Playwriting Commons^™

Agustín Gómez-Arcos's Diálogos De La Herejía And The Deconstruction Of History, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

In 1962, Agustín Gómez-Arcos, a young dramatist, still new to the Madrid theater scene, won his first Premio Nacional Lope de Vega for the historical drama Diálogos de la herejía. Yet almost immediately, the prize was swept from his hands in a wave of controversy, annulled in a blatant gesture of censorship that signified the Franco Regime's official response to his unorthodox choice of thematic material, and consequently banned the play from the stages of Spain's state-supported teatros nacionales. Set amid the sacrificial flames of the Spanish Inquisition, Diálogos de la herejía portrays the turmoil and hysteria that rock a …

Big River

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1994 performance of Big River music and lyrics by Roger Miller, book by William Hauptman.

Anywhere But Home: The Life And Work Of Barrie Stavis, Daniel Larner

Fairhaven Faculty Publications

Barrie Stavis Th e American playwright Barrie Stavis is a paradox in his own country. “A prophet without honor” may exaggerate the case, but Yugoslavian critic Dragan Klai'c does see Stavis as a subtle but important kind of prophet, whose work precedes European efforts to reestablish a theatre of commitment:

"to separate values, moral principles, and simple human concerns from compromised ideological projects. Disappointment about European developments, the sense of danger caused by racism, fanatical politicians, and ecological nightmares, bring theater back as a field of argumentative, activist aesthetics. Nothing old-fashioned, romantic, 68ish in all that—only a sense of moral …

An Interview With Barrie Stavis, Daniel Larner

Fairhaven Faculty Publications

Barrie Stavis lives in an apartment in New York City’s upper east side. He and his wife Bernice are surrounded by green plants, their collection of paintings and sculpture, and Barrie’s collection of duck decoys. What follows is a starkly reduced version of five days of very intense talk (the transcript runs 186 pages)—talk which, as Stavis said repeatedly, led him into painful, difficult, and exciting territory, and led him to see connections between his life and work he had either not seen, or not explored before.

Steel Magnolias

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1994 performance of Steel Magnolias by Robert Harling.

Steel Magnolias is the story of a group of women in a small-town, Southern community. It portrays their friendships and how they respond when one of them dies.

The Life And Times Of Joseph Beuys, Agnieszka Taborska, Marcin Gizycki, Mark Snyder, Margaret Lewis, Julie Strandberg, Maki Koto, Yvonne Roe, Sven Armster, Ting-Ting Lee, Luciana Mallozzi, Lucinda Wolf, Christine Pellicano, James Bewley, Leah Smith, Matthew Saam, Dawn Marie Caulfield, Ellen Godena, Catherine Warner, Roy Fabian, Shirly Whong, Scott King, Megan Mclarney, Lucinda Wolfe, Andrew Feder

Programs

Program for the seventh annual RISD Cabaret held in the Waterman Building. Graphic design: Mark Snyder; program editor: Margaret Lewis; program photography: Marcin Gizycki.

Tender Lies

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1994 performance of Tender Lies by Nancy Gilsenan.

Tender Lies tells the story of Arlo Gibson and his boarders, and how he encourages and speaks meaning into them through the use of “Tender lies.”