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Full-Text Articles in Education
Creating Commons: Photovoice Philosophy In A Third Space, Jason M. Cox, Lynne Hamer
Creating Commons: Photovoice Philosophy In A Third Space, Jason M. Cox, Lynne Hamer
Journal of Social Theory in Art Education
Teach Toledo is a program that the authors co-coordinate using community assets to create a third space to confront systemic racism’s impact on teacher education programs and facilitate hybridity (Bhaba, 1994). Diverse student cohort members use their lived experience as the base for their individual and shared urban educational philosophies, coordinated in a first-year horizontally and vertically integrated curriculum including written compositions and a PhotoVoice project. “Creating commons” refers not only to provision of a third space as a common space where private experiences can be combined to create a hybrid, new understanding, but also to the creative act of …
#Mobilephotonow: Two Art Worlds, One Hashtag, Jodi Kushins
#Mobilephotonow: Two Art Worlds, One Hashtag, Jodi Kushins
Journal of Social Theory in Art Education
In the winter of 2015, the Columbus Museum of Art (CMA) co-curated an exhibition with the loose-knit mobile photography collective known as JJ Community. #MobilePhotoNow included images created in response to a series of prompts and shared on the photo sharing and social networking application Instagram®. The exhibition reflected a community-based curatorial practice (Keys & Ballengee-Morris, 2001) demonstrating new possibilities for participatory art and culture in the age of social media. This portrait of how the project came to be is presented as an example of how art world factions might be brought together, in both virtual and real spaces, …
Feminist Zines: (Pre)Occupations Of Gender, Politics, And D.I.Y. In A Digital Age, Courtney Lee Weida
Feminist Zines: (Pre)Occupations Of Gender, Politics, And D.I.Y. In A Digital Age, Courtney Lee Weida
Journal of Social Theory in Art Education
This article examines the potential of recent feminist zines as frameworks of grassroots D.I.Y. and direct democracy in physical and digital communities. While the height of zine creations as works on paper may be traced to the 1990s, this form of feminist counterculture has evolved and persisted in cyberspace, predating, accompanying, and arguably outlasting the physical reality of protests, revolutions, and political expressions such as the Occupy Movement(s). Contemporary zines contain not only email addresses alongside ‘snail mail’ addresses, but also links to digital sites accompanying real-world resources. Zinesters today utilize the handmade craftsmanship and hand drawn and written techniques …
Big Gay Church: Religion, Religiosity, And Visual Culture, James H. Sanders Iii, Kimberly Cosier, Mindi Rhoades, Courtnie Wolfgang, Melanie G. Davenport
Big Gay Church: Religion, Religiosity, And Visual Culture, James H. Sanders Iii, Kimberly Cosier, Mindi Rhoades, Courtnie Wolfgang, Melanie G. Davenport
Journal of Social Theory in Art Education
Five academics explore their performed occupations of the National Art Education Association Annual Meetings. They have annually mounted Big Gay Church (BGC) services that deconstruct and question the ways visual culture, media representations, scriptural interpretations, and religious teaching have constructed (at times harmful) depictions of lesbian, gay, bisexual, transgender, queer and questioning (LGBTQ2) subjects. This essay recounts how co-authors have drawn on their multiple experiences with/in churches to play with religious rituals and narratives in ways that queerly comment on the damage or support organized religions offer LGBTQ2 students and educators.
Visual Arts And Literacy: The Potential Of Interdisciplinary Coalitions For Social Justice, Melanie L. Buffington, William Muth
Visual Arts And Literacy: The Potential Of Interdisciplinary Coalitions For Social Justice, Melanie L. Buffington, William Muth
Journal of Social Theory in Art Education
In this article, we explore the possibilities of creating a coalition of the visual arts with literacy to work toward meaningful integrated learning experiences with a social justice agenda. We discuss the benefits of integrated curriculum and its potential to support learning at many levels. Following that, we introduce the Hope House mural project as an example of an integrated visual arts and literacy program. Through this project, children and their incarcerated fathers grapple with significant issues in their lives and to build a bond while doing so. We argue that this coalition results in learning that is inseparably tied …
Lego Brick As Pixel: Self, Community, And Digital Communication, Jay Michael Hanes, Eleanor Weisman
Lego Brick As Pixel: Self, Community, And Digital Communication, Jay Michael Hanes, Eleanor Weisman
Journal of Social Theory in Art Education
Over the last three years the authors attended Brickworld Conventions for adult and teen fans of LEGO in Chicago. Through interviews, observations, and research they conclude that the LEGO brick is a medium replete with possibilities for creative construction and playful design beyond the expectations of its corporate producers. The history of the brick as a toy infuses play throughout its use, and the Internet provides a forum for adult and teen fans to communicate, critique, and discuss their creations. Online communication is perhaps the most interesting facet of LEGO play. It demonstrates a model of social change with LEGO …
Voices Of Women: Telling The Truth Through Art Making, Alice Pennisi
Voices Of Women: Telling The Truth Through Art Making, Alice Pennisi
Journal of Social Theory in Art Education
