Television Commons^™

Where Is God In Symbolic Exchange? A Theo-Semiological Analysis Of The Sons Of Anarchy, Alex Justin Holguin

Masters Theses

This thesis attempts to uncover the religious nature of communication by re-visioning and situating French psychoanalyst Jacques Lacan’s theory of communication within a Christian theological context. By critically engaging Lacan’s theoretical concepts of the Imaginary, the Symbolic, and the Real within this context, the thesis is able to access the intersection of rhetorical semiotics, psychoanalysis, and Christian theology to have a more fruitful understanding of how meaning is exchanged between subjects. Lacan’s inter-disciplinary affirmation of rhetoric and psychoanalysis has been able to produce incredible explanatory potential for how meaning, as the bedrock of speech and communication, operates through the psyche …

The Place Of Faith, Doubt, And Sacrament In The Post-Apocalyptic Worlds Of The Leftovers And The Walking Dead, Scott Culpepper

Faculty Work Comprehensive List

No abstract provided.

Explicit And Implicit Religion In Doctor Who And Star Trek, James F. Mcgrath

Scholarship and Professional Work - LAS

It has often been proposed that the original series of Star Trek reflected a modern, enlightenment perspective on religion, and that subsequent spinoffs like Deep Space Nine moved in a more post-modern direction. Doctor Who, the longest running science fiction show, provides an interesting basis for comparison. Both television shows offer similar tropes, and in both instances, the rhetoric that claims to explain away religion in scientific terms ends up treating it as literally true. Both shows depict our universe as populated with “natural gods” which are sometimes explicitly identified with the gods and demons of ancient human religious literature.

Cowboys, Angels, And Demons: American Exceptionalism And The Frontier Myth In The Cw's 'Supernatural', Joesph M. Valenzano

Communication Faculty Publications

The CW network series Supernatural (2005–) draws its text from the horror and fantasy genres as well as religious mythology. Concurrently, it transmits a core “American” mythos. As its protagonists keep watch along a supernatural frontier and eradicate threats to the American way of life, this program both reinforces and alters aspects of the frontier myth and the myth of American exceptionalism by depicting its main characters as representations of America writ large whose mission has grown from an appointment by God to being equals to God.

In this manner, Supernatural forwards a new American exceptionalism through the notion that …

Vanquishing Evil Without The Help Of God: The Man From U.N.C.L.E. And A World Come Of Age, Richard Grigg Ph.D.

Philosophy, Theology and Religious Studies Faculty Publications

One of the most distinctive religious features of the 1960s was the death of God theology. It is useful to look back at the death of God movement from the perspective of communication studies. After all, the movement received unprecedented coverage in the popular media. More intriguing, however is the specific fashion in which death of God theologian William Hamilton, one of the most influential figures in the discussion of the death of God, referred to particular aspects of the modern communication environment. According to Hamilton, the communication technologies of the 1960s helped make it a world "come of age." …