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From Margins To Museums: Tracing The Evolution Of Representation For Contemporary African Artists In The United States, Victoria Mouraux Durand-Ruel

Master's Theses

This thesis examines the impact of the Black Lives Matter movement on the art community in the United States and the evolution of representation for Contemporary African artists. By analyzing the careers and artistic contributions of Omar Ba, Toyin Ojih Odutola, and Njideka Akunyili Crosby, the study explores the concept of artistic agency according to which African artists have more control over the production and distribution of their works.

The research begins with a comprehensive literature review, investigating the historical contexts that have shaped the art landscape, including the impact of colonization, decolonization, and globalization. The study reveals how these …

The Gallery As A Site Of Convergence: The Role Of Creative Environments At Postsecondary Institutions, Jordán Francisco Sandoval

Master's Theses

Not enough research explores the role of creative environments at postsecondary institutions. In response, this qualitative research study focuses upon university galleries believing them to be exemplary artistic spaces within college campuses. Using a theoretical framework of place-consciousness, the researcher examined the functions of the Mary and Carter Thacher Gallery at the University of San Francisco (USF), paying close attention to the ways it engaged the academic community in terms of scholarship and instruction. Informed by grounded theory and phenomenology, this study interviewed five professors who integrated a gallery visit into their curriculum during the 2021-2022 academic year. Collecting these …

Better Alternatives For Youth: Peace, Education And Human Rights, Abraham Jones

Master's Theses

Many urban youth in the United States live in what are identified as high stress neighborhoods, where trauma is a normative reality within which common life themes permeate. Colloquially, the communities in these high stress areas reclaim space by naming them as hoods, barrios and ghettos. However, depending on one’s perception, these words can have a negative connotation. Even when these communities hold various forms of community cultural wealth and capital, urban narratives are often dominated by false common perceptions that associate these spaces with the violence that occurs within them. There is a need for spaces that produce counter …

Challenging Filipino Colonial Mentality With Philippine Art, Francesca V. Mateo

Master's Theses

For 350 years, the Philippines was colonized by Spain and the United States. The Philippines became a sovereign nation in 1946 yet, fifty years later, colonial teachings continue to oppress Filipinos due to their colonial mentality (CM.) CM is an internalized oppression among Filipinos in which they experience an automatic preference for anything Western—European or U.S. American—and rejection of anything Filipino. Although Filipinos show signs of a CM, there are Filipinos who are challenging CM by engaging in Philippine art. Philippine art is defined as Filipino-made visual art, literature, music, and dance intended to promote Philippine culture. This …

Hip-Hop, Medellín And Social Change, Veronica Henao Posada

Master's Theses

This study explores the ways in which the Hip-hop movement is producing social change in Medellín, Colombia. Looking specifically at a Hip-hop school called Cuatro Elementos Skuela, which exists autonomously and with very little state support in the Medellín neighborhood of Aranjuez, I argue that young people are contributing to the reconstruction of the city’s social, cultural and economic fabric. I start by explaining the historical context of Medellín, describing the different sets of conflicts that unleashed high levels of violence and caused the fragmentation of the social, cultural and economic fabric. Moreover, I review the role of the …