Education Commons^™

Chart Study, Abigail Franklin

English Senior Capstone

Chart Study is a collection of fiction, nonfiction, and poetry that recounts moments of my life and explores my interpretation of the world. It spans decades and continents, from the Midwest to the Middle East, while following the thread of uncertainty that has always wrapped around me. Themes of self-discovery, independence, and insecurity are prominent as I play with formal poetry and sectioned essays. The title refers to my father’s time as an aviator and is an homage to all of the characteristics and quirks he instilled in me that are explored more fully in the project itself.

Drawing Empathy: The Benefits Of Utilizing Graphic Memoirs In Secondary Classrooms, Hailey Simmons

English Senior Capstone

The use of graphic novels and graphic memoirs in the classroom is an active discussion in many schools. Some individuals who oppose using the genre with students argue that it does not provide enough depth to have an effect on the reader. By analyzing Art Spiegelman’s Maus and Nora Krug’s Belonging, this paper explains how graphic memoirs can provide depth for readers. As Spiegelman and Krug learn of their family history with the Holocaust and World War II, they utilize the techniques of representational art, the repetition of structural elements, and the use of color and shading to portray …

The Stories Already Written: An Intertextual Analysis Of The Book Thief And Belonging, Jenna Kortenhoeven

English Senior Capstone

Intertextuality is a theoretical notion which enables a critic to analyze the way a writer’s story is the sum of the stories the writer has read and which can examine how human identity is also constructed from reading. Within Markus Zusak’s The Book Thief and Nora Krug’s Belonging, the writers find their story and identity through reading, their relationship with words mirroring their relationship with themselves, others, and the world. The Book Thief details the story of Liesel Meminger, showcasing how her entire life is shaped by words and emphasizing how her growth as a reader leads her to …

Adverse Childhood Experiences And Identity Achievement In The Lives Of Pip And Heathcliff, Brianna Leigh Blosenski

English Senior Capstone

Charles Dickens’s novel Great Expectations and Emily Brontë’s novel Wuthering Heights both focus on characters orphaned at a young age. Adverse childhood experiences, or ACEs, are clearly present throughout these characters’ adolescent lives, as they face various types of neglect, abuse, and household dysfunction. The presence of these ACEs thus influences their identity achievement: the settling of their moral codes and ethical standards. Through the exploration of their identities from childhood to adulthood, the reader observes Pip attaining identity achievement—due to the influence of a positive parental figure—and Heathcliff failing to do so.

The Pieces That Make The Self: Finding Balance Between Social And Individual Identity In Frances Burney’S Evelina And Virginia Woolf’S Mrs. Dalloway, Jenna King

English Senior Capstone

In their novels Evelina and Mrs. Dalloway, Frances Burney and Virginia Woolf pursue an understanding of the pieces of one’s “self.” Through the journeys of Evelina Anville and Clarissa Dalloway, Burney and Woolf explore how a woman’s identity is formed by both her social role and her individuality. Although the social settings examined in the two novels vary greatly due to differences in both time period and the main characters’ stages of life, Evelina’s and Clarissa’s stories are united by their shared goal of gaining understanding of and ownership over themselves. Ultimately, both Evelina and Mrs. Dalloway argue for …

A Choice To Make: The Portrayal Of Female Characters’ Agency And Emotion In Madeline Miller’S Circe And Anaïs Mitchell’S Hadestown, Abby Swartzentruber

English Senior Capstone

In the novel Circe and the musical Hadestown, Madeline Miller and Anaïs Mitchell create transformative retellings of selected Greek myths, where the narrative perspective is shifted to the women, allowing for a deeper examination of the complexity of these characters. Circe details the life of the titular goddess as she grapples with the tension between her exile and her agency, experiencing a complex web of non-linear emotions. In Hadestown, Eurydice must learn to overcome her pessimism to trust another, while Persephone must abandon her coping mechanisms and finally stand up to the abuses of her husband, Hades. Mitchell …

Insomniac - A Collection Of Poetry, Fiction, And Creative Non-Fiction, Jason Abishekaraj John

