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Franco-Maghrebi Rap And Benyoucef's Le Nom Du Père, Keith Moser
Franco-Maghrebi Rap And Benyoucef's Le Nom Du Père, Keith Moser
CLCWeb: Comparative Literature and Culture
In his article "Franco-Maghrebi Rap and Benyoucef's Le Nom du père" Keith Moser discusses Messaoud Benyoucef's controversial play Le Nom du père and rap as a hybrid art form that has been (re)-appropriated by disenfranchised minorities from all corners of the planet. Exploited and ignored by those at the top of the social ladder, rappers express their anxiety concerning the present situation of inequality in contemporary consumer society. The rending melodies or portraits of human anguish created by rappers give testament to the fact that the interconnected processes of urbanization and globalization have not benefited everyone. In Le Nom …
Racism And Identity In Onwueme's Riot In Heaven, Onyeka F. Iwuchukwu
Racism And Identity In Onwueme's Riot In Heaven, Onyeka F. Iwuchukwu
CLCWeb: Comparative Literature and Culture
In her article "Racism and Identity in Onwueme's Riot in Heaven" Onyeka Iwuchukwu explores Tess Osonye Onwueme's acclaimed play in the context of the Black diaspora in the U.S. Iwuchukwu posits that because of Onwueme's exploration of the theater of the absurd in the play, audience's attention is directed to the illogical presentation of dialogue and action. However, the technique with textual properties suggesting unmotivated and meaningless references in fact carries profound meaning. Further, the said "absurd" presentation and narration results in a strong ideological and political message akin to the practice of littérature engagée. Iwuchukwu's analysis of …