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Full-Text Articles in Religion
Volume 69, Number 04 (April 1951), John Briggs
Volume 69, Number 04 (April 1951), John Briggs
The Etude Magazine: 1883-1957
Dilemma in Detroit: Survivors of the Detroit Symphony Support Themselves with Odd Jobs and Look for a Successor to Sponsor Henry Reichhold
Zoltan Kodaly was my Teacher
How to Teach Adult Beginners
Music Has No Short-Cuts: Solid Careers Emerge Only for Unhurried, Systematic Training (interivew with Joseph Fuchs)
It's Free—It's Fun—It's Forum!
More About the Pharyngeal Voice: Widely-Used Method in the Golden Days of Italian Bel Canto
Class Piano Teaching Gets Results . . . A Successful Teacher Reveals the Formula She Has Developed Through Years of Trial and Error
Sing with Your Fingers
Volume 68, Number 03 (March 1950), John Briggs
Volume 68, Number 03 (March 1950), John Briggs
The Etude Magazine: 1883-1957
Richards Strauss . . . Conducting is a Difficult Business
Modern Piano Musical Metaphysics . . . Its Cause and Cure
How to Build a Voice Psychologists
Evaluate Music
So You Want to be a Piano Teacher
Structure of Music Clarence Dickinson—Pioneer of Church Music
Let's Simplify the Liebestraum Cadenzas Master Lesson on Brahms' Intermezzo in E-Flat Major, Op. 117,
No. 1 Musical Medicos
For TV Thrillers
Volume 17, Number 10 (October 1899), Winton J. Baltzell
Volume 17, Number 10 (October 1899), Winton J. Baltzell
The Etude Magazine: 1883-1957
Ages of One Hundred Famous
Singers
On Program Printing
Unprofessional Advertising
Dumb Pianos
About Tuning
How Leschetizky Teaches Memorizing
Little Knowledge
First Step in the Instruction of Young Children
To a Piano (poem)
Mechanical Music
Honesty in Advertising
Actual Effect of Music Upon an Imagination
Types of Teachers, or Mayburn's Madness
Music or Notes?
Development of the Artistic Sense
Lost Ideals
Value of the Musical Magazine
How to Memorize
What Makes Music Successful?
Studio Experiences: Experiences with the Pedal
Uninterested Pupil
Conservatory and Private Teaching: Another Phase of the Subject
Musical Don'ts
What are Musical Clubs For?
Volume 16, Number 01 (January 1898), Winton J. Baltzell
Volume 16, Number 01 (January 1898), Winton J. Baltzell
The Etude Magazine: 1883-1957
Suggestions for the Musical Youth
How Shall We Teach Notation to Beginners
The Gospel of Work
Musical Memory in Its Relation to Pianoforte Playing
How to Make a Living
Problem of American Teaching
Song Writers of the Day
One-Sided Musicians
Nothing But a Name!
Success is the Reward of Toil
Musical Listener
Sight-Reading
Art of Self-Criticism
Helpful Letters to Young Musicians
Cost of Study Abroad
Factors of Musical Expression
Sight-reading in Pianoforte Instruction
Why Do You Take Music Lessons?
Principles of Musical Pedagogy
Thoroughness in Primary Work
Music Education
Moral Influence of Music
Convenient Maxims, Formulas, etc. for Voice Teaching …
Volume 15, Number 09 (September 1897), Winton J. Baltzell
Volume 15, Number 09 (September 1897), Winton J. Baltzell
The Etude Magazine: 1883-1957
Would-Be Paderewski
Music No Hindrance to Getting On
Some Don'ts for Students Who are Going to Germany to Study Music
Playing in Public
From Recent Programmes
Neglected Essential: Music and Languages
Self-Exaltation
Time Values
Flowers by the Wayside
Not Yourself, But Your Art
Four Stages of Student Life
Physical Exercises an Aid to Artistic Piano Playing
How a Pupil Rose to Success
Should Piano Students Attend Piano Recitals?
