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Full-Text Articles in Education
Feminist Collaboration In The Art Academy, Cynthia Bickley-Green, Anne G. Wolcott
Feminist Collaboration In The Art Academy, Cynthia Bickley-Green, Anne G. Wolcott
Journal of Social Theory in Art Education
Women's activity in the visual arts both in and outside of the art institutions of Europe and the United States reveals a history of collaboration in artistic production and political activism This paper analyzes the effects of feminist collaboration upon the disciplines of art, the pedagogy of art, and the administration of art institutions. In Part I, the authors review the impact of feminist collaboration in art history, aesthetics, art criticism, and art production. Part II provides examples of collaborative experiences of women in higher education art institutions and in some art communities in the United States, Scandinavia, and Italy. …
Collecting Women’S Art And Native American Artificates: Issues For Museum Curators, John Wilton
Collecting Women’S Art And Native American Artificates: Issues For Museum Curators, John Wilton
Journal of Social Theory in Art Education
Egalitarianism is quite possibly the education buzzword of the eighties. Egalitarianism is belabored in the literature of late that it seems inconceivable that any person or institution with any degree of social responsibility has not yet acted to realign the programs and policies of our biased past. Yet many major social groups still remain disenfranchised in the current American cultural scenario. This commentary addresses the predicament of two of those groups-women and Native Americans. While seemingly unrelated, both groups share a common dilemma: their voices, their opinions and their expressions are not yet respected in the realm of art and …
Abstract Expressionism And Art Education: Formalism And Self-Expression As Curriculum Ideology, Kerry Freedman
Abstract Expressionism And Art Education: Formalism And Self-Expression As Curriculum Ideology, Kerry Freedman
Journal of Social Theory in Art Education
In the 1940's and 1950's, formalism and self-expression theories about abstract expressionism were incorporated into art education. However, as these products of the art community became a part of curriculum, the social and political foundations of the art and the theories were ignored. A school art style was emphasized that contained only selected elements of Greenberg's formalist analysis of abstract expressionism. Curriculum also contained a reduction of Rosenberg's theory of expressive process to some pseudo-expressive technical characteristics. While the argument is not made that there was a studied and analytical reinterpretation of these critics' theories in school, the theories represented …
Another Look At The Aesthetics Of The Popular Arts, Edward G. Lawry
Another Look At The Aesthetics Of The Popular Arts, Edward G. Lawry
Journal of Social Theory in Art Education
About twenty years ago, Abraham Kaplan delivered a lively and memorable paper to the American Philosophical Association on the aesthetics of the popular arts. Appearing during the heyday of formalist criticism of the arts in America, the clear condemnation of the popular arts in his opening paragraph surprised no one. But many things have happened in the last twenty years to make us want to rethink the casual identification of popular art with "dis-value" that Kaplan takes for granted: the rise in popularity of folk music, the transformation of rock and roll by the Beatle's and others, the advent of …
Art, Football And The Politics Of Recognition, Pete Helzer, Helen Liggett
Art, Football And The Politics Of Recognition, Pete Helzer, Helen Liggett
Journal of Social Theory in Art Education
Richard Brown, Professor of Art History at Pacific Lutheran University, recently published an article synoptically titled "Regionalism, a Tenacious Myth.” Most surprising was that it appeared in Signature, a low budget Northwest arts newspaper out of Seattle, Washington. The appeal of Signature is its plebeian accessibility: descriptive reviews, pragmatic advice on competitions, personality profiles, and an unpretentious gallery guide. For example, it is the perfect place to find the latest word on the Snohomish County Craft Guild. In the differentiation between theory and practice, Signature represented the voice of practice, that is, until Professor Brown's theory piece let down the …
Issues Posed By The Study Of Folk Art In Art Education, Kristin G. Congdon
Issues Posed By The Study Of Folk Art In Art Education, Kristin G. Congdon
Journal of Social Theory in Art Education
The study of folk art processes and products reveals several issues concerning the study of art and our educational methodologies. This paper will address the following issues and how they relate to the field of art education: (a) the learning process which takes place in folk art settings and the notion of the folk artist as educator; (b) aesthetics, art criticism, and art history from the folk artist's perspective; (c) the many functions of art and the value of one function over another in our society; and (d) the existence of elitism in folk art categorization by academics.
Audience Discussion
Journal of Social Theory in Art Education
Following the panel presentations, the audience offered comments, questioned emphases, and asked for clarity on issues related to the Feldman Method. Some of these concerns are related here. Feldman's responses are included.
The People’S Show: Promoting Critical Response, Mary Stokrocki
The People’S Show: Promoting Critical Response, Mary Stokrocki
Journal of Social Theory in Art Education
An exhibition of artwork done by local artists was sponsored by a midwestern university gallery to promote greater community involvement. It was open to all artists and all media for a small entrance fee. A questionnaire of provocative categories was given out at the opening to elicit spectator reactions to the work and to help them vote. They were asked to decide which works best represented the particular categories. Responses to the show were mostly positive; however, certain artworks evoked much controversy and publicity. Two artworks, bordering on the pornographic, raised the question: Is art anything one can get away …
Feldman On Feldman, Edmund Feldman
Feldman On Feldman, Edmund Feldman
Journal of Social Theory in Art Education
The inadequacy of writing on the sociology of art has been mentioned. We know the names of those who have taken a sociological approach--Frederick Antal, Arnold Hauser, Anthony Blunt, John Berger, and Tim Clark. Much of the sociology of art has been written by Marxists who have a political as well as a sociological axe to grind. Still, we in art education should be doing more sociological analysis, more work on the consumption of art --with art defined to include every type of man-made image. I fought for the admission of this Social Theory Caucus as an affiliated group of …
The Feldman Approach: A Catalyst For Examining Issues In Art Criticism Instruction, Karen A. Hamblen
The Feldman Approach: A Catalyst For Examining Issues In Art Criticism Instruction, Karen A. Hamblen
Journal of Social Theory in Art Education
In this discussion, I would like to address four issues in relationship to the Feldman (1981) method as well as to the larger concerns of art criticism implementation. I assume that a goal we have in common is to have art criticism be part of the curriculum. The problem needs to be looked at not just in terms of the Feldman method, although that can serve as a framework, but to the larger issues of art criticism instruction per se. There needs to be an assessment of what may be present or missing in literature on art criticism. The issues …
Art Education In Social Context, Dan Nadaner
Art Education In Social Context, Dan Nadaner
Journal of Social Theory in Art Education
Discourse about art, like other discourse, contains limits as well as possibilities for creating meaning about human experience. The following essay raises a series of questions about the difference between the discourse of most art education, and the discourse of contemporary art critics and artists. Why are these subcultures of the art world different, and what is the significance of their separation? Is art education systematically losing its capacity to make contact at the level of human experience? Has it alienated itself from larger social concerns? These issues are explored through general review of art education discourse and through the …
The Cultures Of Aesthetic Discourse (Cad): Origins, Contradictions, And Implications, Karen A. Hamblen
The Cultures Of Aesthetic Discourse (Cad): Origins, Contradictions, And Implications, Karen A. Hamblen
Journal of Social Theory in Art Education
Art has long been accepted as comprising a visual language that communicates cultural values and qualitative meanings through its subject matter, functions, and stylistic characteristics. However, not until this century has visual art also been considered as a language system of signs and symbols amenable to systematic verbal analysis and evaluation. Consistent with this development, in recent years art educators have increasingly proposed that art instruction include various art criticism activities. This author personally considers an interest in art criticism to be a positive development for the field of art education inasmuch as it offers a much-needed counterbalance to the …