English Senior Capstone

As the title would suggest, Insomniac is a multi-genre collection which represents a handful of my written works that were born during bouts of insomnia and depression. The poems I have placed in this collection revolve around my friendships with specific (and at times multiple) individuals. The creative non-fiction pieces focus on my experiences with depression, dissociation, suicide, anxiety, hypersensitivity, epilepsy, and self-harm in hopes that they might promote conversation. Lastly, the short stories are my own spin on Bhoot (Ghost) and ¬Shikari (Hunter) stories I hungrily devoured in my childhood. My hope is that each of these pieces can …

"Everyone Learns, Nobody Changes": Images And The Ideal In Anna Karenina And Closer, Leah Kiers

English Senior Capstone

The main characters in Leo Tolstoy’s Anna Karenina and Patrick Marber’s Closer literally and figuratively surround themselves with images of themselves and others that define how they choose to see and be seen. Using the framework of Tolstoy’s What Is Art?, this paper evaluates how these images affect the characters’ relationships with one another. Tolstoy writes that art should enable humanity to pursue an ideal of unity with one another, but the characters’ ideals are more self-centered, making it so that the images they use prevent them from authentically connecting with each other. Proximity with suffering and death can tear …

Highlights Of Taylor Etiquette: 2022 Edition, Taylor University

Heritage Books and Booklets

Students in Dr. Aaron Housholder's ENG110 class collaborated with Special Collections & University Archives to produce an updated etiquette guide. The original etiquette guide was booklet produced circa 1930 detailing the expectations of Taylor University students. Sections in the booklet included:

• As Regarding the Dining Hall
• As Regarding the Campus
• As Regarding Chapel

Students in the ENG110 (College Composition) course spent time reviewing the original etiquette booklet, identified guidelines that should be carried forward into 2022, and then worked together to generate several new "guidelines" they felt were relevant to today's Taylor culture.

Grace, Grace, By The Side Of The Road, Hannah Tienvieri

English Senior Capstone

"Grace, Grace, By the Side of the Road" is a collection of poetry and creative nonfiction that contemplates the messiness of growing up and the events, relationships, and environments that shape a person’s identity. This collection traces my experiences from early childhood to college and maintains a particular interest in the landscape of the Midwest as being as integral to my sense of self as family, friendships, and the body. The text itself is an attempt to wrestle with the question: what does love look like amid hardship, change, and imperfection? In “Grace, Grace, By the Side of the Road,” …

As The Angles, Joell Paul Russell

English Senior Capstone

No abstract provided.

From Renaissance To Robert: The Machiavellian Cycle Of Life, Death, And Rebirth, Noah Huseman

English Senior Capstone

In this paper, I explore the recursive nature of cultural commentary as it is informed by evolution of the monster. As one culture rises to prominence, so does the monster which comments upon it. I specifically examine the cultural monstrosity of the Machiavellian archetype as it is portrayed across time, first placing Machiavelli's theory in its original context, then branching out to the cultural context surrounding its appearance in both the literature of Renaissance England and the stories of today. Once I set up the broader theoretical context, I probe more deeply into two literary depictions of the Machiavel: Iago …

The Effects Of Trauma On Identity Formation: Pursuing And Obtaining Individual Freedom In Emerson’S Nature And Creech’S Chasing Redbird, Mckenzie Hershberger

English Senior Capstone

Nature and Chasing Redbird provide poignant examples of the restorative power found in the natural world, and a thorough analysis of the works and lives of the authors reveal past trauma created the need for this restoration. Traumatic experiences shape an individual’s thought processes, as each decision the individual makes is based upon fearing an uncertain outcome. Throughout Nature, Emerson references a child’s innocence, demonstrating that a child’s perspective has not yet been tainted by experience. Emerson idealizes his past childhood as he endured grievances that motivated him to confront his trauma while in nature himself. An example for Emerson’s …

Sanctuary, Abigail G. Chandler

English Senior Capstone

Sanctuary is a collection of fiction, nonfiction, and poetry that explores relationships. I pull from my own experiences with family, friendships, self-knowledge, and the divine to connect with readers over shared loss and over attempts at understanding goodness, beauty, and truth. Sanctuary seeks to look at relationships multilaterally, holding pain and pleasure in juxtaposition. Everyone needs people who make them feel safe, wanted, and known, and sanctuary is not found in the same places for everyone.