For the Student's Encouragement
Reading New Music
Extracts from Reinecke's Hints to Music Students
Materials and Workmanship
Ear Training
Study on Phrasing
Reed Organ as an Aid in Piano Instruction
Musical Listener …
Volume 15, Number 08 (August 1897), Winton J. Baltzell
Volume 15, Number 08 (August 1897), Winton J. Baltzell
The Etude Magazine: 1883-1957
Piano and Our Girls
For Juvenile Recital: When Malindy Sings (poem)
Protecting the Artistic Sense
Can a Poor Ear be Improved?
Pianoforte Study
Whither Are We Drifting: Realism in Music
Wit of Composers
Musical Stage Fright
Bach Anecdotes
Liszt and Tausig
Story Teller: For Summer Reading
Counting Time
My Fellow-Students
Aids in Teaching Time Values
Guide to Pianists
Musical Listener
Automatism in Technic
Promising Indication
Musical Inconsistencies
Day's Practice
Appreciative Audience
Plea for Pimary Instruction in Harmony
Thoughts about the Most Salient Features of Music Life—Teaching and Otherwise
Truly Great Musician
How Music Affects Some People
Remarkable Definitions
Study the …
Volume 15, Number 04 (April 1897), Winton J. Baltzell
Volume 15, Number 04 (April 1897), Winton J. Baltzell
The Etude Magazine: 1883-1957
Modern Musical Definitions
Have I Talent?
Peculiarities of Popular Teachers
Mozart's Journey from Vienna to Prague: A Romance of His Private Life
Chat with Students on the Purpose of Study
Teachers Who Scold
How Do We Listen?
Ring-Finger
Hearing Colors
Musical Listener
Reading Course: Outline of Psychology
Leschetizky as a Teacher: Reminiscences of a Pupil
Keep Your Temper
Great Thoughts About the Hands
Dull Pupil
Concerning Practice and Other Points of Interest to Students
Calvé on American Musicians
Pianofore Study: Hints on Piano Playing
Volume 15, Number 03 (March 1897), Winton J. Baltzell
Volume 15, Number 03 (March 1897), Winton J. Baltzell
The Etude Magazine: 1883-1957
Musical Listener
Clayton Johns
On Choosing Music
First Lessons
Why We Have So Few Musicians
Some Wholesome Truths for Teachers
Sieveking's Mode of Practice
W.J. Henderson
Study the Nature of Melody
How Long Should One Practice?
Henry T. Finck
Soul of Music
Music Scrap-Book
Beginning and Development of Pianoforte Playing
Common Sense in Music
Mozart's Journey from Vienna to Prague: A Romance of His Private Life
Why Study Harmony?
Queer Traits of Great Musicians
Art of Programme-Making
Louis C. Elson
Backward Pupils
Volume 14, Number 11 (November 1896), Theodore Presser
Volume 14, Number 11 (November 1896), Theodore Presser
The Etude Magazine: 1883-1957
Some Things Which the Musical Profession Owes Itself
Music Chats with Children
American Artists
Class in Ear-Training
Mendelssohn's Piano Playing
Art and Ease
Artist vs. Amateur
Modesty in Music
Chopin's Notes for a Method of Methods
Is the Study of Music Profitable?
Difference Between Studying and Cramming
As a Man Thinketh So Is His Work
Thoughts About the Most Salient Features of Music Life—Teaching and Otherwise
Musical Mischief-Breeders
Beethoven and the Ladies
How to Stimulate Practice
Playing by Ear
Rough and Musical Bülow
Some Mistakes of the Provincial Musician
Correction
Is Mendelssohn to be Ranked Among the Great Composers?
