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To Have Sex Or Not To Have Sex: An Exploration Of Medieval Christian And Jewish Sexual Values, Rachel Zaslavsky
To Have Sex Or Not To Have Sex: An Exploration Of Medieval Christian And Jewish Sexual Values, Rachel Zaslavsky
Undergraduate Honors Theses
This thesis is an exploration of Medieval Jewish and Christian conceptions of sex and aims to challenge the notion of Judeo-Christian values. Medieval Judaism and Christianity are at odds with each other in their understandings of sexuality. By considering Judaism, the belief that medieval religion was averse to sexuality and sexual pleasure is disproven. An analysis of religious works, such as those produced by Christian theologians and Jewish rabbis, yields the following conclusion: medieval Christianity restricted sex on the basis of abstinence, while medieval Judaism restricted sex on the basis of ritual impurity but mandated sex for procreation and female …
The Cult Of The Nymphs: Identity, Ritual, And Womanhood In Ancient Greece, Ivana Genov
The Cult Of The Nymphs: Identity, Ritual, And Womanhood In Ancient Greece, Ivana Genov
Undergraduate Honors Theses
Examining archeological and epigraphic evidence in its historical context, in this thesis I explore the Cult of the Nymphs venerated across ancient Greek poleis. I analyze the nymph’s profound cultural and historical impact that is often overlooked in the study of ancient Greece. Nymphs were female deities thought to embody ecological sites, such as fountains and springs, and became fundamental to polis identity. Their locations were often central to city plans, and their faces, depicted on coinage, became representative of the city itself. In the community, nymphs were integral to rituals for major life events, most often in the lives …
Manifesting Magic: Occultism And Feminism In The Art Of Leonora Carrington And Remedios Varo, Margaret Dirschl
Manifesting Magic: Occultism And Feminism In The Art Of Leonora Carrington And Remedios Varo, Margaret Dirschl
MA Theses
The artworks of Leonora Carrington and Remedios Varo are replete with
symbolism and evocations of the occult, formulating bodies of work that are charged with magic and mysticism. When studied within the context of their male contemporaries of the Surrealist group, it becomes apparent that this use of the occult operates as a compelling and historically based feminist strategy. Immediately stemming from the occult revival of the previous century and the issues for females presented by Surrealism, the foundations of this idea originate much earlier in the pagan traditions of antiquity and the witch hunts of the 15th through 18th …