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Claremont Colleges

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Articles 1 - 8 of 8

Full-Text Articles in Slavic Languages and Societies

Gamblers And The Game Of Life: A Literary Examination Of The Professional And The Addict, Annika Ozizmir Jan 2023

Gamblers And The Game Of Life: A Literary Examination Of The Professional And The Addict, Annika Ozizmir

CMC Senior Theses

The gambler is a mysterious persona in life and in literature. Who is the gambler? While we can envision the gambler as many different kinds of people, this thesis seeks to answer this question by focusing on certain literary figures who gamble. Its author analyzes two archetypes in particular, that of the professional gambler and that of the addict. To illustrate these types, the author looks to four protagonists from a mix of four novels and short stories: Casino Royale by Ian Fleming, “A Gentleman’s Game” by Jonathan Lethem, “Queen of Spades” by Alexander Pushkin, and The Gambler by Fyodor …


To Whom Did Pushkin Write? The Narrator-Reader Friendship In Eugene Onegin, Tatum Grace Hall Jan 2023

To Whom Did Pushkin Write? The Narrator-Reader Friendship In Eugene Onegin, Tatum Grace Hall

CMC Senior Theses

In this thesis, I argue that in his novel in verse, Eugene Onegin, Alexander Pushkin transcends the traditional narrator-reader hierarchy to foster a sense of friendship between himself and his reader. I suggest that Pushkin’s desire for friendship with his reader necessitates a keen awareness of his and his reader’s collective engagement within the novel. If Pushkin seeks friendship with his readers, he must treat them as friends. Consequently, the reader’s role in Eugene Onegin is elevated to that of Pushkin’s intimate. In my analysis, I identify three methods by which Pushkin successfully fosters a sense of overlapping experience …


Baba Yaga: An Ecofeminist Analysis Of The Witch Of The Woods, Maya Lozinsky Jan 2023

Baba Yaga: An Ecofeminist Analysis Of The Witch Of The Woods, Maya Lozinsky

Scripps Senior Theses

In this thesis, I will argue that Baba Yaga’s prevalence in Russia’s culture and media provide a unique opportunity to gain insight into the junctures between the climate crisis and gender inequality in Russia. Despite the persistent gender inequities present in current Russian society, ecofeminist frameworks and ideologies are already deeply embedded in Russian culture. Women, as a group, have always been politically active in Russia, from resisting the introduction of Christianity in the 9th century, to the feminist resistance group Pussy Riot founded in 2011. I will examine Baba Yaga’s history, her role in the Russian folktale, and her …


Gopniki: Peripheral Masculinity In Post-Soviet Russia, Eli Loeb Jan 2020

Gopniki: Peripheral Masculinity In Post-Soviet Russia, Eli Loeb

Pomona Senior Theses

In the 1990s, packs of tracksuit-clad youth from the suburbs known as gopniki descended on Russia’s cities. These problematic youth, embodying a unique strain of violent masculinity, rapidly rose in prominence during a time of national crisis. The gopniki faded just as quickly when Russia entered the new millennium. The influence of gopnik worldview did not diminish with the movement, however, and gopniki continue to influence Russian culture. This study of primary Russian source material examines the theoretical, ideological, and historical origins of this under-researched group, and explains their lasting influence on Russians in a rapidly changing world.


The Cultural Politics Of Eurovision: A Case Study Of Ukraine’S Invasion In 2014 Against Their Eurovision Win In 2016, Jordana L. Cashman Sep 2017

The Cultural Politics Of Eurovision: A Case Study Of Ukraine’S Invasion In 2014 Against Their Eurovision Win In 2016, Jordana L. Cashman

Claremont-UC Undergraduate Research Conference on the European Union

Politics is officially banned from Eurovision, and songs that are too political can be prevented from being performed. However, the complete separation of culture and politics is impossible, and cultural performances often carry both indirect and explicit political messages. Eurovision is no exception. Established in 1956, the cultural-political goal of the contest was to unite European countries after the devastation of WWII, and it is one of the hallmarks of the cultural and political integration Europe has pursued since the founding of the European Coal and Steel Community in 1951. Now, since contestants are based on members of the European …


Adapting Skazki: How American Authors Reinvent Russian Fairy Tales, Sarah Krasner Jan 2017

Adapting Skazki: How American Authors Reinvent Russian Fairy Tales, Sarah Krasner

Scripps Senior Theses

Adaptations of works have the potential to bring their subject matter to a new audience. This thesis explores the adaptation of Russian fairy tales into novels by authors Orson Scott Card and Joy Preble by looking at how they present Russian fairy tales, folkloric figures, and fairy tale structure to an American audience.


Troika Of Fortune Tellers, Sophia D. Kalin Jan 2014

Troika Of Fortune Tellers, Sophia D. Kalin

Scripps Senior Theses

This film is an oral history about the intergenerational relationship between three women: my grandmother, my mother, and I. Through our connection I explore the Russian traditions that my grandmother has cultivated and shared among the three of us, in particular, the tradition of fortune telling. I also explore my grandmother's struggle with dementia. Although her memory is fading, she can still remember the practice of reading fortunes and that tradition has preserved our bond and her legacy.


Subverting Socialist Realism: Vasily Grossman's Marginal Heroes, Maria Karen Whittle May 2012

Subverting Socialist Realism: Vasily Grossman's Marginal Heroes, Maria Karen Whittle

Pomona Senior Theses

Soviet writer Vasilii Grossman has been renowned in the West as a dissident author of Life and Fate, which multiple sources, including The New York Times have called "arguably the greatest Russian novel of the 20th century." Grossman, however, was not a dissident, but an official state writer attempting to publish for a Soviet audience. Grossman's work was criticized by Soviets as being "too Jewish", while Jewish scholars have called it "not Jewish enough." And, despite his modern critical acclaim, little scholarship on Grossman exists. In my thesis, I explore these paradoxes. I argue that Grossman attempts to reinterpret traditional …