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Full-Text Articles in Missions and World Christianity
Non-Christian, Japanese College Students’ Perspectives Of Engaging With God Through The Participatory Components Of Christian Worship, Jacqueline Leigh Bencke
Non-Christian, Japanese College Students’ Perspectives Of Engaging With God Through The Participatory Components Of Christian Worship, Jacqueline Leigh Bencke
Doctoral Dissertations and Projects
This study seeks to examine the extent to which non-Christian college students in Japan perceive their engagement with the biblical God while participating in daily chapel services at Kyūshū Lutheran College. The research employs a mixed-methods approach, analyzing survey and focus group data to explore whether a relationship exists between students’ participation in chapel committee activities and their perceived spiritual engagement. Responses to Lynn Underwood’s Daily Spiritual Experience Survey, the Centrality of Religiosity Scale, and the Centrality of Buddhist Religiosity Scale are combined to create a general spiritual profile of respondents. Worship leaders and missionaries who are in positions of …
Palestinian Evangelical Christian Music In Bethlehem, Israel/Palestine, Abby Smith
Palestinian Evangelical Christian Music In Bethlehem, Israel/Palestine, Abby Smith
Senior Honors Theses
Often the story of the Israeli-Palestinian conflict is portrayed as Jewish vs. Muslim, Hebrew vs. Arab. There is little room in the international dialogue for minorities such as Arab Christians. Though Palestinians have a rich culture of Arabic musical and poetic heritage, they are unable to produce their own new songs. In this study I interviewed three members of Immanuel Evangelical Church on their experiences and opinions on local Christian worship. The findings show that Palestinian Christians may feel unable to write worship music because of a prevalent feeling of inadequacy and a lack of musical training. I propose several …
Contextualized Songwriting In The Japanese Church, Katie Ann Mcwilliams
Contextualized Songwriting In The Japanese Church, Katie Ann Mcwilliams
Masters Theses
The Christian Church of Japan has very few songs written in their own language and style. Most songs are translated from English or another language. While Japan is a very westernized country, this is a problem because things can get lost in translation and these songs are not always representative of their musical style. Furthermore, they have a unique voice of worship that is currently missing from the global Church. My research project was intended to identify songwriters and encourage songwriting for the local church with the intention of expanding the Japanese voice in the global context and raising awareness …
“Mi Alma Cantará”: Tracing Issues In Music Education Within The Colonial And Contemporary Latin American Church, Kerry Digiacomo
“Mi Alma Cantará”: Tracing Issues In Music Education Within The Colonial And Contemporary Latin American Church, Kerry Digiacomo
Senior Honors Theses
Music education and institutionalized Christianity have been criticized by historians and ethnomusicologists for their role in the domination and transformation of indigenous Latin American cultures since the late 15th century. However, indigenous peoples, including Amerindians as well as more recent mestizo and Ladino people groups, have also taken an active role in transforming European musics to reflect an emic understanding of their own cultural identity. Music education within the Latin American church has provided an interface for these complex interactions between foreign and native cultural influences. This paper will explore the connections between colonial and contemporary-era music education movements in …
Kachin Sound Instruments Within The Context Of The Kachin Baptist Convention Of Northern Burma: History, Classification, And Uses, Walter Brath
Masters Theses
This organology identifies and describes the Kachin's sound instruments, classifies them according to the Hornbostel-Sachs' system, and considers evidence of an indigenous classification scheme. Very little research exists to date on the music of the Kachin peoples of Northern Burma. This paper cites the only known indigenous organology and is the first English language study to extrapolate evidence into an emergent classification system. This qualitative study is based on ethnographic interviews, the minimal literature available on the topic, and participant observation drawn from fieldwork conducted in the Kachin State of Northern Burma (modern day Myanmar) during the months of May …