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Wilde And The Model Of Homosexuality In Mann's Tod In Venedig, James P. Wilper
Wilde And The Model Of Homosexuality In Mann's Tod In Venedig, James P. Wilper
CLCWeb: Comparative Literature and Culture
In his article "Wilde and the Model of Homosexuality in Mann's Der Tod in Venedig" James P. Wilper examines the influence of Oscar Wilde and the effeminate homosexual identity which cohered as a result of Wilde's trials for act of "gross indecency" in 1895, in Mann's classic homoerotic short novel. Drawing on Alan Sinfield's The Wilde Century (1994) and recent scholarship into the impact of Wilde on German-language writers, as well as German homosexual communities of the early twentieth century, Wilper explores Mann's ambivalent response to Wilde's homosexual legacy. Later in his career, Mann writes of Wilde with Nietzsche …
The Egyptian Enlightenment And Mann, Freud, And Freund, Rebecca C. Dolgoy
The Egyptian Enlightenment And Mann, Freud, And Freund, Rebecca C. Dolgoy
CLCWeb: Comparative Literature and Culture
In her article "The Egyptian Enlightenment and Mann, Freud, and Freund" Rebecca C. Dolgoy discusses various ways in which ancient Egypt is used in three works from the 1930s: Thomas Mann's Joseph and His Brothers, Sigmund Freud's Moses and Monotheism, and Karl Freund's film The Mummy. By showing the similarities and differences in how these works use Egypt, Dolgoy develops the concept that memory is the way in which the past is used. Dolgoy follows the structure of a cinematic shot casting: The Mummy as the long shot which both sets up the general Egyptomania characteristic of …