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The Symphony In America: Maurice Abravanel, And The Utah Symphony Orchestra: The Battle For Classical Music, Alex D. Smith Jan 2002

The Symphony In America: Maurice Abravanel, And The Utah Symphony Orchestra: The Battle For Classical Music, Alex D. Smith

Theses and Dissertations

Between 1947 and 1979 the Utah Symphony Orchestra was transformed from an obscure, part-time, amateur orchestra into one of the major symphony orchestras in America. By 1947 the orchestra, which had begun as a Works Progress Administration organization, was barely hanging on. The symphony struggled to remain financially solvent, performing only a few concerts per year. Thirty-two years later the Utah Symphony Orchestra was one of the most prestigious musical ensembles in the country— receiving rave reviews from critics around the world, touring extensively, and with more than a hundred albums to its credit. The remarkable growth of the Utah …


The Sound Of Utah: The Presence Of Geographical Elements In Music Written About The State Of Utah, Kamia Walton Holt Jan 1997

The Sound Of Utah: The Presence Of Geographical Elements In Music Written About The State Of Utah, Kamia Walton Holt

Theses and Dissertations

Music is a by-product of place and time. Musicians have opportunities to use the idea of place in their music. Thus, music has regionally distinctive characteristics which reflect human perceptions of the physical environment. Artists of the past and present focus on geographical themes, and paint a picture of ‘place’ in their music. This thesis focuses on the music of a geographical location: Utah. Musicians wrote of Utah in hymns of the past, and contemporary musicians continue to write music about Utah. This thesis answers the questions: Is music characterized by geography? How have the local musicians been influenced by …


A Collection And Analysis Of Folk Songs From Wales, Sanpete County, Utah, Leslie E. Rees Jan 1966

A Collection And Analysis Of Folk Songs From Wales, Sanpete County, Utah, Leslie E. Rees

Theses and Dissertations

The purpose of this study was to collect and record folk songs known to some of the older inhabitants of Wales, Utah. An analysis was made of thirty of the forty-six songs for the purpose of attaining a knowledge of their characteristics such as form, rhythm, melody, tempo, tonality, melodic interval range, phrase and period length, theme repetition, texture, and ornamentation. Observations were also made with reference to the textual influence on the overall musical effect.


William Claude Clive His Life And Contribution To Music In Utah, David C. Andersen Jul 1963

William Claude Clive His Life And Contribution To Music In Utah, David C. Andersen

Theses and Dissertations

The purpose of this study was to determine the influence and contribution of William Claude Clive to the musical culture of Utah. In order to determine the measure of his influence and contribution, answers to the following questions were sought: Did William Claude Clive have the necessary training to offer a contribution to the musical culture of Utah? Was his contribution primarily from his performing, composing or teaching? Were Mr. Clive's students instrumental in spreading any contribution offered by him?

Mr. Clive's greatest influence and contribution was in his teaching. He taught hundreds of students the violin, piano and cello. …


Pioneer Bands And Orchestras Of Salt Lake City, Martha Tingey Cook Jan 1960

Pioneer Bands And Orchestras Of Salt Lake City, Martha Tingey Cook

Theses and Dissertations

Early Mormon leaders realized the value of music as an important element in spiritual and recreational activities. Consequently, they encouraged and sponsored musical groups.

Three pioneer bands of Salt Lake City—the Nauvoo Brass Band, Nauvoo Legion Martial Band, and Quadrille Band—had originated during the early 1840's in Nauvoo, Illinois, under the sponsorship of Joseph Smith. They performed at all important civic and social occasions.


George Edward Percy Careless: His Contributions To The Musical Culture Of Utah And The Significance Of His Life And Works, Howard Hoggan Putnam Jan 1957

George Edward Percy Careless: His Contributions To The Musical Culture Of Utah And The Significance Of His Life And Works, Howard Hoggan Putnam

Theses and Dissertations

Through study of the conditions of the past one is often able to appreciate the present a great deal more. Particularly does this seem true when one looks into the early musical activities in our State of Utah. Most people are aware of the great amount of musical activities existing at the present time in Utah, but many fail to stop and realize the background of work and effort applied to bring these musical experiences before the public. Many fail to realize the pioneering work done by individuals to advance music to its present degree of performance. Names such as …


John Elliott Tullidge: The Influence Of His Life And Works On The Musical Culture Of Utah, Virgil H. Camp Jan 1957

John Elliott Tullidge: The Influence Of His Life And Works On The Musical Culture Of Utah, Virgil H. Camp

Theses and Dissertations

John Elliott Tullidge was one of a group of early musicians that exerted a considerable influence on the culture of Utah. He was a gentlemen well trained in the musical arts and intensely proud of his profession.

He was born November 5, 1807, a son of Edward and Mary Elliott Tullidge, in Weymouth, Dorsetshire, England. His parents were wealthy and realized the value of an education, and he was given the privilege of studying with the finest teachers of his day. He sang at a very early age in church choirs. Many positions were granted him both as a performer …


Music History Of The Salt Lake Theatre, The Formative Years: 1862-1870, Alfred S. Morris Jan 1957

Music History Of The Salt Lake Theatre, The Formative Years: 1862-1870, Alfred S. Morris

Theses and Dissertations

The purpose of this thesis was to bring to light as much of the music as possible, all the performers that could be recorded, and sufficient audience reaction to indicate the musical preferences of the area in order to provide an accurate, detailed account of the early years in the Salt Lake Theatre, 1862 - 1870. There was also the desire to present these things in such a way that they would be reliable, factual, complete, and still, if possible, interesting. An attempt was made to capture the spirit of the times, to make the characters "live," to transport the …


Eighty Years Of Music In St. George, Utah, 1861-1941, Reed Paul Thompson Jan 1952

Eighty Years Of Music In St. George, Utah, 1861-1941, Reed Paul Thompson

Theses and Dissertations

The purpose of this study has been to trace the development of music in St. George, Utah from its settlement in 1861 to 1941, an eighty-year period of much change. It has been an attempt, therefore, to show the musical heritage which this city now enjoys.


John J. Mcclellan, Tabernacle Organist, Annie Rosella Compton Jan 1951

John J. Mcclellan, Tabernacle Organist, Annie Rosella Compton

Theses and Dissertations

In order to understand the significance of music in our culture, we must learn of music history. This history includes not only a few men who have been revered through the centuries, but many who, during their lifetime and in their locality or country, exerted influence to some degree.

Such a man was John Jasper McClellan. He studied under some of the world's great teachers and received their praise; founded the University of Michigan Symphony Orchestra; directed the Salt Lake Opera Company, the Salt Lake Choral Society, and the Salt Lake Symphony Orchestra; founded the Utah Conservatory of Music; taught …


An Historic Account Of Music Criticism And Music Critics In Utah, Basil Hansen May 1933

An Historic Account Of Music Criticism And Music Critics In Utah, Basil Hansen

Theses and Dissertations

My purpose in making a study of music criticism in Utah is to realize a reliable historical account of criticism as expressed by means of journals and the growth of music within the state. This study, it is granted, is not a complete history of music in Utah. It merely treats one phase of a yet unwritten history.

A secondary interest is to defend the assertion that Utah has had music criticism and not to eulogize or deride the music pioneers of the state. It may also impress the need of constructive criticism to insure the stimulus and incentive necessary …