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Mythical Typology In The Lord Of The Rings, Andrew Jones

Grapho : Concordia Seminary Student Journal

When considering potential gospel patterns in J. R. R. Tolkien’s work, every critic is met with two conflicting realities. Firstly, the presence of gospel patterns is abundantly apparent in Tolkien’s work. Secondly, Tolkien himself stated rather emphatically that he did not intend to create a Christian allegory. Clyde S. Kilby writes, “The story, says [Tolkien], is ‘not ‘about’ anything but itself ’ and certainly ‘has no allegorical intentions, general, particular or topical, moral, religious or political.’ [Tolkien] declares in fact that he has a ‘cordial dislike’ of allegory.”1