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Why Chinese Neo-Confucian Women Made A Fetish Of Small Feet, Aubrey L. Mcmahan Dec 2012

Why Chinese Neo-Confucian Women Made A Fetish Of Small Feet, Aubrey L. Mcmahan

Grand Valley Journal of History

Abstract for “Why Chinese Neo-Confucian Women Made a Fetish of Small Feet

This paper explores the source of the traditional practice of Chinese footbinding which first gained popularity at the end of the Tang dynasty and continued to flourish until the last half of the twentieth century.[1] Derived initially from court concubines whose feet were formed to represent an attractive “deer lady” from an Indian tale, footbinding became a wide-spread symbol among the Chinese of obedience, pecuniary reputability, and Confucianism, among other things.[2],[3] Drawing on the analyses of such scholars as Beverly Jackson, Valerie Steele …


Female Flesh And Medieval Practice In The Later Middle Ages, Megan E. Marzec Oct 2012

Female Flesh And Medieval Practice In The Later Middle Ages, Megan E. Marzec

Mid-America College Art Association Conference 2012 Digital Publications

My work explores the importance and presence of the female body in medieval religious practice as exemplified in medieval art, religious texts and hagiographies. My research shows that while the reasoning behind female imagery and imagery of the nude is disputed, the prevalence of mandorla-like images, images of the female nude, and images displaying the femininity of Christ suggest the meaningfulness to the medieval viewer. I discuss extensively Julia Kristeva’s writing on the woman as abject and the artistic experience as an element of religiosity. For this research I analyzed works by various artists including Robert Campin, Jan Gossaert and …