The Paradox Of Loss, Abby Pugsley

English Senior Capstone

The Paradox of Loss is a collection of fiction, creative nonfiction, and poetry that leans into the tension humans experience as eternal beings in a world marked by impermanence. We encounter loss in countless ways throughout our lives, and yet we also look toward a future where all is restored. This collection is an exploration of the losses I have experienced, presented in both fictional and nonfictional forms. My hope is to show the life that pervades even in loss, both through our attachment to the physical world and in the way our grief points toward our desire for permanence, …

Note To Self: Don't Forget To Title Your Project!, Abby Wilson

English Senior Capstone

Note to Self: Don’t Forget to Title Your Project! is a collection of creative nonfiction, poetry, and visual art reflecting on the author’s ADHD diagnosis. With an approachable and direct tone, I become a tour guide for my readers as they explore the landscape of my neurodivergent brain. These readers will discover aspects of ADHD that can be strengths or drawbacks, such as executive dysfunction, outside-the-box thinking, emotional dysregulation, and hyperfixation. They will also briefly peek into the way that ADHD intersects with aspects of my identity, such as other neurodivergencies, gender, and spirituality.

Gothic Determinism: The Interplay Of Atavism And Hope In "The Old Nurse's Story" And "The Fall Of The House Of Usher", Madison Howland

English Senior Capstone

No abstract provided.

Stories That Bark For Themselves: The Fall Of A Rooster And A Princess From Pride To Repentant Humility As Depicted In The Book Of The Dun Cow And The Light Princess, Ella Harris

English Senior Capstone

Walter Wangerin Jr. and George MacDonald, authors of The Book of the Dun Cow and The Light Princess respectively, created the self-serving characters Chauntecleer the Rooster and the cursed princess. Both characters, ignorant about the subtle strength of those around them and the power of a sacrificial act against encroaching evil, are shown their own insufficiency through the sacrifice of their humble and believed-to-be inconsequential companions. Both companions, Mundo Cani Dog and the prince, willingly sacrifice their lives to conquer the evil powers that threaten lands and to save those whom they love. The actions and behaviors of all four …

“Nothing Much Happens”: The Process Of Constructing Coherent Selves In A Tree Grows In Brooklyn And I Know Why The Caged Bird Sings, Maya Laytham

English Senior Capstone

In A Tree Grows in Brooklyn and I Know Why the Caged Bird Sings, respectively, Betty Smith and Maya Angelou vividly paint the places, people, and customs that contextualize Francie and Marguerite’s growth. In fact, the societies to which both the protagonists and the authors talk back contribute greatly to how they express themselves. The interplays between past and present and between personal and public all inform how Smith and Angelou describe and develop the stories of their younger selves. While it might sound strange to find such dynamism in something as apparently inert as written word, the works …

Broadening The Feminist Ideal: Female Expression In Kate Chopin’S The Awakening And Kathryn Stockett’S The Help, Hannah Funk

English Senior Capstone

Feminist criticism can be difficult to navigate, especially given the sociopolitical contexts connected to feminism all throughout history. In literature, idealized feminist characterizations can often leave less dramatically feminist characters behind, relegating them to a category of characters who are “not feminist enough.” But it is important to understand that these characters are still just as validly feminist as their dramatically feminist counterparts. In Kate Chopin’s The Awakening and Kathryn Stockett’s The Help, readers see wonderful examples of women who operate in feminist ways, some within the roles that traditional feminist criticism would see as roles which trap them and …

Searching For Understanding: How Hamlet And Frankenstein Inform Humanity’S Response To Trauma, Jonathan Knippenberg

English Senior Capstone

By looking at trauma narratives we are able to learn about the nature of trauma as well as the effective and ineffective ways it has been handled by literary characters. Hamlet by William Shakespeare tells of the young prince Hamlet who, in repressing his trauma, unwittingly falls victim to repeating the anger reinforced by his father’s ghost while he continually allows no one to see anything but the mask of his antic disposition. Frankenstein by Mary Shelley portrays the turmoil between Dr. Frankenstein and his monster—a rejected creation scorned by a tortured creator—which not only consumes them but also tears …

The Adventures Of Mousy And Jasper, James Schantz

English Senior Capstone

In my senior project I wanted to explore the world of children's literature that is meant specifically to be listened to. The project is in audio-script form and it is the tale of a dog and a mouse who become unlikely friends, share a nemesis in an evil cat named Mr. Bojangles, and need each other's help in order to get back home.