Some …
Volume 13, Number 10 (October 1895), Theodore Presser
Volume 13, Number 10 (October 1895), Theodore Presser
The Etude Magazine: 1883-1957
Hardest Piano Piece
Modern Musical Crank
Absent-Minded Musicians
Art and Artlessness
Creed of the Well-Taught Pupil
Other Side of the Story
Difficult Passages as Etudes
That Other Teacher
Types of Piano Teacher
Extemporization
Interesting Interview with Verdin
Listening to One's Own Playing
Discouragements of Piano-Playing
Woman and Music
Reform Needed
Account of the Gavotte
Liszt and Chopin
Suggestions for Musical People
Lecture Recital
Phenomenal Voices
Worse Than Wasted
How Composers are Inspired
Piano in Small Parlors
How I Read the Etude
Study of Music: Small Children be Made to Study Music, Talent or no Talent?
Philosophic Reflections
Points in Music …
Volume 13, Number 09 (September 1895), Theodore Presser
Volume 13, Number 09 (September 1895), Theodore Presser
The Etude Magazine: 1883-1957
When to Begin
Organize Organize!!
Beethoven, Mozart, Haydn, and Others for Teaching Purposes
Lesson in Concords and Discords
Parallel
True to Art
Use of the Metronome in Practice
Misconceptions
What Dvorak Says
Why Woman is not a Composer
To Be or Not to Be
Gift of Song
Why Good Music is Good
No Royal Road
Guilmant on American Music
Friends and Their Friendship
Real Study and Its Relation to Playing by Ear
Quality, Rather Than Quantity
What Ought to be Played
Idols Shattered
So-Called Conservatories
Expression and Phrasing
Humorous in Instrumental Music
Nervousness in Piano-Playing
Consideration
Does Music Describe?
Public …
Volume 13, Number 07 (July 1895), Theodore Presser
Volume 13, Number 07 (July 1895), Theodore Presser
The Etude Magazine: 1883-1957
One Way to Abuse Classical Music
Music is not Music if it Has No Soul
Lessons in Listening
Musicians' Creed
Musical Prodigies
Neglected Branch of Piano Teaching
How to Succeed in Music Teaching
How to Reach the Pupil: Four R's
Rubinstein: The Man and the Musician
Lack of Public Sympathy for Musical Art
Self-Criticism, an Important Factor in Piano Study
Few More Don'ts
Study Essential
Personality in the Musical Life
Remedies Effected Through the Medium of Four-Hand Playing
Scherzo
Art of Teaching Children
Receptive, But Critical
Volume 13, Number 06 (June 1895), Theodore Presser
Volume 13, Number 06 (June 1895), Theodore Presser
The Etude Magazine: 1883-1957
Some Reflections on the Study of Music at the Piano
Music, Home and Wife
How to Work, or the True Gradus ad Parnassum
Crescentic Keyboard
Their Characteristics
Boxing as an Aid to Piano Playing
Country Teacher
Teach Music
Music in Education
Is it a Waste?
Wealth and Poverty of Musicians
Pupil of To-Day
Musical Individuality
Reading, Listening, and Thinking
Little Story
Alphabetical Musical Rhyme
Phrasing
Choosing a Teacher
What Shall be Taught Beginners
Why So Many Failures?
Pianistic Mannerisms
Pushing and Pulling
Use of the Metronome
Liszt and Mendelssohn
Musical Prejudices
Teaching and Playing
Playing for Pupils
How to Sing …
Volume 12, Number 11 (November 1894), Theodore Presser
Volume 12, Number 11 (November 1894), Theodore Presser
The Etude Magazine: 1883-1957
Some Methods of Popularizing Songs
Jests That Instruct
Courage in Music
Influence of Music
Two Lessons or One Lesson a Week?
Right Beginning
Ways and Means, and—Results
Egoism
Our Country Teachers—Some Hints for Their Advancement
How to Make Practice Easy
Godard's Characteristics
Machine Pupils
Rheumatism of the Hand and Arm
Foreign Titles and Foreign Names
Hints to Young Composers
Conflict Between Public School Work and Music
Habits of Music Pupils
Does Music Describe?
