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Full-Text Articles in Islamic Studies
Perceiving The Intangible: Introspective & Meditational Practices In Moroccan Sufism, Anna Gray Morales
Perceiving The Intangible: Introspective & Meditational Practices In Moroccan Sufism, Anna Gray Morales
Independent Study Project (ISP) Collection
Sufism has earned an exponentially prominent role within Morocco’s political and social arenas through recent decades. The Moroccan monarchy’s endorsement of the religious variant and its prevalence in pop-cultural events, national journalism, and literature are a few indicators of its growing influence. However, the tradition is, by no means, a modern construction and has existed since the beginning of the larger Islamic tradition. What qualities, then, has granted Sufism its relevance as a cornerstone of Moroccan society today? Its chief focus on introspective and meditational practices, rather than physical religious discipline, may foster a more inclusive and liberal form of …
Sufis In A 'Foreign' Zawiya: Moroccan Perceptions Of The Tijani Pilgrimage To Fes, Joel Green
Sufis In A 'Foreign' Zawiya: Moroccan Perceptions Of The Tijani Pilgrimage To Fes, Joel Green
Independent Study Project (ISP) Collection
The purpose of this ISP is to investigate Moroccan perceptions of sub-Saharan members of the Tijaniyya during the completion of their religious pilgrimage to Fes. The relationship between Moroccans andTijani pilgrims is particularly complex as it occurs at an intersection of various identities, most prominently including race, religion, class and nationality. This project focuses on Moroccans who work in the area surrounding the shrine of Ahmed al-Tijani and either market their business towards Tijani pilgrims or frequently serve Tijani pilgrims as customers. In the course of interviews with five Moroccans, three major themes emerged: 1. Condemnation of Tijani religious practice. …
La Dimension Cachée De L’Art Sénégalais Contemporain, Allen F. Roberts, Mary Nooter Roberts
La Dimension Cachée De L’Art Sénégalais Contemporain, Allen F. Roberts, Mary Nooter Roberts
Présence Francophone: Revue internationale de langue et de littérature
For nearly fifty years now, Dakar has been an epicenter of contemporary art, not just for continental Africa but for the entire world. Senegalese artists are well known internationally through participation in biennials, exhibitions, and gallery shows ; and many argue that they are contemporary artists from Senegal rather than “Senegalese artists” defined or constrained by their african identity. Among these, however, some match the global techniques and aesthetics of their works with local meanings derived from mystical Islam. Indeed, this “hidden side” can be very significant to the artists themselves even though it may be ignored by cosmopolitan connoisseurs.