Authenticity In Glimpses: Framing Art And Identity In Virginia Woolf’S To The Lighthouse And Zadie Smith’S Swing Time, Taylor Budzikowski

English Senior Capstone

In their novels To the Lighthouse and Swing Time, Virginia Woolf and Zadie Smith communicate that art frames reality for those who choose to pay attention. Art provides a glimpse of permanence and stability for Lily Briscoe, a young woman who paints her reality while visiting Isle of Skye, and Zadie Smith’s unnamed narrator, a young woman who contemplates her mixed-race background through the lens of dance in London and Africa. These observations encourage Lily and the narrator to consider the perspectives of others amid their own visions. Gradually, Lily and the narrator find and foster their identities by sorting …

Purple Paint, Kelly Abraham

English Senior Capstone

Purple Paint is a collection of short stories comprised of four creative nonfiction and two fictional pieces. The creative nonfiction explores the impact of a family unit on its youngest member and touches on the consequences of her overlooked anxieties. The fictional works portray flawed characters who inevitably have strong influences on one another while suggesting familial dynamics. The collection as a whole serves as a personal insight into what is required of many childhoods - passivity.

Learning Or Not Learning To Overcome Trauma: Jane Eyre And A Farewell To Arms, Jessica Cutter

English Senior Capstone

In the novels Jane Eyre and A Farewell to Arms, Charlotte Brontë and Ernest Hemingway both display characters that have experienced devastating trauma. In both novels, female characters demonstrate strength and mental support that their male counterparts are unable to reciprocate because they cannot move on from their past. Jane learns that letting go of past trauma will lead to her growth and success in life, which ultimately influences Mr. Rochester to be like Jane, and the novel ends with them happy and mentally healthier. On the other hand, Henry can’t let go of his past traumas and leans heavily …

The End Of Art Is Peace: Memory, Witness, And Restorative Imagination In Anna Burns’S Milkman And The Poetry Of Seamus Heaney, Sarah Davis

English Senior Capstone

Northern Irish writers Seamus Heaney and Anna Burns both explore the suffocation and trauma of living in civil conflict as informed by their time spent living in Belfast during the Troubles. In her 2018 novel Milkman, Burns depicts a beleaguered community that has succumbed to hypervigilance and learned helplessness. Burns’s characters try desperately to establish normality by twisting memory and refusing to witness the present, resulting in an inability to imagine a future unmarred by violence. In his poetry collections North and Field Work, Heaney wrestles with the responsibility of an artist to such a community, to his art, and …

Metaphors Of Mental Illness: How Emily Dickinson And Vincent Van Gogh Understood And Expressed Their Personal Battles With Depression, Samantha Moss

English Senior Capstone

Both the poet Emily Dickinson and the artist Vincent van Gogh wrestled with mental illness in their adult lives. There are indications that both suffered from major depression, bipolar disorder, and seasonal affective disorder. Both lived in a time when there was no real understanding of mental illness and there was no language through which people could interpret and explain their pain. Dickinson used her poetry to create metaphors, metaphors centered around death and winter. Van Gogh created nature metaphors – and some centered around dying like Dickinson’s – in his paintings and in letters to his brother. These metaphors …

Seeking The Tomato: Encounters With Beauty In Zora Neale Hurston's Their Eyes Were Watching God And Zadie Smith's On Beauty, Jessica Dundas

English Senior Capstone

When Zadie Smith was first given a copy of Zora Neale Hurston’s Their Eyes Were Watching God, she was reluctant to read it. But once she did, she found herself captivated by the beauty protagonist Janie Crawford is seeking and encountering throughout the novel. Later in Smith’s own novel On Beauty the protagonist Howard Belsey becomes the inverse of Janie as he intellectually rejects the idea of beauty and ignores the encounters he has with it. Thus while Janie finds that beauty decenters her from thinking herself the center of her world, Howard stubbornly refuses to allow himself to be …

Frankenstein And Weston, Ransom And Van Helsing: Common Characters In The Works Of Terence Fisher And C.S. Lewis, Connor Salter

Making Literature Conference

No abstract provided.

"Black Raspberry Picking” And “Paddington Station", Sarah Davis

Making Literature Conference

No abstract provided.