Portamento Touch
Music (Male) Teacher's Work
Suggestions to Musical People
Power of Association
Amateur Musical Club
Paderewski's Tone and Touch
American Pianists (photos)
Volume 12, Number 10 (October 1894), Theodore Presser
Volume 12, Number 10 (October 1894), Theodore Presser
The Etude Magazine: 1883-1957
General Directions to be Observed when Playing for Others
True Ideal of Music Teaching
Accompanying in Theory and Practice
Musical Advancement: A Suggestion to Parents
Proper Scale Practice
Taste
Listening to Music: A Few Words to Concert-Goers
Topics for Reflection
Magazines for Pupils
Strengthening Pianists' Fingers
Worrying
Franz Liszt's Letters
Handel's Sarcasms
How to Learn Music
Why Not a Graded Catalogue of Music With Which to Begin Teaching?
Little Items for Pupils Worth Knowing
Specimen Programmes for Graduating Pupils
Over Our Tea Cups
Whims of Composers
How to Analyze
Longevity of Composers
Pre-Eminence of the Pianoforte as a Medium for …
Volume 12, Number 09 (September 1894), Theodore Presser
Volume 12, Number 09 (September 1894), Theodore Presser
The Etude Magazine: 1883-1957
Mental Practice
Amateur Musical Society
Art, Versus Muscular Power
Stray Toughts
Why Give Etudes
Summing Up of the Year's Work
Listening to Music: A Few Words to Concert-Goers
Specimen Programmes for Pupils, Hints as to Methods of Study Performance
Left Hand
Study of Hymn Tunes
Aphorisms
Musical History Examinations
How to Make a Simple Musical Cabinet
Time Reading
Woman's Life of Liszt
Some Curious Habits in Pupils, and Relections Thereon
Well Known
Must Teachers be Performers?
All Piano Pupils Should Study Harmony
Importance and Peculiarities of the Pianoforte
Different Ways of Composing
Gleams from Bohemia
Can Expression Be Cultivated?
Musical …
Volume 12, Number 07 (July 1894), Theodore Presser
Volume 12, Number 07 (July 1894), Theodore Presser
The Etude Magazine: 1883-1957
Intellectual Attitude of Instrumental Practice
Some Abuses of Music
Gleams from Bohemia
Where Are We At?—Mechanical Aids to Piano Practice
Conservatory Graduates
Life of Richard Wagner
Modern Musical Progress
Duet Playing
Mozart at Marseilles
How to Conquer a Difficult Passage
Annette Essipoff
Getting Pupils to Do More Thinking
Knowledge of Harmony Indispensable to All Musicians
Beethoven Sonatas Not For Children
Clerious Elocutes
How to Buy a Piano
Volume 11, Number 09 (September 1893), Theodore Presser
Volume 11, Number 09 (September 1893), Theodore Presser
The Etude Magazine: 1883-1957
Broad Education
Seeking the Cause
Something for Parents
Animals and Music
Choice of Pieces
What Branch of the Musical Profession Shall I Enter?
Narrow Culture of Musicians
How To Teach Beginners
How May Parents Assist the Teacher?
Illustrating Music Lessons
Encouraging Pupils
Should a Music Teacher Be an Organist as Well as a Pianist?
Wealth and Poverty of Musicians
Nationality of Masters of the Piano-Forte
On Coaching Pupils for Recitals
Teaching in Rural Districts
Hints for Amateurs Only
Does Piano Playing Pay?
Lack of Public Sympathy for Musical Art
Are We Ready for Work?
