance level and ability, and it helps the instructor specifically …

From Paper To Podium: Exploring The Gap Between University Training And Professional Experience In Orchestral Conductors, Rachel L. Waddell

UNLV Theses, Dissertations, Professional Papers, and Capstones

In African polyrhythmic drum circles there is a proverb that exemplifies the necessity of common vision and community in group musical performance: “I am because we are.” This simple ideal is ostensibly mirrored in the western institution of the symphonic orchestra, an ensemble of many that nevertheless must arrive at one, shared interpretation of a piece of music. The structure of the orchestra is a complicated hierarchy with section players at its base, followed by principals, the concertmaster, and finally the conductor. Although conductors are the public face of leadership in orchestras, if they alienate the musicians they will have …

Zwischenfach – A Distinct Voice Type: A Study Of Fach Through Specific Roles In The Works Of Richard Wagner And Richard Strauss, Stephanie Weiss

UNLV Theses, Dissertations, Professional Papers, and Capstones

The term Zwischenfach has been described in a small number of papers, with the emphasis on its paradoxes and its lack of research. However, in none of these papers is there concrete evidence that the Zwischenfach should be considered a separate voice category rather than simply an “in-between” Fach. The goal of this paper is to explore the thesis that the Zwischenfach should be considered a separate and distinct Fach. Supporting evidence includes studies on tessitura, range, vowel usage, and the orchestration of roles, as examined in the arias of five characters in the operas of Wagner and Strauss. Establishing …

The Changing Role Of The Bass Clarinet: Support For Its Integration Into The Modern Clarinet Studio, Jennifer Beth Iles

UNLV Theses, Dissertations, Professional Papers, and Capstones

The bass clarinet of the twenty-first century has come into its own. Composers often treat it as a solo instrument and clarinetists are more often expected to play bass clarinet. In the last half of the twentieth century, the amount of literature for bass clarinet has grown and the quality of the instruments have improved exponentially. Still, most university studios focus primarily on B-flat clarinet. This document is intended as a pedagogical guide for the inclusion of the bass clarinet in the clarinet studio. As support for incorporating the bass clarinet into the undergraduate curriculum, this document describes three areas …

The Percussionist Bodybuilder: Optimizing Performance Through Exercise And Nutrition, Anthony Joseph Merlino

UNLV Theses, Dissertations, Professional Papers, and Capstones

Do preventive therapies have the potential to help avoid common injuries among percussionists? This document investigates physiological therapy and nutrition in relation to percussion performance. My interest in this subject matter is derived from my personal experiences with injuries related to the performance of percussion. Although I have studied and played percussion professionally for more than a decade, I was unaware of certain methods of rehabilitation that were available to me prior to my injuries. As I learned about the rehabilitation process through first hand experience, I discovered that my injuries were very common among percussionists. This raised the question: …

Factors Influencing Music Teacher Retention: A Mixed Method Study, Charles W. Cushinery

UNLV Theses, Dissertations, Professional Papers, and Capstones

The purpose of this mixed-methods study was to determine what internal and external factors influence the retention attributions of secondary level music teachers who participated in this study and identify what interactions exist between those factors. Phase one of this study was a survey of a group of secondary music teachers (N=260). The survey was used to quantify those factors that influenced music teacher retention and how those factors were ranked by the survey group. Phase two of this study employed case study methodology, specifically, interviews of six secondary music teachers selected from the initial survey pool, to provide a …