On Wednesdays, when the last period of the school day is finished, the students trickle out of room 412 of Burnham High School and the young women enter who have been waiting outside. They immediately push all the desks to the side or back walls, leaving a large open space. Then each carries a chair toward the front of the room, creating a circle. Someone closes the door, and they begin to talk with one another. Thus begins a weekly meeting of Voices of Women (VOW), a group comprised mainly of high school girls who create collaborative artwork based on …
Community Pedagogy In Idaho, Kathleen Keys
Community Pedagogy In Idaho, Kathleen Keys
Journal of Social Theory in Art Education
The following pages chronicle a diverse collage of recent un(becoming) and becoming events from arts policy realms, as well as issues, events and programming in the Idaho arts community. Throughout the narration and description, critical analyses of these actual events, and the articulated and sometimes hidden pedagogies of these situations are measured against the criteria of community pedagogy. Rather than examining un(becoming)/becoming as a simple binary, the complexity of evaluating these events as either or both is presented when appropriate. Strong motivation to recognize social change and justice efforts through exercised community pedagogy nonetheless leads the evaluation and analysiS. Local …
Piercing Gaze: Public Art In Schools, Laura Felleman Fattal
Piercing Gaze: Public Art In Schools, Laura Felleman Fattal
Journal of Social Theory in Art Education
A gaze is a silent facial gesture while a piercing gaze suggests a shrieking sound. Unpacking the word, silence, allows one to look at the difference between the verbalizations hailing empowerment and the actual functioning of reinstatements of purpose in learning, teaching and mentoring in a public school. Silence, in the following article, signals a discomfort, sometimes solitude and, at times, an abyss perhaps indicating the disparity between expectation and implementation. The depth of research necessary by the school community to reach consensus for names of dignitaries and the in-depth archival photographic research on the part of the professional artists …
Intergenerational Art Education: Building Community In Harlem, Angela M. La Porte
Intergenerational Art Education: Building Community In Harlem, Angela M. La Porte
Journal of Social Theory in Art Education
I began the first of 43 visits to an after-school intergenerational art program in Lower East Harlem, New York, with the expectation of a straight-forward research project, one which would perhaps ratify my growing conviction that young people and older adults together would provide a natural learning environment for art. My first personal encounter with the Lower East Harlem community began when I crossed 96th Street, an informal boundary separating its decaying tenements and public housing projects from the newer, more prosperous neighborhood to the south. I soon realized that there was no need for a line on the map …
Creating Community Through Art: Two Research Project Reviews, Seymour Simmons Iii
Creating Community Through Art: Two Research Project Reviews, Seymour Simmons Iii
Journal of Social Theory in Art Education
Against a background of contemporary social problems and concerns, this article considers the role of the arts in creating community. It begins with a synopsis of Ellen Dissanayake’s anthropological perspective on the importance of the arts in human evolution, human development, and premodern societies. It then considers current approaches to community-building through the arts based on two recent research projects done by Harvard Project Zero and its affiliates. One project, the Lincoln Center Institute Arts-in-Education Survey Study, reviewed twenty-two arts-in-education programs including community art centers, cultural centers, arts-infusion schools, and state and local arts councils. The other, Project Co-Arts, involved …
Art, Education, And The Bomb: Reflections On An International Children’S Peace Mural Project, Tom Anderson
Art, Education, And The Bomb: Reflections On An International Children’S Peace Mural Project, Tom Anderson
Journal of Social Theory in Art Education
As a community muralist (T. Anderson, 1985) and contextualist I believe that the purpose of art is communication from one human being to another about things that count (R. Anderson, 1990; Dissanayake, 1988; Lippard, 1990). This does not mean that we disregard the aesthetic component—the “wonder”—in an artwork. Rather, it implies that the aesthetic serves an extrinsic function beyond its supposed raison d’être. That function, which is usually both prosaic and symbolic, is to serve as a marker that in some way defines the people who make, use, and view artworks or aesthetically framed objects (R. Anderson, 1990). Art is …
Community Projects And The University Curriculum: Re-Searching For A Civil Rights History Through Community Photographs, Jan Peterson Roddy, Benita R. Vanwinkle
Community Projects And The University Curriculum: Re-Searching For A Civil Rights History Through Community Photographs, Jan Peterson Roddy, Benita R. Vanwinkle
Journal of Social Theory in Art Education
The following articles represent a collaborative process, as does the project that we will discuss. It is not within the scope of these articles to engage in an in depth examination of community photography. This practice and its relationship to high art, cultural production and representation has been the topic of other very interesting investigations. We will instead focus on a possible relationship between community photography and the higher education curriculum, wherein each project facilitates the other. The first article represents my view of the pedagogical foundations of this relationship as the instructor and a participant in this process. The …