Disadvantages of the Practice of Etudes …
Volume 11, Number 08 (August 1893), Theodore Presser
Volume 11, Number 08 (August 1893), Theodore Presser
The Etude Magazine: 1883-1957
Chopin Waltzes as Piano Solos
Applause
Intellectual Culture of Musicians
Schumann's Peculiarities
Accompanying
Single-Handed Scale Practice
Musical Domino Parties
Music as a Bread-Winner for Girls
How to Help Students
Use of the Metronome in Practice
Reed-Thoughts
Early Repertoire
Madame Schumann as a Teacher
How Are We To Make the Piano Utter Most Eloquently in the Melodious Tones
Missing Lessons
Useful Knowledge to Pupils
Ladies' Piano Club and Circulating Music Library
How Much of Theory Should be Taught by Every Teacher
Democracy in Musical Education
Doctor of Music
Volume 11, Number 04 (April 1893), Theodore Presser
Volume 11, Number 04 (April 1893), Theodore Presser
The Etude Magazine: 1883-1957
Music Teacher's Experiences
Inexpensive Teacher
Lack of Tone Color in the Piano
New Music-Teaching
Novelty in Piano Manufacture: An Octave Pedal
General Faults
Wilson G. Smith
World's Columbian Exposition
Beethoven's Last Composition
Something for Pupils
Modern Definitions of Old Musical Words
Few Suggestions: Teaching the Piano to Beginners
Various Methods
Tact, Treatment of Pupils, Change of Teacher
Americans in Music
Power of the Teacher
Reed Organ Stops: Artistic and Pleasing Effects Described
Artist's Secret
Obscure Teachers: How to Succeed in Remote Places
Sympathy
Bach's Student Days
To Young Teachers: How to Learn to Play with Expression
Studio Experiences
True Statement …
Volume 11, Number 03 (March 1893), Theodore Presser
Volume 11, Number 03 (March 1893), Theodore Presser
The Etude Magazine: 1883-1957
In the Piano Corner
Delicacy and Accuracy of the Ear
Concise Chronological History of the Chief Musicians and Musical Events from A.D. 1380-1885
What Does Music Express?
Louis Köhler
Music Teacher and the Demand of the Times
Genius in Childhood
Music From a Pupil's Standpoint
Parental Control
Woman in Music
Reinecke on Mozart Concertos
Illustrious Sons of Humble Sires
Rules for Scale-Fingerings
Beginnings
Merely a Bluff
Secret of Success
Music Students and Physical Culture
Accompanist
Thoughts on Piano Practice as a Factor in Character Building
Home and Daily Life Rules for the Musical Generation Now Growing Up, in Thirty Encouraging …
Volume 11, Number 02 (February 1893), Theodore Presser
Volume 11, Number 02 (February 1893), Theodore Presser
The Etude Magazine: 1883-1957
Be Thorough
Benefits of Side Studies and Reading
Tone Production
Work of Pianists
Precision of Touch
Concise Chronological History of the Chief Musicians and Musical Events from A.D. 1380-1885
Revolution in the Teaching of Fugue
Reed Organ, Artistically Considered
Procuring and Retaining Pupils
Left Hand
Common Pitfall
Influence of the Teacher's Personality
Piano Etudes: A Retrospect and Present View
Teaching Musical Taste
Slow Study
Singing for Piano Pupils
Music as a Profession
Development of Pianoforte Music
When and Where Does a Music Teaaher's Skill Begin?
Composers and Their Inspiration
Memorizing Music
Piano Practice as a Factor in Character Building
Elements …
Volume 09, Number 07 (July 1891), Theodore Presser
Volume 09, Number 07 (July 1891), Theodore Presser
The Etude Magazine: 1883-1957
Diversity of Taste
Professional Versus Amateur Music Teachers: Or Low Tuition Fees and How to Raise Them
Piano-Forte Teaching
Life-Rests
Elegant Design For a Piano Cover
Minnie Hauk's Music Lesson
Education of Pianists
Careless Beginners
Committing Music to Memory
Paying the Price
Melody and Pedantry
Expression and Its Conditions
Music as a Bread Winner for Girls
Man Created Music
Volume 09, Number 05 (May 1891), Theodore Presser
Volume 09, Number 05 (May 1891), Theodore Presser
The Etude Magazine: 1883-1957
Mission of Music
Beginning Music Lessons
Instrumentation
Sinking of Self
Non-Thinking Music Students
New Field for Piano Composition Opened by the Janko Keyboard
New Channel for Benevolence
When to Begin the Study of the Piano
Examination Questions Used by the Conservatory of Music, Mt. Pleasant, Iowa
Musical Literature—What to Read
Word in Regard to Practice
Correct Course of Piano Study
Phrase Rendition
Volume 09, Number 03 (March 1891), Theodore Presser
Volume 09, Number 03 (March 1891), Theodore Presser
The Etude Magazine: 1883-1957
Sanctity of Music,
How Beethoven Played His Sonata, Op. 14, No.2
Freedom of Expression
At the Beginning
Hints to Young Music Teachers
Humor in Instrumental Music
Musical Growth in Pupils
Possibilities in Piano-Playing
Correcting Bad Habits
Two Ways
Confidence in Pupils
Amateur Music Teachers
Classical Music—What is it?
