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Full-Text Articles in Television
Evidence That Viewers Prefer Higher Frame Rate Film, Laurie M. Wilcox, Robert S. Allison, John Helliker, Bert Dunk, Roy C. Anthony
Evidence That Viewers Prefer Higher Frame Rate Film, Laurie M. Wilcox, Robert S. Allison, John Helliker, Bert Dunk, Roy C. Anthony
Screen Industries Research and Training Centre Works
High frame rate (HFR) movie-making refers to the capture and projection of movies at frame rates several times higher than the traditional 24 frames per second. This higher frame rate theoretically improves the quality of motion portrayed in movies, and helps avoid motion blur, judder and other undesirable artefacts. However, there is considerable debate in the cinema industry regarding the acceptance of HFR content given anecdotal reports of hyper-realistic imagery that reveals too much set and costume detail. Despite the potential theoretical advantages, there has been little empirical investigation of the impact of high-frame rate techniques on the viewer experience. …
Filmmakers In Conversation, William Friedkin, Buck Henry, Melvin Van Peebles, Anthony Loeb
Filmmakers In Conversation, William Friedkin, Buck Henry, Melvin Van Peebles, Anthony Loeb
Conversation With
Several of these conversations were published in monograph form, available on this website. However, three conversations with William Friedkin, Buck Henry, and Melvin Van Peebles appear here for the first time in this 1982 publication.
Other conversations include John Cassavetes, Joan Tewkesbury, Steve Shagan, and Bill Butler. The publication was edited by Anthony Loeb, then chair of the Film Department, Columbia College Chicago. 135 pages.