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Full-Text Articles in Other Religion
What Our Hearts Crave For: An Examination Of The Paradoxical Attraction To Dante’S Inferno, Ketzalt E. Marquez
What Our Hearts Crave For: An Examination Of The Paradoxical Attraction To Dante’S Inferno, Ketzalt E. Marquez
Honors Projects
This paper serves to analyze and explain why audiences are attracted to stories with elements of Horror in them, using Dante’s Inferno as the vehicle for this conversation, as the Inferno’s setting is in the worse possible place imaginable. Horror narratives arise feelings of fear and disgust in its audiences through the use of monsters, as audiences relate to the fear and disgust the positive characters in the narratives are feeling because of the monster’s presence. Since these emotions arise in a safe space, such as in literature or film, where the source of the emotions is not endangering the …
Manifesting Magic: Occultism And Feminism In The Art Of Leonora Carrington And Remedios Varo, Margaret Dirschl
Manifesting Magic: Occultism And Feminism In The Art Of Leonora Carrington And Remedios Varo, Margaret Dirschl
MA Theses
The artworks of Leonora Carrington and Remedios Varo are replete with
symbolism and evocations of the occult, formulating bodies of work that are charged with magic and mysticism. When studied within the context of their male contemporaries of the Surrealist group, it becomes apparent that this use of the occult operates as a compelling and historically based feminist strategy. Immediately stemming from the occult revival of the previous century and the issues for females presented by Surrealism, the foundations of this idea originate much earlier in the pagan traditions of antiquity and the witch hunts of the 15th through 18th …
Middle Savannah River: An A/R/Tographic Ecopedagogical Ethnography Experimenting With Rhizomatic Perspectives, Lisa Augustine-Chizmar
Middle Savannah River: An A/R/Tographic Ecopedagogical Ethnography Experimenting With Rhizomatic Perspectives, Lisa Augustine-Chizmar
Electronic Theses and Dissertations
This research is an experiment in perspective. Using the four commonplaces (Schwab, 1978), I practiced letting the Savannah River teach me what there is to know about the water, the land, the people, and the other entities that depend on ki through artistic, ethnographic, and ecopedagogical lenses. The ethnographic findings describe the social actors that depend on ki and give a voice to the River. The a/r/tographic findings display the River on a canvas map through two hundred years using paint, clay, photography, video, abstract acrylics, and fabric. Together, these methods contribute to a unique ecopedagogical journey. This word cloud …