Music Teacher Described
Power of Music Upon Uncultured Listeners
Musings on Class Teaching
Objective Study
New Way of Scale Teaching
What a Music Pupil Should Study
Old Teacher's Opinion
Place of Music in a Liberal Education
Practical Uses of the Metronome
Musician vs. Player
Pluck and Policy in the Music Teacher
Accuracy …
Volume 09, Number 02 (February 1891), Theodore Presser
Volume 09, Number 02 (February 1891), Theodore Presser
The Etude Magazine: 1883-1957
System in Piano Practice
First Lessons on Real Music
Pianoforte Teaching
Muscular or Musical Training?
Two Extremes
What Use Shall Beginners Make of Their Eyes
Place of Music in Liberal Education
Cultivating the Imagination
Musings on Class-Teaching
Superficial Teachers
Cultivation of Feeling
Difficulties
Musical Affinity
First Lessons
Stimulus of Melody Study
Veteran Publisher Gone
More About the Pedal
Extempore Playing
Use of the Word Technique
Volume 09, Number 01 (January 1891), Theodore Presser
Volume 09, Number 01 (January 1891), Theodore Presser
The Etude Magazine: 1883-1957
Awakening Interest in the Pupil
Place of Music in a Liberal Education
Problems of Music Teaching
To Which Class Do You Belong?
Muscular Training for the Pianist
Group Scale Playing
Shall the Teacher Play the Pupil's Pieces for Him—Power of Example—Danger of Being an Imitator
Rational Basis of Musical Expression
Trust Your Teacher
Thoughts of Eminent Educators on Teaching
Why Not!
Looking Backward at the Wisdom of the Ancients
Points
How to Acquire a Sympathetic Touch
Technic Means to an End
Poor Teacher's Doom
Reading the Phrasing at Sight
Are You Progressive?
Freedom of Execution as to Tempo
Passage Practice …
Volume 08, Number 10 (October 1890), Theodore Presser
Volume 08, Number 10 (October 1890), Theodore Presser
The Etude Magazine: 1883-1957
Developing Musical Imagination
Expression vs. Technic
Musical Clubs
Musical Societies
Program for the First Year of the Musical Society, of Schenectady, N.Y.
Special Pieces for Special Purposes
Mental Reading of Music
Musical Clubs: Their Importance
International Episode
Worthy of Comment
Volume 08, Number 08 (August 1890), Theodore Presser
Volume 08, Number 08 (August 1890), Theodore Presser
The Etude Magazine: 1883-1957
What Shall We Play?
Musical Thinking and Doing
New Publications
Genius
Lesson on La Scintillata
Music Teaching
What Pupils Ought Not to Do
Volume 08, Number 03 (March 1890), Theodore Presser
Volume 08, Number 03 (March 1890), Theodore Presser
The Etude Magazine: 1883-1957
Electro-Clavier
Incompetency
Respect Due to the Musical Profession
How to Treat Backward Pupils
Mr. Virgil's Foundation Exercises
Put Your Heart in Your Music
Usefulness of Transposition of Daily Exercises
Chats with Music Students, or Talks About Music and Musical Life